Why Detective Pikachu And Sonic The Hedgehog Are Taking Totally Different Approaches To Their Big Screen Movies

Why Detective Pikachu And Sonic The Hedgehog Are Taking Totally Different Approaches To Their Big Screen Movies
Detective Pikachu

When the first trailer for Sonic the Hedgehog dropped late last month, the internet collectively imploded in a sea of threads, tweets and memes, all expressing confusion, frustration and horror at the look of the titular speedster. This live-action Sonic was not the video game icon that has been showing fans the meaning of speed since the early '90s; this was something else, and it had human teeth.


Not long after the Sonic the Hedgehog trailer came out, another video game icon hit theater screens. The Pokémon franchise finally made its live-action feature film debut, with the face of the franchise leading the charge in Detective Pikachu.


In addition to the fact that they are both video game movies, the proximity of the Sonic the Hedgehog trailer and the theatrical release of Detective Pikachu invite obvious comparisons. I am not the first to notice this, but I think it is worth discussing because even a surface-level look at both films reveals the totally different approaches Sonic the Hedgehog and Detective Pikachu are taking to their big screen movies.




Let’s first look at Sonic the Hedgehog, the myriad ways the trailer confounded fans and what that says about the approach the film is taking.


Beyond the baffling trailer song choice and the changing of Sonic’s powers, the most obvious point of discussion was Sonic’s look in the new film. His overall proportions are quite different than his video game counterpart with limbs that are too muscular and a head and torso that are too small. What's more egregious, though, are Sonic’s facial features.


The film design eschews Sonic’s traditional uni-eye look, where one eyeball has two pupils for a more realistic smaller, two-eye aesthetic. The design choice that has gotten the most hate, though, has to be Sonic’s teeth, which look very human, a look that doesn’t comport with the teeth of either his video game inspiration or the teeth of an actual hedgehog.




What’s especially fascinating about the reaction to Sonic's look in the trailer is that it was entirely predictable. When the first poster featuring Sonic’s silhouette was revealed last year, fans were immediately skeptical of the hedgehog’s build. Complaints grew even louder when another poster showed Sonic’s eerily human and muscular legs.


I don’t know if it was a feeling that they knew better or that the complainers were in the minority, but did anyone involved with the film, after seeing the criticism of the posters, really think ‘Wait till they see the final design, they’re gonna love it!’?


Speaking about the decision to change Sonic’s eyes for the movie, executive producer Tim Miller previously said:





I don't think SEGA was entirely happy with the eye decision, but these sorts of things you go, 'It's going to look weird if we don't do this.' But everything is a discussion, and that's kind of the goal, which is to only change what's necessary and stay true to the rest of it. He's not going to feel like a Pixar character would because I don't think that's the right aesthetic to make it feel like part of our world.



Those last words are quite telling, “to make it feel like part of our world.” All of these changes to this iconic video game character for his feature film debut speak to the approach on the part of the filmmakers to make Sonic the Hedgehog “realistic.”


That’s why Sonic has separate eyes and more human features, and why he’s an alien in the film. Because the choice was made to set this film in our world as we know it. Sonic the Hedgehog isn’t the first movie to take this approach when adapting a fantastical property to live-action (animation has more freedom to be strange in this regard). The Smurfs in 2011 and 1987’s Masters of the Universe come to mind as properties that took characters out of their fantasy worlds and plopped them in our Earth.




The thinking behind this strategy (from my perspective anyways) is that it creates a smaller barrier of entry for the audience. Instead of trying to explain to moviegoers that the world of the film is one in which characters like Sonic exist, he is made into an alien and dropped into our world, where only he is different and everything else is familiar.


This approach also necessitates that Sonic look more realistic, or the filmmaker’s idea of realistic for an alien hedgehog. The concern being that if Sonic looks too cartoony or too Pixar-like, as a CGI character, he will stick out like a sore thumb and look, for lack of a better word, fake.


It’s not an inherently bad approach and I have no doubt that everyone involved is working their hardest to make the best movie they can, one that also pleases fans of the character. But this approach of setting the story in our world and altering Sonic’s look, which was guaranteed to result in backlash, to fit into that world, speaks to a fundamental disconnect with the fans of this property and what people want from adaptations of iconic stories and characters.




Now contrast this with Detective Pikachu. Like Sonic the Hedgehog, Detective Pikachu is based on recognizable video game characters that fans have come to know and love over decades. And while I am sure that somewhere there are fans who have taken issue with the look of the Pokémon in the movie, there has been no major outcry because by and large they look pretty much exactly like their video game counterparts.


Pikachu looks like Pikachu; from his lightning bolt tail and his rosy cheeks to his weapons-grade cuteness, he looks like the Generation 1 electric-type rodent Pokémon that became the face of the brand. The same is true for Charizard, Gyarados, Psyduck, Cubone, Bulbasaur, Mewtwo and all the rest. The film embraced the iconic designs of these creatures and rendered them in an extremely faithful fashion.


The only real sort of overture towards realism Detective Pikachu makes is to give the Pokémon some texture to make them feel more tangible and less like flat cartoons. But that tactic does little to nothing to diminish their resemblance to their video game inspirations.




Detective Pikachu was able to do this and give us such great live-action Pokémon because the story didn’t force things to take place in our world. Instead, the film took the approach that in the world of the film, Pokémon exist alongside humans. They aren’t aliens that just landed or genetic mutations or beasts from another dimension, they just are, and that premise required remarkably little in the way of world-building or expository setup.


The filmmakers trust that you know what Pokémon are, know what they look like and can wrap your head around a live-action world where they exist. There is no handholding and no timidity that audiences won’t get it or will check out if the movie goes all in on Pokémon weirdness.


It’s an approach that exudes a tremendous amount of confidence in the audience, trust in the characters and the story and faith in the source material. It either works or it doesn’t. Detective Pikachu bravely asks you to buy in and that gamble seems to have worked.




While opinions may vary, despite not striving for realism in the Pokémon designs, Detective Pikachu does the one thing it had to, according to CinemaBlend’s Mike Reyes: it convinces you that Pokémon and humans can live together in a live-action cinematic world. Even though they look almost exactly like the Pocket Monsters in the video game, it doesn’t take you out of the movie. More quantitative metrics also support the success of Detective Pikachu’s approach.


Rob Letterman’s movie is the best-reviewed video game movie of all time and it also enjoyed a bigger opening weekend than any of its video game adaptation predecessors. Audiences gave it an “A-“ CinemaScore and there certainly seems to be interest and potential for future Pokémon movies.


This isn’t all to say that Detective Pikachu’s approach was unquestionably right and Sonic the Hedgehog’s definitively wrong. Each property is different and adaptation is one of the most precarious forms of filmmaking. Sonic may well end up being a far better movie than Pikachu for all I know, and maybe going all in with a more fantastical world where Sonic exists wouldn’t have worked.




Nevertheless, it is also important to remember that this isn’t a literary adaptation. These aren’t only iconic characters, they have iconic designs, and I think it is telling that the highlight of the Sonic trailer, for me anyways, was at the end where Jim Carrey looks the most like his video game counterpart Dr. Robotnik.


To his credit, in response to the vocal criticism, Sonic the Hedgehog’s director Jeff Fowler said that design changes to Sonic are coming. It's nice to know they're listening and fan sentiment can make a difference. But I can’t help thinking that if this movie just took an approach that was less focused on realism and setting things in our world, and instead embraced the source material and trusted audiences to get it, the Blue Blur would be coming to the big screen surrounded by a spirit of excitement, not one of trepidation.


We'll find out how Sonic the Hedgehog is received by the public when it races into theaters on November 8, but for now you can still enjoy Detective Pikachu on the big screen.




Aladdin Hit A Box Office Milestone After Dethroning An X-Men Movie

Aladdin Hit A Box Office Milestone After Dethroning An X-Men Movie
2019 Aladdin Will Smith smiles genie

Mister Aladdin, sir, your wish came true! After the full four-day results came in, the 2019 Aladdin movie was confirmed to have cracked the top 5 Memorial Day weekend box office openings.


From Friday through Memorial Day, Aladdin made $116,805,962. That put it well past the previous #5 on the list, X-Men: Days of Future Past, which had a four-day opening of $110,576,604 in 2014. That also put Aladdin just a hair behind Fast & Furious 6. However, it was nowhere near the top three names on the Memorial Day weekend box office board -- X-Men: The Last Stand, Indiana Jones and the Kingdom of the Crystal Skull, and #1, Pirates of the Caribbean: At World's End. Here are all of their opening weekend details.


Disney must be sighing with relief over Aladdin, which has already made close to $300 million worldwide without even counting this weekend's grosses. The 2019 Dumbo remake had a slower start, but Aladdin hit big out of the gate. Granted, it's not #1 in its second weekend. That honor is going to Godzilla: King of the Monsters. But even with competition from other new films, Aladdin is still expected to take second place over the May 31-June 2 weekend. Box Office Mojo predicts Aladdin will make about $38 million at the domestic box office this weekend, putting it at #2 ahead of Rocketman, Ma, and the #1 titles of a few weeks ago, John Wick 3 and Avengers: Endgame.




The original animated Aladdin came out in 1992, when movie prices were a lot different. But even with cheaper tickets, that movie made $504,050,219 worldwide -- split almost equally between the domestic box office and the foreign markets. The new Aladdin still has a long way to go if it wants to even come close to that take.


But fans have really embraced the 2019 Aladdin, which was not a given, enjoying new songs like Jasmine's "Speechless":


When it comes to the top Memorial Day weekends, X-Men: Days of Future Past might've lost its spot in the top 5, but X-Men: The Last Stand is still at #3, and X-Men Apocalypse is down at #12. Thanks to that track record of success, X-Men movies tend to like to open over Memorial Day weekend. X-Men: Dark Phoenix is something of an exception this year, albeit just by a couple of weeks. That movie opens this coming Friday, June 7.




Moving forward from Aladdin, Disney still has some massive potential hits ahead in 2019, including The Lion King remake, which could break the 2017 Beauty and the Beast's record for a remake opening. Stay tuned, and keep up with all of the release dates with our handy 2019 guide.


Godzilla: King Of The Monsters Definitely Won't Include Certain Iconic Monsters

Godzilla: King Of The Monsters Definitely Won't Include Certain Iconic Monsters
Gigan and MechaGodzilla

When Godzilla returns to the big screen later this year, he will be fighting in a battle royal opposite monsters both good and evil for dominion over the Earth and the title King of the Monsters. Yet while Mothra, Rodan and King Ghidorah will be appearing in the film, the upcoming Godzilla sequel won’t be including every iconic monster from the character’s 65-year history. Speaking about monsters that aren’t in the movie, O’Shea Jackson Jr., who plays one of the soldiers in the film and is a big Godzilla fan, recently said,



I’m gonna’ tell you about my most feared Godzilla monster. One time as a kid, Godzilla was about to die and it was Gigan. Gigan is a problem. There’s like – there’s no way Godzilla should have won. Gigan is a real problem, so I hope we don’t see him, because this is going to be way worse nowadays. But you know, MechaGodzilla. MechaGodzilla is like a hidden gem right now.



We’ve speculated about what classic monsters might make an appearance in Godzilla: King Of The Monsters, with Gigan and MechaGodzilla among them, but if O’Shea Jackson Jr. is to be believed here, those two definitely won’t be part of the festivities (i.e. apocalyptic destruction) this time around. As the expressed to Collider, though, things would be way worse for Godzilla if those two were to show up.





The actor has distinct memories of Gigan, who is one of Godzilla’s most formidable and crazy-looking opponents. An alien cyborg kaiju, Gigan has deadly hooked claws on his appendages, a spiked tail, and vertical spikes that go all the way up his torso. He also has a cybernetic visor for an eye, out of which he can shoot lasers.


Gigan basically looks like he was designed by an 8-year-old: ridiculous looking with lots and lots of weapons. Aliens originally deployed him alongside King Ghidorah as part of a conquest of Earth, but that won’t be the case this time around it seems, as the trailer has shown Ghidorah frozen in ice and intimated that all the Titans are Earth’s pre-human inhabitants.


As for MechaGodzilla, he is one of the more popular Godzilla monsters, at times being both heroic and villainous. He has been depicted as an alien weapon or as a human creation meant to fight Godzilla. MechaGodzilla recently had a big cameo in Ready Player One and as you saw in that film, this robotic Godzilla is the War Machine of the kaiju, with missiles, lasers, energy beams and the power to fly.





Interestingly, O’Shea Jackson Jr. said that MechaGodzilla is “a hidden gem.” He could just mean that he simply likes the monster and can’t wait to see him utilized at some point in the future, but perhaps there is more to it. O’Shea Jackson has also teased that Godzilla: King of the Monsters will have Easter Eggs, so maybe there will be some reference to MechaGodzilla blueprints, or something of that sort.


It is probably for the best that Gigan and MechaGodzilla won’t be in Godzilla: King Of The Monsters. Godzilla has his hands plenty full with King Ghidorah, and Gigan and MechaGodzilla historically have more fantastical stories that don’t exactly mesh with the prehistoric mythology the MonsterVerse seems to be going for. Perhaps eventually they could be given new origins, though, while maintaining their looks and names.


It also makes sense for some iconic monsters to sit out Godzilla: King of the Monsters to save them for future movies in the franchise. King Kong and Godzilla will face off in 2020, but as they are both good monsters, they will presumably have to unite to face a common enemy by that film’s end - and perhaps that enemy could be either alien or man-made.





Godzilla: King of the Monsters stomps into theaters on May 31st. Check out our 2019 Release Schedule to keep track of what’s coming out when for the rest of this year.


X-Men: Days Of Future Past Almost Featured Cable

X-Men: Days Of Future Past Almost Featured Cable
Cable X-Men comics

2014’s X-Men: Days of Future Past was an especially interesting entry in the X-Men film series, as not only did it continue the storyline that began with X-Men: First Class by jumping to 1973, it also reunited with many of the original X-Men cast members as they struggled for survival in a dystopian 2023. This group of heroic mutants was accompanied by some new faces, and originally Nathan Summers, better known as Cable, was supposed to be one of those faces.


Given how Cable is best known for growing up in a future, apocalyptic timeline and time traveling to the present day Marvel universe, it would have been fitting to have him involved in X-Men: Days of Future Past, even if unlike his comic book counterpart, he wasn’t the one traveling backwards in time. As for why he didn’t appear in the fifth main X-Men installment, it turns out that Cable’s co-creator, Rob Liefeld, pushed for him being taken out, providing the following explanation for why:



He was originally in Days of Future Past in the Bishop role and he got killed. And then there was a note that came back that said he's kind of too big of a character to do this with, and poor Bishop got slaughtered instead. But I swear to you... So, summer 2012, I was like, you can't, you can't have Cable. Like, as much as I want to see him, fans will freaking go nuts if they see him and you kill him immediately. He's too big.





Considering Cable’s decades of popularity, I can’t say I blame Rob Liefeld for wanting the character to sit out X-Men: Days of Future Past. Sure, audiences finally would have been introduced to him on the big screen, but their time with him would have been short, as Cable would have been among the mutants killed by the Sentinels in that dystopian future, like Sunspot, Blink and Warpath. There wouldn’t have been any time to properly develop the character, and someone like that needs a bigger platform to shine on.


Instead, as Rob Liefeld told ScreenRant and as audiences saw in the final version of X-Men: Days of Future Past, Cable was replaced by Bishop, another mutant with a history of time travel. On the one hand, Cable is arguably more popular than Bishop, so it makes sense that the latter would take priority over the former. On the other hand, Bishop also has his fair share of fans and his own interesting story that stretches across several time periods, and Days of Future Past did not delve into that at all since he was such a minor character.


So the tradeoff might not have appealed to all X-Men fans, but had Cable stayed in X-Men: Days of Future Past, like Bishop, he would have been killed off, with no time dedicated to fleshing out his backstory. Ultimately, this replacement was probably the right call, but hopefully if/when the X-Men are incorporated into the Marvel Cinematic Universe, there will be an opportunity to spotlight Bishop in a fitting way.




Fortunately for Cable fans, they only had to wait four more years after X-Men: Days of Future Past to see him finally make his live action debut. After being teased at the end of Deadpool, Cable, played by Josh Brolin, finally joined the fray in Deadpool 2. Like his comic book counterpart, he hailed from an apocalyptic future, but his reason for going back in time in this movie was to kill Russell Collins, a.k.a. Firefist, the mutant who murdered his wife and daughter, as a child.


Cable didn’t succeed in carrying out his assassination, but the adolescent Russell decided to step off the villainous path he’s heading down, thus saving Cable’s wife and daughter in the future. Sadly, the cybernetic mutant was unable to return to his family, but he’s now working to improve the present so they have a better future awaiting them.


Although Disney, which recently finalized the Fox merger, plans on keeping the Deadpool franchise going, it remains to be seen if Cable will return in either X-Force or Deadpool 3, let alone if Josh Brolin will reprise him or if someone else will take over the role. Stay tuned to CinemaBlend for updates either way. In the meantime, feel free to keep up to date with what’s heading to theaters later this year in our 2019 release schedule.




Stephen King Drops F-Bomb Over How Great Pet Sematary Is

Stephen King Drops F-Bomb Over How Great Pet Sematary Is
Church the cat in Pet Sematary 2019

Stephen King is never shy with his opinions. Just ask The Shining. But the good news is he thinks the new Pet Sematary movie is "fucking great!" This is the second movie to adapt his 1983 horror novel, following the 1989 film.


Critics have already seen the 2019 Pet Sematary and the reactions have been very positive. King seems to agree, particularly appreciating the maturity of the film:



It’s fucking great! It’s a really good movie. It’s a grown-up, adult kind of movie. It’s not like 12 semi-clad teens get killed in a summer camp. In this particular time frame, you know, there’ve been several movies that have been successful. Horror movies like Jordan Peele’s Get Out last year. And then I think when Us opens, I think it’s gonna be big. I think it’s gonna be huge. Those are like adult-type fantasies.





Stephen King must've shared those quotes a while before EW posted them, since by now Us has come out and it was indeed big -- with a bigger-than-expected opening. Horror is huge right now. Pet Sematary isn't expected to have a huge box office opening opposite Shazam! but it should pull in respectable numbers. The strong word-of-mouth can't hurt.


Stephen King also reiterated he's OK with the 2019 Pet Sematary changing one aspect of the film -- which was already revealed in the trailer so it's not really a spoiler -- that the older girl is resurrected this time and not the little boy.



It’s something different. They did a good job. Boy, I saw all the stuff that came online when people realized that it was Ellie rather than Gage that got run over in the road, and I’m thinking like, “Man, these people…” It’s so nuts. You can take Route 301 and go to Tampa, or you could take Route 17 and go to Tampa. But both times, you’re gonna come out at Tampa! [Laughs] You know what I’m saying? It didn’t change anything for me. I thought, “Okay, I understand why they did it, because it’s maybe easier to work with a zombie when she’s a little girl, [rather] than a toddler.”





Stephen King said, in general, he's fine with stories changing details -- if, in his opinion, it works for the story:



I’m really kind of mercenary about all this. My idea is, “If it works, it’s golden. If it doesn’t work, you know, Jesus Christ, why did you change it?” I mean, I’ve seen changes in stuff that’s been done to my work where I just throw up my hands and I say, “Why? Why did you do that? You had a book. You had a blueprint you could’ve gone by.”



It's true. There are good Stephen King adaptations, bad Stephen King adaptations, and a whole lot in between with a mix of both in the same project.




Read the whole Q&A for a lot more from Stephen King. Pet Sematary opens this coming Friday, April 5. And don't forget we also have It Chapter 2, Doctor Sleep, Castle Rock Season 2, The Stand, and more King adaptations still to come. He never stops!


Olivia Wilde Says Focus On Her Looks In Hollywood ‘Grosses’ Her Out

Olivia Wilde Says Focus On Her Looks In Hollywood ‘Grosses’ Her Out
olivia wilde not the hot girl

Olivia Wilde has been in the acting business for quite some time, but she’ll actually be stepping behind the camera for her next big screen venture Booksmart. In a recent interview, Olivia Wilde talked about how she’s been feeling icky while doing press for the gig, although it has nothing to do with directing itself and everything to do with how Hollywood has perceived her up until this point. She said:



It is remarkable that I am 35 years old and this is the first job I’ve ever had that wasn’t entirely dependent on and connected to my looks. It grosses me out to acknowledge it, but I’ve been thinking a lot about it.



If you look at Olivia Wilde’s resume prior to her directorial work in Booksmart, it includes such projects as Tron, Her, Cowboys & Aliens and other movies that pushed her into more romantic and sometimes even nude roles. Even in HBO’s recent series Vinyl, she played a model and the wife of Richie, again noted for her good looks.




Not that there’s anything wrong with being good-looking, but for a long time in the actress’ career she really believed her job as an actress was to be “everyone’s version of a perfect woman.” Of course, life -- and work -- is a whole lot messier than that.


During the same interview with the New York Times, Wilde also mentioned feeling exploited in meetings, noting,



Have I ever felt exploited? Yeah. Do I realize that I’d become numb to that? Yes. I had become numb to the fact that every meeting I went on — with men and women, by the way — I was going to be judged on my physical appearance. Because that’s what actors deal with, and man, it’s exhausting.





Now the actress is growing older, she believes the parts she is being offered are more sophisticated and getting to work behind the camera has seemingly been more rewarding than playing a part in someone else’s story. Olivia Wilde went on to reflect that "it only gets more interesting when you get too old to play dumb."


Although she says she doesn’t regret roles like her gig on The O.C., which really helped to jumpstart her career, Booksmart is Olivia Wilde’s story. The movie has already earned some praise for its coming-of-age subject matter (and shout out to somebody finally putting Kaitlyn Dever in the spotlight), but if you ask Olivia Wilde, she’s simply proud of how Booksmart helped push her past the “superficiality” of her earlier work and into something more fulfilling:



I was there only because of my brain and my heart. And the sense of fulfillment that comes from that is really massive. It’s a profound shift for me.





We’ll have to see how Booksmart fares in the fickle world of moviegoing, but with any luck we’ll continue seeing more from Olivia Wilde both behind and in front of the camera. In the meantime, Booksmart opens on May 24, 2019. Take a look at other upcoming releases with our full movies schedule.


6 Questions We Have After Watching Shazam!

6 Questions We Have After Watching Shazam!
Shazam! Freddy

Shazam! is officially out, and while those who have seen it now know a whole lot about DC's latest superhero adventure, they may have some questions after the film. That's understandable given there are quite a few crazy things that happen throughout the flick, many of which could be addressed in a sequel or another DC film down the line. In no particular order, here are some of the thoughts I had after the credits rolled that have stuck with me as the days have passed. Take a look.


Can The Rest Of The Kids Change On Command?


Billy can switch between his normal and champion self simply by saying "shazam," but is that the case with his foster siblings? We see the rest of the Shazam Family go hero mode in the final scenes of the film, but the circumstances of how their powers work are a bit confusing. Can they change on command like Billy, or do their powers rely on using the staff?


It's a question the movie didn't really get a chance to answer, but one I'd like to know more about. The comics have allowed the kids to change by saying "shazam" as well, but audiences only saw the children change when holding the staff with Billy. It would be nice to have some clarity on how this whole thing works in a future movie and whether or not it is similar to the comics.




Are The Powers Of The Shazam Family The Same?


As I alluded to in the previous question, the Shazam Family is similar to the characters shown in the comics, although I'm not entirely sure if the characters will be portrayed quite like their comic book counterparts. For example, Darla has the enhanced super speed like in the comics, and it seemed remarkably clear she was a good deal faster than the rest of the siblings.


Then there's Pedro who was strong enough to stop a ferris wheel, and is supposed to be the strongest of the Shazam Family. No offense to Pedro, but that didn't seem like something Billy couldn't do, especially when Shazam is typically portrayed to have a level of strength akin to Superman. Also, Eugene is supposed to have the power to control technology, although seemed to just be a lightning expert. Hopefully another movie makes their skill-sets a bit clearer.


Is Shazam! Connected To The Justice League?


Shazam's final scene before the credits has a pretty spectacular cameo, but does the Man of Steel's brief appearance confirm Billy will get an adventure with another Justice League hero in the future? It's hard to say, as we're all well aware DC isn't too keen on a shared universe for its hero films right now. Also, Henry Cavill didn't even actually appear for the cameo, lending credence to those Henry Cavill rumors.




I'd be lying if I said I didn't want to see Billy team up with another DC hero, although the introduction of the Shazam Family really makes this a franchise that can do ensemble films more organically on its own. Plus, I can't imagine DC would want to lug the whole family around for adventures, so any appearance by Billy would have to justify or possibly explain where the rest of the family is. That doesn't seem ideal.


What's Next For Doctor Sivana?


Shazam!'s villain Doctor Sivana started off strong, but was stripped of the demons within him and a bulk of the powers that made him a viable threat to Billy. The post-credits scene showed it's likely not the last we've seen of the villain, and that he'll likely team up with Mr. Mind for more evil plots. That's all well and good, but what use is Sivana without the power of the demons?


That's for a future film to answer, although we know that Sivana is still a highly intelligent individual even without powers. He also knows some of the mysterious spell language, which in the comics, keeps him from ever being held in any prison for too long. The character will probably see his freedom, but after that what other use does Mr. Mind have for Dr. Sivana? Will he reclaim the Eye of Sin and go for Round 2 against Billy?




Will Billy's Father Appear?


In one of Shazam's saddest scenes, Billy's mother makes it known in so many words that her prolonged absence in his life was intentional. We also learned that Billy's father is alive and in prison, although he never expressed a desire to be a father. Was that a way of saying he'd never appear, or was the mention the start of what could be a wildly different take on William Batson?


It's impossible to say, of course, although it is worth mentioning that Billy's family dynamic was one of the biggest changes in Shazam! Seeing William Batson come back into Billy's life would create some interesting tension, and another way to showcase Billy's difficult feelings in processing all of that. Or, the film could introduce William as a villain which, again, is great fodder for a wild story arc that could have a huge emotional pay off.


When Will Black Adam Appear?


Shazam! has a brief mention of Black Adam, which more or less sets the stage for Dwayne "The Rock" Johnson's anti-hero to appear down the stretch. Now the question is, will we ever see Black Adam appear as a foe to Billy Batson? The fact that he wasn't featured in either post-credit scene doesn't seem like there are immediate plans to use him, despite him originally being in the mix to appear.




With that said, Dwayne Johnson has revived many fans' hopes for a standalone film with an announcement on Instagram that filming on Black Adam's solo film could start as early as next year. That probably means a film that features both characters won't come until after that, although that's not always the case. Still, if DC does still intend to make Black Adam, it might be best to tell his story there before bringing him into the Shazam! franchise proper.


Shazam! is currently in theaters, and CinemaBlend is the place to be for any viewer who wants all the answers and analysis following the superhero film. For more content like that, be sure to check out how the film did at the box office during its opening weekend. (Spoiler alert: It did well.)