Wait, Is Avengers: Endgame Getting An Intermission Internationally?

Wait, Is Avengers: Endgame Getting An Intermission Internationally?

One of the most talked about aspects of Avengers: Endgame has been the film's length. It clocks in at over three hours long, which has many people wondering how they're going to withstand it, sitting in a theater for that long, not really wanting to take a break for fear of missing anything. It turns out this might only be a problem domestically, as Avengers: Endgame may be getting an intermission in other countries.

The above image purportedly comes from a screening of Avengers: Endgame which recently took place in Italy, the film opened there on April 24. It appears that if you see the film in cinemas there, there is a five minute intermission inserted into the film.

This is something that a lot of people in North America would probably like to see. A five minute break to run to the bathroom or go get more snacks or just to stretch your legs would not be out of line. There are certainly going to be people who need to use the bathroom but aren't going to want to leave the theater for fear of missing something important in a movie that has built up over the last 11 years.

Intermissions aren't entirely unheard of in film, but they haven't been common in recent years. Films like Gone with the Wind and Lawrence of Arabia had intermissions built into them. Many films around three hours long did decades ago.

The most recent film with an intermission that I can recall was Quentin Tarantino's The Hateful Eight, though that was only included as part of the longer "Road Show" version of the film. I found it a nice break, and it was structured in such a way that it helped add to the tension of the story. You had a few extra minutes to wonder what was going to happen next before you saw the result. Certainly, such a thing could certainly happen with Avengers: Endgame. And if we're all here for over three hours, what's an extra five or ten minutes?

It's unclear how widespread this phenomenon is. It could be just Italy, or even just this one theater, that has added the intermission, but it certainly wouldn't be surprising to see other places do something similar.

While movies, especially of the epic blockbuster variety, are routinely breaking the two hour mark these days, a movie hitting three hours is still a fairly rare occurrence. It's just a long time and it's a potentially difficult thing to juggle. On the one hand, you don't want to go to the bathroom in the middle, so maybe you forego food and drink before the film. But then again, you don't want to be distracted by your own hunger during the movie, so maybe food is needed.

Some places may get an extra break, but it won't be happening here, so if you're prepping for Avengers: Endgame tonight, be ready for three straight hours of sitting. Hopefully the chair is comfortable.

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Star Wars: Galaxy's Edge Is Opening Earlier That We Thought, But There's A Catch

Star Wars: Galaxy's Edge Is Opening Earlier That We Thought, But There's A Catch

Fans of Star Wars and Disney have been waiting to experience the galaxy far, far away for themselves when Star Wars: Galaxy's Edge finally opens at Walt Disney World and Disneyland. We knew the land was coming this year, but you can't book your hotel room without an exact date. Now we have it. At a Walt Disney Investor Meeting this morning Disney CEO Bob Iger revealed that Galaxy's Edge will open earlier than anticipated, at Walt Disney World on August 29 and at Disneyland May 31. However, not all parts of the land will be up and running on opening day.

Previously, the Disneyland version of the land was set to open in the summer, so Disney is getting more than a month jump on that date. Walt Disney World is doing even better. It was given an opening date of late fall 2019, but now it will be opening before the summer ends. However, the Rise of the Resistance attraction will not be open on day one apparently at either location. It will open later in the year as part of a second phase of the land.

There had not been any discussion of Galaxy's Edge being opened in two phases previously. We fully expected both big E-ticket attractions to be up running when the land opened. However, it sounds like the Millennium Falcon: Smuggler's Run attraction will be ready to go earlier, so it was either let the one ride sit idle while Disney waited for the other, or open with the land with one ride and wait for the other.

There will also be an additional catch at Disneyland. anybody wanting to visit the land between opening day and June 23 will need to make a "no-cost reservation." In order to get a reservation, you need to book a room at one of the three Disneyland hotels.

It isn't necessarily all that shocking that Rise of the Resistance is taking a bit longer. Based on the details revealed last week, the scope of the attraction is just physically massive. You can only work so fast when you have to build full size AT-ATs and realistic hallways inside Star Destroyers.

When phase two is expected to open was not revealed on the investor call. It's possible, even likely, that we could see Rise of the Resistance opening closer to the original Galaxy's Edge opening windows, so sometime this summer at Disneyland and in the fall at Disney's Hollywood Studios.

To get you that much more excited a new teaser with the official dates was also released. Check it out below.

Of course, the biggest downside may be that this means the lines for Millennium Falcon: Smuggler's Run are going to be that much longer on opening day, and every day until Rise of the Resistance opens. With only the one big attraction available, everybody will be waiting for it.

Still, for those people who just want to be there on day one, you now know which day that will be. I'm sure a lot of people are making Disney hotel reservations right now since we finally know which days to make them for. Will you be getting to Galaxy's Edge on day one, or waiting for phase two? Let us know in the poll below.

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The Unexpected Challenge That Came With Creating The Portals For Avengers: Endgame

The Unexpected Challenge That Came With Creating The Portals For Avengers: Endgame

Warning: SPOILERS for Avengers: Endgame are ahead!

We’d already seen magical portals created in the Marvel Cinematic Universe before Avengers: Endgame, but not on this massive a scale. After Hulk brought those who were dusted at the end of Avengers: Infinity War back to life, Doctor Strange and his fellow sorcerers created gigantic portals to transport those MCU heroes and their numerous allies to the battlefield where Iron Man, Thor, Captain America and the others were already engaged with Thanos and his forces.

This portals sequence definitely ranked as one of the most epic moments in Avengers: Endgame, but just as you probably imagined, it was a huge effort to pull off. As Weta Digital visual effects supervisor Matt Aiken told me when I recently interviewed him, the massive size of the portals required he and his team to tackle creating them differently than how that task had been carried out in past movies. Aiken explained:

… Just in terms the technicalities in terms of achieving them, we’ve got portals on a much larger scale than they've ever been seen before. So our simulation team had to find a recipe that would recognizably be… we need to know that this is Doctor Strange’s portals that we're seeing here. They need to feel like the same because they've been seen on a more human scale in the past, but they all had to be optimized because we've got shots of many, many portals. So they would have been prohibitive to generate and render that if we just used the original technique out of the box.

Creating portals is one of those most useful spells a sorcerer can conjure in the MCU, but until Avengers: Endgame, we only saw Doctor Strange and others creating portals big enough to transport one or a couple people. For Endgame, the portals needed to be large enough for armies to walk through with ease. That makes for quite the visual spectacle, but for the VFX crew, it required them to rethink the process of bringing these portals ‘to life’ while still making them feel like what’s been shown before.

But it wasn’t just the size of the portals that posed a challenge in Avengers: Endgame. It was also showing the locations that these individuals were coming from, whether it be somewhere else on Earth or a planet on the other side of the galaxy. Matt Aiken continued:

And then we’ve got the challenge of creating all the worlds that we see inside the portals as well, because these are all these CG environments, there’s no filmed elements inside the portals, and that’s necessary because we need to film those environments with the same camera move that we're filming the ruined Avengers compound on the other side of the portal because everything has to lock together and parallax. And so recreating the fields outside the city in Wakanda, we’re creating New Asgard, we’ve got Kamar-Taj for the sorcerers and Contraxia for the Ravagers. We even got a few shots that where we’re just in deep space, and we've got Ravagers coming out on their sky cycles. And then of course there’s Titan itself, we’ve got that in a few shots as well. That was an opportunity for us to go back to a place that we spent quite a lot of time at last year.

The Marvel characters who were dusted wasted no time banding together once they were brought back to life five years later, and while I’m still curious how they were able to coordinate efforts so quickly, they arrived just in the knick of time from all corners of the universe. It sounds like this sequence wouldn’t have been possible had the Avengers: Endgame team relied on recreating the actual sets of these other MCU locations, but through CG manipulation, it was a much easier, but still ambitious endeavor.

Needless to say that had all those reinforcements not arrived through the magical portals, the heroes we’d been following along with since the beginning of Avengers: Endgame would have been pulverized by Thanos and his minions, who came from 2014 to invade Earth thanks to 2014 Nebula disguising herself as her 2023 self and opening up the Quantum Realm for them. However, even with these extra bodies, the battle didn’t automatically shift in the heroes’ favor.

It wasn’t until Tony Stark swiped the Infinity Stones from 2014 Thanos’ Infinity Gauntlet, put them in his own nanotech Infinity Gauntlet and snapped his fingers that the bad guys were defeated. Sadly, such a move is too much for a normal human to handle, and the man we watched fight evil as Iron Man for over a decade died soon after. Natasha Romanoff, a.k.a. Black Widow, met her demise earlier in Avengers: Endgame, and while he survived to the end of the movie (albeit much older), Steve Rogers’ story also wrapped up, as he passed on the Captain America mantle to Sam Wilson, a.k.a. Falcon.

The MCU isn’t wrapping up anytime soon, but it’ll probably be a long time before we see a battle of this scale again. The portals sequence was a cool way to set up the final leg of Avengers: Endgame’s climax; it’s hard to imagine all those heroes arriving on the scene in a more powerful way. The music, as if often the case with movies, also helped the moment emotionally resonate more.

For those of of you who are looking to experience more proper sorcery in the MCU, you’ll get that in spades whenever Doctor Strange 2 arrives, and perhaps some other movies coming down the pipeline will find a way to incorporate magic. Regardless, at least we know that if there’s ever a need to transport crowds of back-up into a messy conflict, Doctor Strange and his cohorts are on the job.

There’s still plenty of time to re-watch Avengers: Endgame in theaters, and while a Blu-ray/DVD release date hasn’t been announced yet, the movie will premiere on Disney+ December 11. If you’re wondering what’s coming up next in the MCU, head over to our Marvel movies guide for that information. If you’d rather learn what non-Marvel content is on the way later this year, look through our 2019 release schedule.

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Sad News, Aunt May Turned To Dust From Thanos’ Infinity War Snap

Sad News, Aunt May Turned To Dust From Thanos’ Infinity War Snap

Just your friendly neighborhood writer giving you the heads up that there are SPOILERS ahead for Avengers: Endgame.

Avengers: Endgame may have offered the universe some much-needed avenging, but there’s still a lot to be addressed about what’s next for many of the MCU's characters after the snap. When things pick up next with Peter Parker in Spider-Man: Far From Home, we’ll learn more about the fallout of Thanos’ Infinity War with the Avengers, including the new dynamic between the dusted and the those who have lived five years without them.

According to a recent Fandango interview with Far From Home director Jon Watts, we have some clarity about the fate of Aunt May prior to the upcoming Spidey film. Here’s what he said:

She disappeared and came back.

It looks like Marisa Tomei’s May suffered the same fate as her nephew. Strangely enough, this is probably preferable to if she’d survived, because she would then be mourning Peter following the previous death of Uncle Ben if she had. How heartbreaking! Directors Joe and Anthony Russo said in an interview last year that she had survived, but during the making of Far From Home, things changed.

Jon Watts also teased how the Spider-Man movie will tie into Endgame with these words:

So many things happened in Endgame, but you don't see any of the fallout. So I used Peter Parker/Spider-Man as an opportunity to get that ground-level perspective to show you what it would look like if all these crazy things had happened. What would day-to-day life be? If you were snapped away, you’d have to work backwards and retake your midterms.

The biggest way Endgame shifts the Spider-Man sequel is he’ll be going to high school in a world where half of his past classmates now have an age gap with him, and Watts has confirmed that Far From Home will definitely be addressing this. Looking at this through the world of Peter Parker’s story arc is a great choice to because he’s the most ground-level hero dealing with everyday life as a student in NYC.

Jon Watts said Far From Home will pick up almost immediately after Endgame and deal with the implications of the Infinity Saga culmination. In addition to Peter and May, it looks like Ned, Michelle Jones, Flash Thompson and Betty Brant were victims of the snap as well since they don’t look like they got older and will be going on a class trip to Europe.

Additionally, it looks like Peter will be dealing with the death of his mentor Tony Stark and a new exciting addition to the MCU: the multiverse. According to the recent trailer, one of the Infinity Stones-powered snaps ripped a hole in the universe, bringing in a much nicer Mysterio than comic book fans remember, as well as the Elementals. The film will wrap up Phase 3 when it hits theaters on July 2.

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Charlie Says Trailer Debuts Matt Smith's Charles Manson

Charlie Says Trailer Debuts Matt Smith's Charles Manson

Is Matt Smith in Star Wars: Episode IX or isn’t he? I suppose we’ll have to wait until that film’s first trailer or its December release to know for sure, but in the meantime, the former Doctor Who star will definitely be showing up in Charlie Says, where he plays someone who unquestionably belongs to the dark side. Take a look below to see the trailer for Charlie Says and see the debut of Matt Smith’s Charles Manson.

Charles Manson doesn’t show up for almost a minute into this trailer, but his presence is felt from the start as we see some of what befell those who followed him into the darkness. When Matt Smith appears as the cult leader, he really looks the part: bearded, longhaired and charming, and along with Hannah Murray’s Leslie Van Houten, we see the appeal of what he’s selling and how he roped people in.

The kumbaya lovefest he is pitching bears quite the resemblance to Chris Hemsworth's character in Bad Times at the El Royale, so you can see from whom that film took its inspiration. That lovefest turns as the things Manson is saying begin to have seriously dark connotations. When Grace Van Dien’s Sharon Tate opens the door and Charles Manson is just standing there, Matt Smith, more known for his roles as good guys, gives off some seriously creepy vibes.

Matt Smith has a magnetic presence and that is crucial to this film that will explore both how Charles Manson convinced people to kill for him in the first place and the powerful hold he had on these women long after they were sent to prison for their crimes. He can’t just be a crazy creep, we have to be drawn in by the actor’s portrayal and see how he appealed to his followers and they wanted to believe in him.

The book The Long Prison Journey of Leslie van Houten: Life Beyond the Cult, written by Karlene Faith (here played by The Walking Dead’s Meritt Wever, serves as inspiration for Charlie Says. That gives this film an interesting perspective as it looks at these women who committed horrible crimes as victims themselves, who made excuses and rationalized their behavior as a result of Charles Manson’s manipulation and their loyalty to him.

We see that in this trailer, especially with Sosie Bacon's Patricia Krenwinkel clinging to something that captivated her not wanting to take responsibility or acknowledge the truth. Also, Hannah Murray looks to be giving quite the performance as Leslie Van Houten as she come to grips with the truth of what she did and who Charles Manson was years later.

Charlie Says comes from director Mary Harron who created one of the staples of the serial killer genre in American Psycho. Most recently Harron directed episodes of Netflix’s Alias Grace.

Since 2019 marks the 50th anniversary of the Manson murders, Charlie Says is just one of the cinematic looks at the notorious crimes that both puzzle and fascinate to this day. Actress Hilary Duff stars in The Haunting of Sharon Tate, due out April 5, and the second season of Netflix’s Mindhunter will also feature Charles Manson. In an interesting twist, the actor starring as the cult leader in Mindhunter, Damon Herriman, will also play Manson in Quentin Tarantino’s Once Upon a Time in Hollywood.

Charlie Says arrives in theaters on May 10 and on VOD a week later on May 17. Check out our 2019 release schedule to keep track of all the biggest movies headed your way this year.

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Samuel L. Jackson Confirms Sequel The Hitman's Wife's Bodyguard Is Finally In Production

Samuel L. Jackson Confirms Sequel The Hitman's Wife's Bodyguard Is Finally In Production

We’re only two films in to Samuel L. Jackson’s especially stacked 2019 and the prolific actor is already hard at work making sure he’ll be lighting up the silver screen for years to come. In 2020, the actor will star in The Hitman’s Wife’s Bodyguard, the sequel to the 2017 action-comedy The Hitman’s Bodyguard, which starred Samuel L. Jackson and Ryan Reynolds. Now, the busy actor has confirmed The Hitman’s Wife’s Bodyguard is finally in production. Take a look:

This image confirms The Hitman’s Wife’s Bodyguard is now in production and shooting in Croatia, the European country where Game of Thrones spent so much time and that also served as Canto Bight in Star Wars: The Last Jedi. It may technically be work, but as you can see from Samuel L. Jackson’s Instagram photos, the picturesque country on the Adriatic Sea is lovely and definitely not a bad place to be filming a fun action movie.

Croatia won’t be the only place The Hitman’s Wife’s Bodyguard shoots though. The sequel will also be filming in London and Italy, giving the action sequel even more international, European flavor after the first film shot in London, The Netherlands and Bulgaria. Ryan Reynolds’ Michael Bryce and Samuel L. Jackson’s Darius Kincaid won’t just be sightseeing or going on a vacation in Europe, they’ll actually be trying to save it.

The Hitman’s Wife’s Bodyguard will find Michael Bryce attempting to live a peaceful life after the events in the last film where notorious hitman Darius Kincaid and his wife, Salma Hayek’s Sonia, drag him in to their mission to cause chaos on Italy’s Amalfi Coast that is somehow meant to help save Europe. Needless to say, Ryan Reynolds’ character will once again find himself with a difficult job and even more difficult clients.

The first Hitman’s Bodyguard earned $176.6 million worldwide back in 2017, sitting atop the domestic box office for three straight weeks from August to early September. On a modest $30 million budget, that made it a big enough of a hit to warrant a sequel, a sequel that looks to be upping the ante by putting together an impressive cast.

In addition to the delightful returning cast of Samuel L. Jackson, Ryan Reynolds, Salma Hayek and Richard E. Grant, The Hitman’s Wife’s Bodyguard will also star Antonio Banderas, Frank Grillo and, in his first ever film with Samuel L. Jackson, Morgan Freeman. The sequel also recently added Tom Hopper, who you may know from Netflix’s The Umbrella Academy, Starz’ Black Sails or as the riotously named Dickon Tarly in Game of Thrones.

The Hitman’s Wife’s Bodyguard is expected to arrive in theaters in 2020. There’s plenty to see before then though and you can check it all out in our 2019 release schedule. Stay tuned to CinemaBlend for all the latest movie news.

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7 Period Movies Marvel Should Make In The Future

7 Period Movies Marvel Should Make In The Future

As long as the Marvel Cinematic Universe continues to exist it will consistently produce contemporary stories – but it’s been shown that the occasional period piece can be a real treat for audiences. We’ve only really seen a couple of examples from the franchise so far, including Joe Johnston’s Captain America: The First Avenger and Anna Boden and Ryan Fleck’s Captain Marvel, but there are few that would disagree that the details in the settings and aesthetics of those features set them apart from the 20-plus other offerings from Marvel Studios.

Obviously period storytelling presents some specific challenges for a continuity-centric franchise, as filmmakers have to create explanations for keeping characters around for decades, and reasons why audiences haven’t previously heard about the adventures. All the same, they present flavorful stylistic opportunities that can be incredibly fun to explore. This in mind, we’ve taken a trip back through history (skipping the already-done 1940s and 1990s), and formulated ideas for potential new Marvel big screen stories – starting with the decade that everything started with Timely Comics…

1930s – Namor The Submariner

One could make the argument that Marvel Comics was built on the backs of three heroes: Captain America, Human Torch (the android, not Johnny Storm), and Namor The Submariner. They were among the first heroes introduced in the aforementioned Timely Comics, and their pages helped shape the superhero world as we know it. The first two have appeared in the MCU – the former as a primary hero, the latter as an Easter egg in Captain America: The First Avenger – but, sadly, certain rights complications have prevented us from seeing a big screen version of Namor. Right now we don’t know what the future will hold for the character, but if it were up to us, we would get to see a movie featuring him in the decade he was created: the 1930s.

The DC Extended Universe has already beaten the Marvel Cinematic Universe to the punch when it comes to undersea adventure, as Aquaman is the biggest hit the brand has ever released, but that doesn’t mean a Namor The Submariner movie couldn’t still work. Not only does there still exist plenty of material for land vs. sea conflict, but the early origin could set up the Atlantian King/hero/anti-hero/villain for appearances in some other potential period stories (especially what we have in mind for the 1960s).

1950s – Man-Thing

Superheroes have been a staple of comic books for decades, but during the 20th century there was a lull in their popularity, and one particular genre simultaneously hit its stride. That period was during the late-1940s and early-1950s and the genre was horror. Marvel’s predecessor, Atlas Comics, was deep into this game, scaring audiences with monsters in the pages of Amazing Mysteries and Marvel Tales – and it’s in recognition of this history that the Marvel Cinematic Universe could make an excellent Man-Thing feature.

Not to be confused with DC Comics’ Swamp Thing (which was introduced around the same time), Man-Thing is a creature that lives in the Florida Everglades – formerly a scientist forced to dose himself with his own secret serum while being pursued by terrorists. This could be a very different kind of film for the Marvel Cinematic Universe, specifically an opportunity to dig into a genre that has not yet been explored by the studio, and there is room to be heavily inspired by 1954’s Creature From The Black Lagoon.

1960s – The Fantastic Four

With 20th Century Fox being bought by the Walt Disney Corporation, Marvel Studios will soon have the ability to create their own version of the Fantastic Four, and redeem the big screen legacy of Marvel’s first family. In doing this, the company could certainly go the easy route and introduce them as a team of new heroes ready to join the fight against evil alongside the Avengers and the Guardians of the Galaxy – but if they were to go the period piece route there could be some real fun to be had. (With a hat tip to Peyton Reed – who we very much hope someday gets to execute his vision.)

Like Namor and Captain America, this would be another case where the characters are introduced within the same decade they made their debut on the page, as the Fantastic Four made their debut in 1961. What would be wonderful about this version is not only the possibility of differentiating itself from the previous cinematic adaptations, but also exploring the beautifully weird 1960s sci-fi aesthetic, taking notes from classics like 2001: A Space Odyssey, Fantastic Voyage, and Planet Of The Apes. As for where the characters have been in the decades since, it’s very easy to believe that they went off on some kind of space exploration mission and never returned, got trapped in another dimension, or somehow got erased from existence because of a time travel incident.

1970s – Blade

Basically being half-vampire, Blade a.k.a. Eric Brooks ages at a much slower rate than most Marvel heroes, which makes him a perfect candidate for period storytelling. It’s very easy to establish that the guy has been hunting the undead for decades without having to recast or use advanced makeup/effects when he makes contemporary appearances. Add in the fact that he was created in 1973 by Marv Wolfman and Gene Colan to hunt Dracula, and you have a recipe for an awesome new Marvel Cinematic Universe film.

Like Man-Thing, this is another opportunity for the franchise to dip into the horror genre, and also distance itself from the version of the character we’ve already seen from a different continuity. Given the era, perhaps this version of Blade could have the affection of being like Shaft with vampire hunting – maybe even straight-up having him travel to Transylvania to hunt Dracula. In the hands of the right filmmaker that could be a blast.

1980s – The Astonishing Tales Of Ant-Man And The Wasp

This entry is a bit different than every other one in this feature as it centers on characters with whom we are already familiar. No, I’m not talking about Scott Lang and Hope van Dyne – I’m talking about Hank Pym and Janet van Dyne. Portrayed by Michael Douglas and Michelle Pfeiffer, we know from the previous Ant-Man movies that they were spies working together for S.H.I.E.L.D. during the Cold War, and a 1980s-set prequel film titled something along the lines of The Astonishing Tale Of Ant-Man And The Wasp could do exactly that.

One of the “drawbacks” of using established characters is that the project would have to make heavy use of the impressive de-aging technology that Marvel has been employing in recent years, but there’s every reason to be confident that it could be done. After all, not only is the digital work done on Samuel L. Jackson in Captain Marvel absolutely flawless, but we’ve already seen what magic can be done with both Michael Douglas and Michelle Pfeiffer in the previous two Ant-Man films.

2000s – She-Hulk

While the first Marvel Studios films were released in 2008 - Iron Man and The Incredible Hulk – technically we have not yet seen a 21st century aughts story in the MCU. Given the way things line up in the continuity, the former is set in 2010, while the latter unfolds in 2011. That on the table, however, a She-Hulk film set during the previous decade may still be possible. After all, fans will remember that the first Hulk story in the Marvel Cinematic Universe is not an origin story, and there is a period of four to five years that we don’t know much about in between Bruce Banner’s disastrous gamma experiment and where we first caught up with him. This is where Jennifer Walters’ tale could start.

It is possible that we could meet the future She-Hulk at some point this mystery time, with an accident leading her to get a blood transfusion from her on-the-run cousin, Bruce Banner. The result is that she experiences a different form of his Hulk condition – transforming into a powerful green giant, but keeping her personality and intelligence. Given the trouble Banner experiences as a fugitive, she tries to control her transformations and live a normal life… all while the age of heroes is just about ready to bloom.

2099 – Marvel 2099

Period pieces aren’t necessarily relegated to the past, and Marvel Comics has already provided the movies with an interesting roadmap towards looking at the distant future. Marvel 2099 was an imprint published throughout the 1990s that had writers and artists on a wide variety of books telling stories set approximately 100 years in the future. This included new versions of Spider-Man, the X-Men, Hulk, the Fantastic Four, and more, and all of them could possibly come together in a different kind of Marvel Cinematic Universe event feature.

There is enough existing Marvel 2099 source material that Marvel Studios could use for an entire Phase’s worth of features, but assuming that won’t happen it would be cool to use one massive blockbuster to let audiences peek into the highly advanced world. You could use time travel as an entry point into the story, with a contemporary character being hurtled into the distant year, but from there fans could be introduced to a completely different vision of the MCU that has been altered by all the events that have already been depicted.

What do you think of these ideas? Do you think they would work? Do you have ideas of your own? Hit the comments section below with your thoughts, and check out Captain Marvel in theaters this Friday, March 8th.

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