Ryan Reynolds Rick Rolls Pokemon Fans With 'Leaked' Version Of Detective Pikachu

Ryan Reynolds Rick Rolls Pokemon Fans With 'Leaked' Version Of Detective Pikachu
Detective Pikachu

Pokemon is a massive global franchise with a huge fan base. You can be sure that a lot of people are going to be quite excited to see the first live-action adaptation of the franchise Detective Pikachu, when it arrives in theaters on Friday.


People are so excited that they might be tempted to view a pirated version of the film that seemed to hit YouTube recently. Luckily, Ryan Reynolds himself tracked down the illegal file and made the powers that be aware of it. Of course, in doing so he also drew attention to it. I wonder if that was on purpose?


The file is titled Pokemon Detective Pikachu full picture and if you look at it, as I did only for research purposes, you see that it's an hour and 42 minutes long, which makes it long enough to be a feature film.




As you begin to view it you get the opening logos of Warner Bros. and the other companies involved in producing the film as well as a scene that includes Justice Smith which certainly looks to be from the finished film. Everything looks legit, (well, not legit) and in remarkably good quality.


The most interesting thing might be the R. Reynolds watermark in the corner, which would seem to be indicating that this was the actor's copy of the movie that somehow got out.


Of course, we know, there's a punchline coming and if you watch past about the one minute and nine second mark, you see what it is. Pikachu jazzercising, for an hour and 40 minutes. Check it out.




For the record, as somebody who has already seen Detective Pikachu, legally, the brief bit of the actual movie you get isn't even the actual opening scene, but it is from the movie.


My favorite bit has to be the distortion that's been added to the video to make it look like Pikachu dancing is actually from an old VHS tape from the 1980s.


This is pretty much prime Ryan Reynolds. Whether he's promoting a Deadpool movie or a Pikachu movie, he's clearly having a lot of fun with it/ Of course, since Pikachu's voice never appears, it doesn't seem Reynolds had all that much to do with actually creating this video, so praise also goes to the digital artists who created it.




While the dance moves get repeated, there's no obvious looping of the video, which just makes everything here that much more impressive. Some significant work went into a video of making Pikachu dance for over an hour and a half. I have no idea why this exists, but I sort of love that it does.


It's more than a little mesmerizing and the digital music is also hypnotic. Is anybody else watching more of this video than is probably healthy?


While movie piracy is certainly an issue, and Detective Pikachu will probably be no different, most serious fans are probably going to want to check this one out on the big screen anyway.




Detective Pikachu hits theaters Friday.


A Popular Walt Disney World Attraction Is Making Its Way To Disneyland Resort

A Popular Walt Disney World Attraction Is Making Its Way To Disneyland Resort
Mickey's PhilharMagic attraction sign

While there are many great attractions that exist at both Disneyland Resort and Walt Disney World, there are also those that you can only experience if you visit one park or the other. Mr. Toad's Wild Ride hasn't been at Walt Disney World in a long time and the only remaining Twilight Zone Tower of Terror in North America is at Walt Disney World. Since 2003, if you wanted to experience the 3D film Mickey's PhilharMagic, you had to go to the east coast, or another country, but that's about to change, as the popular attraction will be making its debut at Disney California Adventure next month.


The show will open soon at the Sunset Showcase Theater in Hollywood Land. The location was the former home of Muppet*Vision 3D before being replaced by a Frozen Sing-Along Celebration in 2014. Since 2016 however, the location has been a theater without a theme that has been primarily used to show previews of upcoming Disney theatrical releases.


According to the Disney Parks Blog, Mickey's PhilharMagic will take place at the Sunset Showcase Theater, not replace it. This would seem to imply that this means the show will only be a limited engagement, rather than a new permanent attraction, though no official opening or closing date have been announced, so that's not clear.




The show is making the move during a year long celebration of Mickey Mouse, called Get Your Ears On – A Mickey and Minnie Celebration, so if I were a betting man, I'd expect to see PhilharMagic hang around for the rest of this year at least.


While the name of the attraction is Mickey's PhilharMagic, the real star of the show is Donald Duck. All of your favorite classic Disney characters, Mickey, Minnie, Donald, and Goofy are preparing a concert for the audience. Donald, while getting the orchestra ready to perform, picks up Mickey's sorcerer's hat from Fantasia, which results in a lot of magical chaos and ends up throwing the duck through a number of musical moments in classic Disney animated movies like Beauty and the Beast and Aladdin.


In addition to the 3D film, a number of "4-D" effects, like water being sprayed at the audience, and various scents being pumped into the theater help deepen the immersion of the experience. The Muppet Theater was outfitted for at least some of these, so it's likely they'll make the jump to California.




Of the various 3D shows that have appeared at Disney Parks over the years, Mickey's PhilharMagic is absolutely one of the better shows, so seeing it be added to Disney California Adventure, in what has been a criminally underutilized space in recent years, is very nice. Hopefully, the show will hang around until something more permanent is created for the theater. The show may be 15 years old, but a decades old show is a better use of the theater than glorified movie trailers.


Images courtesy WDWnews.com/Disney


Mark Hamill Shows What A Han And Luke Star Wars Reunion Could've Looked Like

Mark Hamill Shows What A Han And Luke Star Wars Reunion Could've Looked Like

Mark Hamill's Luke Skywalker only re-entered The Skywalker Saga at the very end of Star Wars: The Force Awakens, so he never got to see Han Solo again. Hamill shared a photo with Harrison Ford, giving fans his imagined look at what their reunion could've looked like, and fans replied with some strong emotions:


Maybe Lucasfilm should just let Mark Hamill retcon Star Wars' Skywalker Saga. He has been open with his ... let's call it surprise on the direction of Luke Skywalker's story in Star Wars: The Last Jedi. He also recently expressed sadness that the new trilogy will never be able to have Luke, Leia, and Han Solo reunite. Han Solo was killed by his own son in Star Wars: The Force Awakens, and sadly we lost actress Carrie Fisher in real life after The Last Jedi was filmed.


It has already been revealed that Carrie Fisher's General Leia Organa will appear in Star Wars: Episode IX through used footage from J.J. Abrams' The Force Awakens. And we know Mark Hamill is returning for Episode IX, despite Luke's apparent death at the end of The Last Jedi. So if Luke is returning, does that give hope that we could see spirit Han Solo again -- like the Force ghosts who gathered at the end of Return of the Jedi?




Han Solo wasn't a Jedi, but he's Han, so ... it would just be great to see him again, even if Harrison Ford only agreed to a cameo. But at this point Episode IX is finished filming, and Mark Hamill knows what they filmed. So if his photo is the imagined Han/Luke reunion, it sounds like even Force ghost dreams may not come true.


Han Solo and Luke Skywalker were last seen together in Episode VI, Return of the Jedi. But Han and Leia's son Kylo Ren was later trained by Luke Skywalker. That went wrong in spectacular fashion, as we learned in The Last Jedi.


Fans have voiced many frustrations with the first two films in the new trilogy, with one being the lack of the original trio -- Luke, Leia, and Han. The Force Awakens even had Leia hug new character Rey after Han died, instead of embracing Han's best friend Chewbacca. Episode IX is bringing back one old school frenemy in Lando, and it will be great to see him again, but it can't make up for the missed opportunity of getting the old gang back together again for the end of the Saga.




Star War: Episode IX has a lot of questions to answer, including how Luke returns and how we say goodbye to Leia on screen. Also, the title would be nice. Some answers, and maybe a trailer, could be coming soon via Star Wars Celebration 2019. The movie itself opens in theaters December 20 as one of the many movies heading to the big screen in 2019.


First Pet Sematary Reviews Are Up, See What Critics Are Saying

First Pet Sematary Reviews Are Up, See What Critics Are Saying
John Lithgow and Jete Laurence in Pet Sematary

We are in a brilliant time for horror, as the genre is winning new converts thanks to what seems to be an alternating pattern of inventive new original films and fantastic remakes and sequels in hallowed franchises. After Jordan Peele’s Us blew the doors off the box office last month, April has brought the remake/new adaptation of horror master Stephen King’s Pet Sematary.


Considered to be one of Stephen King’s most terrifying novels, Pet Sematary was last adapted for the big screen in 1989, in a film that is well-liked by some fans, but one that probably needed a remake. So how does the new Pet Sematary fare? Pretty well it seems. The reviews are up for the film and CinemaBlend’s own Sean O’Connell gave it 3.5 out of 5 stars, praising it as an adaptation of King’s work. In his review, Sean said:



Pet Sematary, as a story, isn’t for everyone. It’s dark and sad, heartbreaking and complicated. But for fans eager to venture to the hallowed ground of King’s novel, this adaptation is a worthy and unsettling tour guide through the mind caverns of King.





That is encouraging to hear for Stephen King fans who have seen the author’s work run the gamut from unwatchable to masterpiece. That said, the story of Pet Sematary isn’t going to appeal to everyone, and it’s not meant to. Collider’s Perri Nemiroff echoes some of Sean’s points while highlighting how scary Pet Sematary is. She says in her "A-" review of the film:



Pet Sematary isn’t striving to be an easy communal crowdpleaser. Just like the source material, it’s a movie with a real thoughtful mean streak that’ll chill you to the bone, and ensure you remain sufficiently on edge well after it concludes.



It sounds like Pet Sematary is truly scary and will leave you feeling rattled long after the credits roll. Right before the credits, though, is where there seems to be some debate, with some reviewers feeling that this new film, while ultimately being a success, doesn’t quite stick the landing. IndieWire’s Britt Hayes gave Pet Sematary a “B-“ and said:





Succeeds in some areas where the 1989 version failed while ultimately failing to deliver an ending that resonates as deeply as its source material.



Others, like The Wrap’s Monica Castillo seemed to appreciate the new ending to the film how it leaves audiences with a lot to ponder in their post-Pet Sematary trauma. She said:



Its terrifying story about death still leaves audiences with much to think about long after the credits roll, and the twists that lead to a new ending are fun to follow.





Not everyone felt that this new Pet Sematary actually felt new though. In one of the film’s negative reviews, Nikki Baughan of ScreenDaily found the positive elements to be far outweighed by how trite the whole thing felt. She said:



Yet these are buried deep under a mudslide of horror cliches — jump scares, creepy kids, expositional newspaper headlines — that reduce this to just another run-of-the-mill horror remake.



Opinions like that seem to be the minority though, and some, like Slashfilm’s Chris Evangelista, fall on the complete opposite end of the spectrum. He found that this new Pet Sematary made changes that were for the better and allowed the filmmakers to tell a new version of the story that maintains the frightening and emotional impact of the source material. He gave the film extremely high praise in his 9 out of 10 review, and said:





Directors Kevin Kölsch and Dennis Widmyer take the terror that King forged, and mold it into something fresh, and exciting, and downright horrifying. Pet Sematary is one of the best Stephen King adaptations ever.



As of now, with an 79% on Rotten Tomatoes, it seems that Pet Sematary is another winning chapter in the ongoing horror renaissance. The film won't be for everyone and Stephen King die-hards and fans of the original film can probably go either way on the changes. Pet Sematary also isn't a particularly happy film, so if you're doing a double feature with Shazam! it's probably best to end with that delightful superhero film instead of going home on such a heavy note.


Pet Sematary rises from its grave when it opens in theaters on April 5. Check out our 2019 release schedule to see all the horror films and everything else you can look forward to this year.




John Wick 3's Big Spoiler Scene Caused A Bunch Of Challenges

John Wick 3's Big Spoiler Scene Caused A Bunch Of Challenges
Keanu Reeves as John Wick holding a handgun

The following contains spoilers for John Wick: Chapter 3 - Parabellum.


The newest installment of the John Wick franchise once again puts the title character through hell. He's set upon by another army of assassins trying to kill him and he must fight them off almost entirely alone, and while Wick has proven resilient, he hasn't made it this far without some scars. However, the biggest injury John Wick has yet sustained comes in John Wick Chapter 3 - Parabellum, and it's an injury that caused problems not just for the character, but also the production of the movie itself.


Without diving too deep into spoiler territory, John Wick sustains a serious injury to his left hand, one that required the use of CGI in order to recreate the damage any time you saw Keanu Reeves left hand throughout the rest of the movie.




The problem is that Keanu Reeves is left-handed, which meant that a not insignificant amount of money was going to need to be spent on CGI for the new movie because you were going to be seeing that hand a lot. According to director Chad Stahelski...



No one creatively saw a problem with it, but it comes down to a simple matter of financials. Without giving away the spoiler, you saw it; you know what he does. That’s on his lead hand. You have a left-handed actor who’s just deformed his left hand and that left hand is in every shot of the third act of the movie. VFX wise, there’s a cost associated with that. There’s logistical problems and practical filming that are associated with that. The studio does their job of questioning my visions and my methods to see if I really like it



It seems that Lionsgate, the studio behind the John Wick franchise, had to at least ask the director if this decision was really a necessary one. While it was understood from a story perspective, movies are a commercial venture after all, and so cost is always going to be a concern. According to THR, The director apparently had to make concessions in the budget in other places in order to make sure the money was there to handle the CGI costs.




For whatever it's worth, odds are that the studio probably doesn't mind the additional CGI costs as much right now. John Wick: Chapter 3 - Parabellum had the biggest opening in the franchise history this past weekend, and a fourth film has already been green lit. Of course, most of John Wick: Chapter 4 is going to be that much more expensive because the injury in question won't be healing in the next movie, so the next film will need to use CGI for the entire run.


John Wick: Chapter 3 - Parabellum is in theaters now.


The Key Ways Greta’s Script Changed To Make Isabelle Huppert A Perfect Fit

The Key Ways Greta’s Script Changed To Make Isabelle Huppert A Perfect Fit
Isabelle Huppert and Chloe Moretz in Greta

SPOILER WARNING: The following article contains spoilers for the film Greta**. If you have not yet seen the film, read on at your own risk!**


Over the course of Neil Jordan’s Greta, Isabelle Huppert’s titular character evolves quite a bit. When we first meet her, through the eyes of Chloe Moretz’s Francis she appears to be a lonely old woman with a lot of love to give and nobody to give it to, but developments in the plot reveal that to only be a fraction of the real story. It makes for a fun performance from a veteran star, and it should surprise few to learn that it was tailor made for Huppert – as I recently learned from the film’s writer director:



When Isabelle [Huppert] read it, and Chloe [Moretz] read it, they liked it, and we began to have a serious prospect of making it as a movie. I got out my pen and I rewrote the part for Isabelle. In the initial script she was an older Hungarian woman. And I said to Miss Huppert that we would develop all sorts of dimensions to this character.






Earlier this month I sat down with Neil Jordan during the domestic press day for Greta in Los Angeles, and one of the earliest subjects discussed during the interview was the film’s evolution. Jordan told me that he had a lot of appreciation for Ray Wright’s script when he first read it, particularly the story about a female stalker and its approach to what he called “familiar” material, but when Isabelle Huppert started to express interest he started to produce new drafts of the movie that had her very much in mind for the antagonist.


One of the key ways that Greta changed is that she became a Hungarian woman who pretends that she is French – playing specifically to Isabelle Huppert’s natural accent – but that was only the start. Based on Neil Jordan’s description, the character was originally going to be considerably older, and appear to be a lot more helpless. Having Huppert interested brought Greta’s age down, but Jordan’s version also gave her a bit more flair and charisma. He explained,



We gave her a French persona that she presents to the world. We gave her sophistication, we gave her a piano. We'd give her all sorts of stories about our life, which turn out not to be true - made her considerably younger, and gave her an elegance.






From the outside Greta appears to be an innocent woman in need of good company, but as we witness as the story unfolds that’s not really the case. Francis first meets her when she discovers Greta’s “lost” bag on the subway, and the two quickly begin a mother-daughter-esque relationship as Francis tries to help her (and it doesn’t hurt that Francis just recently lost her mom and has only just moved to New York City). Before too long, however, she realizes that the bag was planted to try and lure her in, and Greta’s obsessive personality starts to become excessively disturbing.


The key to everything in Greta is the relationship between Francis and Greta, and Neil Jordan stressed how changing the latter in new drafts of the script significantly altered their dynamic. While Ray Wright’s script had Francis primarily motivated by sympathy and a level of benevolence, the alterations that Jordan made had it so that Francis was almost entranced by the woman, and wanted to spend more time with her:



In the first script, Francis' relationship to Greta was one of the pity really. She pitied this apparently helpless woman. But in this iteration of it, Francis was kind of seduced by Greta. She's seduced by her piano playing, by her elegance, by her offer of friendship.






It’s pretty easy to imagine anyone falling into that same trap, but after watching the nightmarish results that play out in Greta, audiences may be a bit more wary.


Greta, which stars Maika Monroe, Colm Feore, and Stephen Rea in addition to Isabelle Huppert and Chloe Moretz, is now playing in theaters nationwide.


Godzilla: King Of Monsters Clip Shows Him Throwing Down With Ghidora

Godzilla: King Of Monsters Clip Shows Him Throwing Down With Ghidora

We watch Godzilla movies for basically one reason, right? We want to see the giant monster break stuff. Also, punch other giant monsters in the face. Godzilla: King of the Monsters promises to give us lots of monsters fighting monsters action when it hits theaters later this year, and a new video is teasing us with what is sure to be one of the bigger battles of them all, Godzilla vs. Ghidora. Check it out.


While the video, posted by Bastizilla, titled simply "Run," does give a brief glimpse at other creatures, most of what we see here is the three-headed beast that is King Ghidora. We get a shot of Ghidora and Godzilla charging each other, one that unfortunately cuts before the two actually collide. However, later we see what appears to be Godzilla with his claws wrapped around one of the heads of Ghidora and driving it straight into the ground. We also see Godzilla about to blast somebody with his breath weapon. The next shot in that sequence is probably awesome.


Ghidora looks absolutely amazing here. While Hollywood has tried to make Godzilla work in the west before, this is the first time that some of these other massive creatures have appeared in a western production. Ghidora looks like he's going to give Godzilla a run for his money in the ass kicking department. Watching them throw down may be the highlight of the new movie.




One other interesting piece of information we get from the new clip is that the monsters that we have seen previously getting all the spotlight, Godzilla, Ghidora, Mothra, and Rodan, aren't going to be the only creatures in the movie. Ken Watanabe's character appears to say that 17 different creatures have been detected, and he clearly expects more. It doesn't mean they'll all be major kaiju we know from classic Godzilla movies, they may be largely generic creatures like the ones Godzilla fought in the previous film, but maybe there's more going in Godzilla: King of the Monsters than we know.


Either way, since the entire premise of the new movie is that humanity and Godzilla team up to take down all the other monsters threatening the planet, Godzilla may be doing a lot more fighting than even we thought.


Of course, that assumes that by the end of the movie Godzilla has ended every threat. That may not actually be the case. Considering that the one thing we know about this franchise is that Godzilla Vs. Kong is happening, perhaps that won't be the case. At the very least, one would expect a cliffhanger ending or a post-credits scene that teases that the fight isn't quite over yet.




The battle with Ghidora looks great here, and the fact that we're expecting a couple of other major kaiju battles in Godzilla: King of the Monsters is only making things more exciting. We'll get to see all the monster smashing action in May.


Martin Lawrence Celebrated Bad Boys For Life Wrapping Production With Photo From The Set

Martin Lawrence Celebrated Bad Boys For Life Wrapping Production With Photo From The Set

Development hell is a realm that any film worth its salt is lucky to escape. Projects in this land of the damned were once promising, until the point where they become an empty promise. But every now and then, a movie is powerful enough to escape this demon pit, and make it to the finish line, and Bad Boys For Life is one such film to earn such an honor.


This calls for a celebration, and leave it to Martin Lawrence to commemorate the occasion with a photo on the day Bad Boys For Life wrapped production. Check out that photo for yourself below:


It wasn’t too long ago that Will Smith was commemorating the start of production for Bad Boys For Life, so it’s fitting that Martin Lawrence back his partner’s call with a similar gesture during the long awaited film’s final moments of filming. Considering the history of this film’s production, we can’t blame them for celebrating that Bad Boys For Life actually exists, and is about to have the finishing touches bestowed upon it for a run in theaters next year.




Several years past 2003’s release of Bad Boys II, rumors about a third installment in director Michael Bay’s buddy cop franchise ran rampant up until 2015 when there was an official announcement of not one, but two sequels, set to debut in 2017 and 2019. While there was a fair amount of optimism that this plan would come to fruition, it eventually was derailed, despite promising developments along the way.


If Bad Boys For Life’s original incarnation stuck, we’d have seen a film written and directed by Joe Carnahan, the mind that brought us films like Smokin’ Aces, The Grey, and the upcoming film, Boss Level. But eventually, the setbacks that continued to delay this third film saw Carnahan leave the project, paving the way for a new pair of directors and a new lease on life.


The current lineup for Bad Boys For Life does see Will Smith and Martin Lawrence return to their respective roles of detectives Mike Lowry and Marcus Burnett, as seen in this commemorative photo on Lawrence’s Twitter feed. But this time out, young directors Adil El Arbi and Bilal Fallah will be shepherding the destruction and excitement that follow this legendary pair, with a particularly interesting rumored plot involving the break up (and eventual make up) of Lowry and Burnett.




It all brings us to this very real moment, where Martin Lawrence, Will Smith, and everyone else behind Bad Boys For Life have completed their task. Now, all that stands between this hotly anticipated film and its potential audience is the post-production process. Looking at everything this film went through to get here, that’ll probably be the easiest part of the whole process.


Bad Boys For Life will finally have its day in theaters on January 17, 2020; unless it gets a bump into a summer release date more worthy of movies sporting gun fights and car chases.


Yes, Zachary Levi Prefers DC To Marvel, Thank You Very Much

Yes, Zachary Levi Prefers DC To Marvel, Thank You Very Much
Zachary Levi as Shazam! in costume

What started off as the MCU dominating the on-screen superhero sphere and DC playing catch up has switched up n recent years. Warner Bros has made a good case for the potential of its own universe with entries such as Wonder Woman, Aquaman and most recently with the success of Shazam!.


Zachary Levi, who played the titular hero, is one of the few actors who has played comic book characters in both the Marvel and DC film worlds. Naturally, fans are curious how working under the two mantles compare. When Levi took questions at a panel at MegaCon in Orlando, here’s what he said:



I mean I had more fun working for DC. I got to be my own superhero for DC. It was super cool. While I wasn’t able to do the first Thor, I was cast in that by Kenneth Branagh, who I think is an incredible talent… and then getting cast as Fandral the Dashing, this Lothario, swashbuckling, Douglas Fairbanks - I was like ‘this is so dope!’





This isn’t a huge surprise. The actor was given an entire hero to call his own in the DC Extended Universe. For Marvel, he revealed that he was cast to play Fandral in the first Thor movie, but was unavailable. As a result, Josh Dallas took on the role for the 2011 film and Levi took over for Thor: The Dark World and Thor: Ragnarok. Although he seems to have loved his character in the Thor franchise as well, it didn’t live up to its potential. He continued with these words:



We had some fun, but we didn’t really do all that much. I mean anybody who saw the movie, as you know they really didn’t really go that direction with the movie, so I really didn’t have that much to do. So I couldn’t possibly have had as much fun and by going and being my own guy who is a 14-year-old in a superhero adult body. The fun and funny, joy and heart that comes from a premise like that, that’s a fun movie!



Fandral and the Warriors Three may have been a common thread in the Thor trilogy, but they continued to be on the sidelines as the films went on and didn’t get much screen time. Levi previously expressed interest for the Thor sidekicks to get a spinoff of their own, but they were killed off in Ragnarok. After The Dark World struggled to impress Marvel fans, Levi’s Fandral didn’t even get a line in Ragnarok. His last words (or any lines for that matter) were cut from the film.




Zachary Levi even admitted his relief that Fandral didn’t make it out alive for Avengers: Infinity War, because it may not have freed his schedule for Shazam!. He said he likely would have been a sitting duck on set for three months only to be killed off then too.


When you ask Zachary Levi to compare his experiences with the two comic book franchises, his answer isn’t tough to predict or understand. His time with Marvel may have been a bit of a letdown, but it was redeemed in a big way when he took on the role of the adult Billy Batson. His Shazam! role allowed him to really show off his acting chops and play a kid in a superhero’s body. He was far from disappointed by the product since the movie was met with positive responses from critics and fans.


Zachary Levi has also pointed out how proud he is of Shazam’s attention to diversity, as it portrayed a foster home full of different identities, including Billy Batson’s bestie, Freddy, who has a disability. Due to the film’s predominantly young cast, a sequel is already being fast tracked for Shazam! at Warner Bros.




There really is no comparison for the actor given his experiences. That said, he has spoken out to fans in the past to stop pitting the two franchises against one another when Captain Marvel and Shazam! were being placed side by side at the box office and since the two heroes once shared the same title.


Why pick a side anyway? Both the comic book universes are offering something different for fans and can be appreciated in their own lights as they both continue to stack its slates with exciting releases.


When Guardians Of The Galaxy Vol. 3 May Finally Begin Filming

When Guardians Of The Galaxy Vol. 3 May Finally Begin Filming
The Guardians of the Galaxy in Avengers: Infinity War

Although Guardians of the Galaxy Vol. 3 was one of the first movies to be announced for the Marvel Cinematic Universe’s Phase 4 (or whatever the next upcoming slate of movies is being called), the firing and eventual re-hiring of writer and director James Gunn complicated its release schedule. We won’t be seeing Guardians of the Galaxy Vol. 3 as soon as was previously believed, but word’s come in that it could begin filming as soon as next year.


Back in March, it had been rumored that Guardians of the Galaxy Vol. 3 wouldn’t start rolling cameras until early 2021, but THR is saying that production is actually set to begin sometime in 2020. It’s possible that the launch date is for late in 2020, thus being only a few months separated from the previously rumored date, but for Guardians of the Galaxy fans, the prospect of the team’s threequel coming sooner than previously expected is undoubtedly welcome.


When Guardians of the Galaxy Vol. 3 was first unveiled, it was generally believed that it would be ready to go by summer 2020. Marvel never officially confirmed this, but after Disney fired James Gunn last July, any release date plans that might have been penciled in were erased, and the project was put on indefinite hiatus.




In between when James Gunn was fired from Guardians of the Galaxy Vol. 3 and then re-hired in March, he boarded the DC Extended Universe to write and direct The Suicide Squad, and that’s still in play. Production on that sequel/relaunch is set to begin in September, and because it’s not coming out until August 2021, it’s possible Gunn could find himself in a situation where he’s directing Guardians of the Galaxy Vol. 3 and still working on The Suicide Squad on the side.


Sean Gunn Knew In Advance About James Gunn’s Reinstatement As Guardians 3 Director


In any case, assuming that Guardians of the Galaxy Vol. 3 does end up beginning production in 2020, there’s a slim chance it could be ready to go by November 5, 2021, which is one of the dates that Marvel has blocked off. However, given all the VFX work that goes into making these movies, I suspect that Guardians of the Galaxy Vol. 3 won’t arrive until 2022, presumably taking the May 6 date, as Guardians of the Galaxy Vol. 2 also opened in May.




Warning: SPOILERS for Avengers: Endgame are ahead!


While no official plot details have been revealed for Guardians of the Galaxy Vol. 3 have been revealed yet, the currently-playing Avengers: Endgame did hint at what might be coming up by showing Thor accompanying the Guardians back into space and Star-Lord looking for the past version of Gamora, who is now running around the present day MCU. Let’s also not forget that one of Guardians of the Galaxy Vol. 2’s mid-credit scenes set the stage for Adam Warlock to eventually be brought into this universe.


Stay tuned to CinemaBlend for more updates on what’s happening with Guardians of the Galaxy Vol. 3, and you can learn what else is in development for the MCU by looking through our handy guide.




Could Clint Eastwood's Next Movie Land Over At Disney/Fox?

Could Clint Eastwood's Next Movie Land Over At Disney/Fox?
Clint Eastwood

Disney is still figuring things out when it comes to the new Fox studio that the company now owns. There were many projects in various stages of development, and it's likely that not all of them will continue moving forward. However, one project that looks like it may have a chance at life is The Ballad of Richard Jewell and Clint Eastwood is looking at directing.


The Ballad of Richard Jewell was already a project under consideration under the previous 20th Century Fox administration. It now belongs to the new Disney/Fox and Clint Eastwood has been in talks with the new studio about helming the film.


Not every Fox project is doing as well under the new guard. Wes Ball's Mouse Guard, which was very near going into active production, was just stopped by Disney/Fox. The project may get picked up elsewhere, but the new company is already making the call to close down projects it doesn't want. This project, especially if Clint Eastwood does agree to direct, looks to be one Disney/Fox wants to move forward with.




The Ballad of Richard Jewell is based on a Vanity Fair news article of the same name about Richard Jewell, who was a security guard during the 1996 Atlanta Olympics who recognized a suspicious package, which turned out to be a bomb, and saved many people in the process. However, after the events were over Jewell was looked at as a possible suspect. This information became public and Jewell's life was turned upside down. While he was eventually exonerated, his life, and health, were never the same and he died of heart failure at the age of 44.


The Ballad of Richard Jewell is a project that's been around for a while. The script was written by Billy Ray, who previous wrote Captain Philips. Several years ago, Jonah Hill was attached to star as Richard Jewell and Leonardo DiCaprio was considering coming on board to play Jewell's lawyer and friend. Paul Greengrass had considered taking on directing the project, but it never went anywhere. Deadline reports that Eastwood would be looking to put together his own cast with an eye toward beginning production as early as this summer.


Richard Jewell feels like just the sort of character that would be of interest to Clint Eastwood. Many of his recent directorial projects have been stories based on real people. Sully, 15:17 to Paris, American Sniper, and even Eastwood's most recent film, The Mule, in which he also starred, were all based on real people. Clearly, there's an interest in dramatizing these real events and the story surrounding Richard Jewell is one that certainly lends itself to drama.




If The Ballad of Richard Jewell does go into production this summer we could see it as early as the first half of 2020. Although, on paper, this one could have the potential to be an awards contender, which would likely give it a late 2020 release.


Captain Marvel Directors React To Rumors About Nick Fury Being A Skrull

Captain Marvel Directors React To Rumors About Nick Fury Being A Skrull
Samuel L. Jackson as de-aged Nick Fury talking to Carol Danvers in a diner in Captain Marvel

Marvel fans have always been attentive - just look at all the references the filmmakers packed into Avengers: Endgame to provide us with a rewarding experience after going out to see MCU movies for over a decade. However, there is such a thing as reading too much into a character’s screen time, which is perhaps what fans have done with a bit from Nick Fury’s backstory in Captain Marvel.


In a scene in Carol Danvers’ origin movie, she sits across from a digitally de-aged Samuel L. Jackson as Nick Fury as he attempts to convince her that he’s not a shapeshifted Skrull. As they get to know each other, Carol asks him to “name a detail so bizarre a Skrull could never fabricate it” to which Fury opens up about his inability to eat diagonally-cut toast.


The answer sparked a theory when fans referenced a scene in Avengers: Age of Ultron in which Fury is at Hawkeye’s farmhouse, makes himself a sandwich and then cuts the bread diagonally!! So obviously, fans think present-day Fury is a Skrull in disguise.




In a recent interview with ET, the Captain Marvel directors were asked to address the theory and here’s what they said:



Anna Boden: Well, there are two options here. Either Fury became a Skrull or he got over his weird fear of diagonally cut toast, and we'll never know the truth. [Laughs]


Ryan Fleck: He actually became okay with people calling him Nick. So, you know, either he's a Skrull or he just changed, like we all do.



Does anyone else feel like they’re trying to confuse us more? The pair of directors do bring up a good point; Nick may have just changed his mind about diagonally-cut toast between the ‘90s and Age of Ultron, just as he became a more hardened as the years went on. However, the change in his demeanor is much of the reason why fans believe Fury is really a Skrull.




Another supporting idea for the Fury Skrull theory is that four of them landed on the beach in Captain Marvel and only three were ever seen again. Could it be true? The Skrulls did end up to be the good guys in the Kree-Skrull war, but maybe they wanted to be behind the Avengers Initiative? Wouldn’t that be quite the plot twist! The question would then be what happened to the real Nick Fury we met in Captain Marvel? Maybe it would explain why he never called on Carol for help in the previous Marvel films before Endgame.


Or perhaps this is just a random situation that the MCU forgot to fact check before the release of Captain Marvel. It is a pretty deep cut (pun intended) that most fans would not have noticed or remembered upon Fury bringing it up.


Maybe we'll get some answers when Samuel L. Jackson reprises his role as Nick Fury in Spider-Man: Far From Home, coming to theaters on July 2.




The Russo Brothers Reveal The One Avengers: Endgame Actor Who Got The Full Script

The Russo Brothers Reveal The One Avengers: Endgame Actor Who Got The Full Script
Avengers: Endgame cast coming together

If you were one of the many fans who broke the internet (and records) when Avengers: Endgame pre-sale opening night tickets went online, today it’s time to start the final week countdown. Due to all the secrecy surrounding this MCU installment, you better believe the Avengers cast are feeling the anticipation about the release – partly so they can finally talk about it but also to find out what happens in their own movie.


Much of the Avengers cast were not trusted with the full scripts for the Avengers films, except for one per recent comments by the Russo Brothers. In Joe Russo’s words:



[Robert Downey, Jr.] was probably the only one to actually read the entire script. I think Benedict [Cumberbatch] got the script that included his scenes only. [Chris] Evans might have read the whole script.





Looks like Iron Man may be the only actor entrusted with keeping the entirety of Endgame underwraps ahead of the release. The remainder of the cast were only given parts of the script that included their character’s lines or in Tom Holland’s case only his own lines as Joe Russo recently told IndieWire:



He doesn’t even know who he’s acting opposite of. We use like, very vague terms to describe to him what is happening in the scene because he has a very difficult time keeping his mouth shut.



Wait… was Tom Holland’s Spider-Man dusted in Infinity War just so he wouldn’t be able to do press for Endgame? The press tour has been a stressful undertaking for the surviving Avengers cast, who have had to dance around questions about the little they do know about the movie. So imagine what it’s like for RDJ, who may know just as much as the filmmakers. He does have the talent of being a good actor on his side to cover up the secrets for fans.




It makes sense that Iron Man and potentially Captain America would be on the shortlist of the actors able to read these scripts since their story arcs are at the forefront as Endgame closes out their arcs with this film. Anthony Russo did admit in the Rotten Tomatoes interview that behind-the-scenes this method isn’t always an easy option with these words:



It is a more tedious way to work to be honest with you because we do have to do more discussion on set about context because they don’t have the entirety of the script to work off of. So you do need to work harder this way but we believe it’s worth it because that pay off is that special experience in the movie theater for all the audiences.



The Russo’s explained that they keep the scripts away from the cast to make it easier for the actors to not have conversations about spoilers and because they want to replicate the unique experience they had as a kid going to the movies when the spoiler-ridden internet wasn’t a place they could go.




There is something special about going into a movie and not knowing what you’re going to see and it’s why Avengers: Endgame will be such an exciting experience for fans. The movie arrives on April 26th.


Moana Soundtrack Vs Frozen Soundtrack: Which Disney Movie Has Better Songs And Lyrics

Moana Soundtrack Vs Frozen Soundtrack: Which Disney Movie Has Better Songs And Lyrics
Elsa From Frozen and Moana

While Disney animation has had more than its share of hits over the years, there's been nothing quite like Frozen. It's the highest-grossing animated movie around the world the studio has ever had. While a great deal of that success comes from the film's story, which subverts many of Disney's own tropes, you can't overlook the importance of the music in Frozen either.


The soundtrack to Frozen became the first soundtrack album to accumulate one million downloads. It's incredibly successful, but is it actually the best Disney soundtrack?


A couple of years after Frozen, Disney's next "princess" would debut on the big screen in Moana. While Moana would not set the records that Frozen did, it still became an incredibly popular film, in large part because of its music. Let's take a look at the soundtracks and see which one truly is the best.




Frozen Soundtrack


Let It Go: You can't talk about Frozen without discussing "Let it Go." The song is far and away the biggest hit in either movie from a popularity standpoint. There's a reason for that: it's really, really good. Elsa sings the song after leaving home as she decides that she's going to embrace her magic rather than hide it. It's an anthem and it's an inspiring song as any song of this ilk should be.


Do You Want To Build A Snowman?: One of the earliest songs heard in Frozen, "Do You Want to Build a Snowman" is the song the movie uses to jump us forward in time. After Elsa has been sequestered away, Anna sings it as she tries to reconnect with her sister. It's an interesting song because what starts out as the fun and lighthearted romp from a child transforms over the course of the song into an absolutely melancholy tune sung be a young woman. The question, "do you want to build a snowman?" starts out as a joyous invitation and becomes a tearful plea.


For The First Time In Forever: Every great animated Disney movie, and most musicals in general, have what's called the "I Want" song. The song in which the protagonist sings about their dreams which will drive the plot of the story. In Frozen, that song is "For the First Time in Forever." It's mostly sung by Anna as she revels in the excitement of seeing the castle gates opened for the first time in years. However, it also shows us what Elsa wants, which is for all this to just end, showing how the sisters will conflict later in the story.




Love Is An Open Door: Sung by Anna and her new beau Hans, "Love is Open Door" is one of the more interesting pieces of music in Frozen because it fulfills two roles that we normally see songs have in Disney movies. First, it's the love song, as the pair sing about how they're falling in love with each other. However, it's also the villain song. Disney villains almost always get great songs to sing and if you pay attention to the lyrics, you realize that what Hans is really saying is that Anna's love is an opportunity that he can take advantage of.


In Summer: Whether you like or loath "In Summer" is going to depend entirely on how you feel about Olaf the Snowman as a character. Olaf's childlike innocence might not work for everybody, but for those who would like to give Olaf a warm hug, the song is great. The boundless enthusiasm Olaf has for something he knows nothing about, the heat of summer, is hilarious and the tune has the wittiest lyrics of any song on the Frozen soundtrack.


Fixer Upper: The final song to appear in Frozen is sung by the side characters the trolls. It sort of works like a secondary love song, though it's played exclusively for laughs rather than to build romance in any meaningful way. It's a cute tune with some funny lines, but it's probably not anybody's favorite song.




Frozen Heart: The first song in Frozen is an underrated tune because it's the one that actually sets the tone for the entire movie. "Frozen Heart" opens the entire movie as a group of men sing while they work harvesting ice. The booming male voices off set the female voices that dominate the rest of the film. And the song's repeated title line "beware the frozen heart" hints at the larger conflicts that will come later in the movie.


For The First Time In Forever (Reprise): The reprise of "For the First Time in Forever" is the moment when Anna realizes that her sister truly needs her help. Elsa only wants Anna to go away, continuing to believe that's the only way to keep her safe. It's a brief interlude but an interesting juxtaposition on the previous version of the song.


Reindeer(s) Are Better Than People: It's brief and its silly, but it's also fun. Frozen doesn't have talking animals the way many Disney movies do, so when it comes to Sven, Kristoff speaks for him. Kristoff performs the song as entertainment for himself and his reindeer while they find a place to sleep for the night.




Moana Soundtrack


How Far I'll Go: "How Far I'll Go" is Moana's "I want" song. It's all about the call the young Moana feels pulling toward the ocean. What makes this song a bit more unique in Disney history is that Moana is more torn than the usual Disney heroine. She knows she has responsibilities at home and she wants to live up to those responsibilities. She doesn't want to leave her life behind, she wants both, and she's not sure how to make that happen. She almost wishes she didn't feel the need to voyage, but she just can't help it.


You're Welcome: Who would ever guess that one of the catchiest Disney songs in recent memory would come from The Rock? And yet, Maui's one solo tune in Moana, "You're Welcome" is the biggest ear worm on the Moana soundtrack. It's got a great tune and punchy lyrics, and isn't short on ego, so of course it works for The Rock.


Shiny: Moana doesn't have a traditional villain that our heroes battle and defeat at the end of the story, so the closest thing to a villain song comes from the giant crab Tamatoa voiced by Flight of the Conchord's Jemaine Clement. It's the biggest musical number in the film and Clement owns the performance, going full glam rock with it.




Where You Are: "Where You Are" is the Moana song that gives you all the backstory you need to understand the story. In just a few minutes you have a complete understanding of Moana's life on the island. We learn what is expected of her, and begin to see that she's conflicted about it. It's got a great melody, too. Similar to one of Frozen's songs, it take us through multiple time periods, and emotions, from the beginning to the end.


We Know the Way: Sung by the great Opetaia Foa'i and Lin-Manuel Miranda, who co-wrote much of the Moana soundtrack, the song comes in two parts. One part is a combination of Samoan and Tokelauan, and the other half is written in English. It's a great piece that uses native languages of the South Pacific in order to properly set the story. It's a wide, sweeping, and open song that feels like you're traveling the wide open ocean.


How Far I'll Go (Reprise): While the original rendition of the song is girl conflicted about what the right choice is, the reprise to "How Far I'll Go" is a woman who has made her choice. She's both excited to be setting off on her journey and determined due to its nature. There's no turning back from this moment and you can feel it in the way Moana sings.




I Am Moana (Song of the Ancestors): At her darkest point, Moana is visited by the spirit of her grandmother. Finally, Moana's torn soul -- that wants to help her and also travel the sea -- finds peace by realizing that she can do both. She understands who she is now, and she chooses to continue her journey. It's an incredible song that will stir something inside you every time you hear it.


We Know the Way (Finale): Moana's finale piece is a return to the voice of Lin-Manuel Miranda in a triumphant finale song that seems Moana and her family traveling the oceans looking for new islands to settle. Moana's people have entered a new era in their lives and Moana is the reason.


An Innocent Warrior: "An Innocent Warrior" probably isn't a song you're going to sing in the car unless you're fluent in several polynesian languages, but the fact that you don't know the words doesn't make the song any less beautiful. Played as Moana has her first encounter with the ocean as a living entity, we see the baby Moana having fun playing with the water, but while she is playing the lyrics of the song tell us about the journey that stands in front of the girl and how important it will be.




Logo Te Pate: Another song you can't sing along to unless you speak Tokelauan, "Logo Te Pate" is the montage song that plays over a collection of scenes that shows Maui training Moana to become a wayfinder. It's an upbeat number and the lyrics, even if you don't understand them, give you a feeling of excitement. We know things are looking better for our heroes.


Know Who You Are: All of Moana is about the title character finding out who she is. In the end, success in her quest comes from helping somebody else find themselves. Te Fiti, whose heart Moana needs to restore, is also the monster who has been blocking Moana's path. The young girl finally realizes this and we get a soulful song that's liable to bring a tear to your eye.


Tulou Tagaloa: The first song of Moana is only played over the opening Disney logos, and isn't technically part of the movie, but it is part of the soundtrack, and it's a lovely (albeit brief) tune. Translated from Samoan, the lyrics are about welcoming you so that you may witness and understand how beautiful this world is, make this song the perfect way to start the story of Moana.




Which One Is Better?


This certainly is a tough call. With Frozen you have one of the most iconic songs that Disney has ever produced in "Let it Go" and if we were judging based on which soundtrack at the best single song, that would determine our winner.


However, when taken as a complete soundtrack, the edge has to go to Moana over Frozen. Everything on the Frozen soundtrack feels like something that would belong at home on the Broadway stage, and of course, Frozen is now a successful Broadway show as well as a movie, and while that's not a bad thing by itself, Moana's soundtrack just has more variety.


In addition, the fact that the lyrics to many of Moana's songs include actual Polynesian lyrics, gives the songs a better sense of place. No matter when or how you hear the soundtrack to Moana, you feel like you've been transported back to the movie when you hear somebody sing in Tokelauan.




Both Frozen Moana have soundtracks that will undoubtedly stand the test of time. But in my opinion, Moana's is ever-so-slightly better.


Booksmart’s Olivia Wilde Reveals The Teen Comedies That Inspired Her In This Exclusive Featurette

Booksmart’s Olivia Wilde Reveals The Teen Comedies That Inspired Her In This Exclusive Featurette

In their own way, teen comedies have the capacity to demonstrate the very real power of cinema. Those who grew up with a close relationship to movies can likely rattle off a series of fantastic titles they saw through their high school years, and it’s because of the significant impact of watching characters your own age struggle with similar issues – while also experiencing wacky, hilarious hijinks. Every living generation has their personal examples of this, and now Olivia Wilde has contributed to this wonderful legacy with her directorial debut, Booksmart.


At the same time, though, hearing some wonderful comparisons to legitimate classics has really amazed the filmmaker in the run-up to the release of her movie – which is something she joyously explains in this exclusive new featurette:


As she explains in the video, Olivia Wilde was excited to make Booksmart as her first directorial effort because of her own personal love of teen comedies – and she performs a bit of title rattling herself, with a special focus on the many classics from writer/director John Hughes. Her intention was to evoke the very special feeling of being young and the freedom that comes with it, and it’s apparently been a thrilling experience getting feedback with that reaction from audiences that have already seen the film. Said Wilde,





The reason I wanted to make Booksmart is because I love these high school classics. I love these generational anthems. I think about movies like The Breakfast Club, Sixteen Candles, Ferris Bueller's Day Off, Clueless… I wanted to make something that celebrates the kind of freedom of youth, but to hear people say like, 'Oh, this movie makes me feel how I felt when I watched Clueless' is kind of mind-boggling.



Based on an original screenplay by Susanna Fogel, Emily Halpern, Sarah Haskins, and Katie Silberman, Booksmart tells the story of Amy (Kaitlyn Dever) and Molly (Beanie Feldstein) - two overachieving, anti-social high school seniors who are exceptionally proud of the hard work they’ve done and the high grades they have earned. They are both set for extremely bright futures, but the wind gets totally taken out of their sails when they discover that many of their party-loving classmates are also getting ready to go to some of the best colleges in the country. Feeling like they’ve missed out on a key part of the teenage experience, they vow to make the most of the night before graduation by attending a party being thrown by one of the most popular kids in school.


The movie very much shares a kindred soul with the wonderful titles mentioned earlier, and Olivia Wilde hopes that it it’s a film that connects with audiences of all ages – both the young people who are currently experiencing similar tribulations as the protagonists, and those who are older and can reflect on having those same experiences in their youth:





I wanted to make [teenagers] something that acknowledges how awesome they are, while also making something for the rest of us to just look at and feel super nostalgic.



Booksmart, which co-stars Will Forte, Lisa Kudrow, Jason Sudeikis, Jessica Williams and more, arrives in theaters this Friday, May 24th.


James Gunn's Return To Disney Goes Beyond Guardians Of The Galaxy Vol. 3

James Gunn's Return To Disney Goes Beyond Guardians Of The Galaxy Vol. 3
Rocket in Guardians of the Galaxy - Mission: Breakout

When big news hits, as you might imagine, things at CinemaBlend go a little bonkers. Everybody goes slightly crazy as we all try to make sure we have all our bases covered. Things went crazy like that last summer when the word came down that Disney had dropped James Gunn from Guardians of the Galaxy Vol. 3, and they went that way again just now as the news came out that he's back. While this news is huge for the Marvel Cinematic Universe, the fact is that Gunn's involvement with these characters went beyond two, and now one day, three movies. James Gunn's return is going to be very good news for Disney's theme park business as well, because the Guardians of the Galaxy are a big part of that.


James Gunn was directly involved in the development of Guardians of the Galaxy - Mission: Breakout, the first marvel themed attraction at a Disney theme park. In fact, he directed the video sequences of the ride while he was in production on Guardians of the Galaxy Vol. 2.


Right now, a major new E-ticket attraction is under construction at Epcot at Walt Disney World. It's a Guardians of the Galaxy themed roller coaster. While most of the details of the experience itself have yet to be confirmed, beyond some cool technical stuff, we fully expect the MCU versions of these characters to feature prominently. The initial indication was that James Gunn and the Guardians actors would film whatever sequences were required for the attraction while Guardians of the Galaxy Vol. 3 was in production. When Gunn left the job and the movie was put on indefinite hold, it was far from clear what that meant for the theme park attraction.





The ride has something of a hard deadline. While no official opening date has been given, the ride has been promised to be open in time for Walt Disney World's 50th anniversary, which will be in 2021.


While we have no idea at this point when Guardians of the Galaxy Vol. 3 will be going into production, we do know that it will happen sometime after The Suicide Squad aka Suicide Squad 2 is completed. With that film looking at a summer 2021 release date, Gunn might not even get around to Guardians 3 until the end of 2021 or so.


Still, I would fully expect James Gunn to spearhead whatever production is necessary for the new Epcot attraction. This means that Gunn's first work back with Disney might not actually be Guardians of the Galaxy 3, it could actually be whatever theme park work is required. It likely can't wait until the movie goes into full production and will probably be handled separately.





The Guardians of the Galaxy are an important part of Disney's plans for Marvel, as the team is one of the few parts of the Marvel Cinematic Universe that Disney can use freely due to old agreements Marvel made with Universal theme parks before the company was purchased by Disney. At the same time, no part of the MCU is as closely tied to a single creator as the Guardians are to James Gunn.


One of the nice things about Guardians of the Galaxy - Mission: Breakout is that the structure of the experience allows for new content to be filmed and added to the ride over time. This is now that much more likely happen now that Guardians 3 is back on and Gunn is back involved. This will give the attraction the ability to stay relevant for a longer period of time, and keep guests going back.


What the future holds for the Guardians of the Galaxy at Disney Parks is far from clear, but there is now a brighter future to be sure.





Aladdin’s Will Smith Really Wanted To Pay Homage To Robin Williams

Aladdin’s Will Smith Really Wanted To Pay Homage To Robin Williams
Aladdin trailer 2019 has Will Smith as blue genie

It’s been a while since Will’s Smith musical career was as hot as his acting gigs, so it would be easy to forget the man’s capable of bringing a lot to the table in the way of music. In the case of Disney’s live action Aladdin, Smith has revealed that it was through the movie’s musical components that he was able to channel and pay homage to late actor Robin Williams.


Previously, Will Smith has talked about how he was able to lend a hip-hop influence to songs like “Friend Like Me,” but in a recent interview he took this explanation further, explaining how playing with the BPM range allowed for both his vision and Robin Williams’ original to shine through. He said:



The music was really how I saw my way in to be able to play the Genie. That first day messing around with ‘Friend Like Me,’ I noticed that it was in the BPM range of old-school hip-hop. So when I started playing with it, it was like, ‘Oh man — this really lends itself to a tempo and a flavor that I really understand.’ And that showed me how I could pay homage to Robin and not change the songs so much, so people would have the nostalgic value, but then also be able to come with my own flavor.





Of course Robin Williams’ version has a lot of energy and enthusiasm. It’s a big number and it even won a nod for best song at the 65th Academy Awards, so it's no real surprise Will Smith would tell Variety that he looked at the iconic performance and what it did while he was crafting his own version. But first, here's the Williams version:


Along with the in-movie song, a separate rap version with DJ Khaled is incorporated into the end credits of Aladdin. Will Smith also brings his own energy to the performance, as he has shown to the press in the weeks leading into Aladdin.


The original animated Aladdin was one of Robin Williams’ most notable performances, winning awards and nods when it came out back in 1992. With Disney remaking a lot of its live action properties, it was only a matter of time before Aladdin got the call.




It would have taken a pretty special performer to even try to measure up to the voice work Robin Williams put in. Of the choices, Will Smith is a big, bold personality with his own ideas.


Related: In Defense Of Will Smith’s Big, Blue Genie In Aladdin


Will Smith has also mentioned that he almost said no to taking on the role, specifically because Robin Williams knocked it out of the park when he played the Genie nearly thirty years ago. Ultimately, the hip-hop narrative is what drove the actor to say “yes” and the rest is history.




The kind of history that makes $86 million domestically and $207 million worldwide on opening weekend. It seems like people dig whatever Will Smith and co. are doing.