Rumored Bond 25 Title Just Got Shut Down

Rumored Bond 25 Title Just Got Shut Down
Daniel Craig in Spectre

There has been a ton of talk about Bond 25, starting almost directly after the release of Spectre. Daniel Craig's comments about not wanting anything to do with the role gave fans reason to pause, although he ended up singing on to play 007 one last time. Fans are eager to see how Craig's version of the character will be sent off, as the project continues its development and pre-production process.


In addition to casting rumors, there's also been a few potential titles being thrown around by the rabid Bond fandom. One of them is Shatterhand, a theory that has made the rounds online. Now it's been officially given the kabosh by the very head of the Bond franchise: Barbara Broccoli. While signing a Shatterhand logo designed by a Bond fan, Broccoli also made sure to clarify that was not the title of the 25th installment. You can check out a photo of the autograph, reposted by the official James Bond Instagram page.


Well, that's seems pretty cut and dry. With just a little bit of social media sass, the James Bond franchise has officially put the name Shatterhand to bed. Of course, that likely won't stop other fan theories from popping up in its place, until the official name of Bond 25 is finally revealed to the public.





007's Instagram post may have retired Shatterhand from the rumor mill, but the franchise was careful to not actually release any information about the developing project. Considering the early stages of the film's life, there's a certain level of care and secrecy needed, as the pieces of the cast and crew are assembled. But that won't stop Barbara Broccoli from not so subtly nipping false information in the bud. We'll just have to wait and see how long it takes for the official title to be released.


Considering Bond 25 will be Daniel Craig's swan song as James Bond, the pressure is on to deliver a satisfying finale for this set of 007 movies. Spectre spent a ton of time setting up the iconic villain Ernst Stavro Blofeld, played by Christoph Waltz. The origin story was finally completed with Spectre's ending, but it's unclear if Waltz will be back to play Blofeld. Rami Malek is reportedly in talks to play the film's villain, following up his Oscar win for Bohemian Rhapsody with the longest running franchise in film history. What a year.


But Rami Malek's involvement hasn't been officially confirmed, nor has any of the cast aside from Daniel Craig. So the generations of Bond fans will have to patiently wait for Barbara Broccoli and the rest of Eon Productions to settle down on a concrete plan, and allow the public to be privy to what is coming next. Regardless, it's clear that fan interest is there, which should hopefully spell further box office success for the franchise. After all, Spectre was one of the most expensive films of all time.





Bond 25 is currently set to arrive on April 8th, 2020. In the meantime, check out our 2019 release list to plan your next trip to the movies.


Theater Accidentally Screens R-Rated The Curse Of La Llorona Instead Of Detective Pikachu

Theater Accidentally Screens R-Rated The Curse Of La Llorona Instead Of Detective Pikachu
The Curse of La Llorona movie poster

Movie theaters are busy places with a lot of moving parts, so it's to be expected that mistakes will happen. However, one recent theater error may have left lots of children scarred for life when instead of a screening of Detective Pikachu, an audience comprised largely of children, was subjected to The Curse of La Llorona and all the trailers that went with it.


The situation started when Ryan George went to a screening that was supposed to be Detective Pikachu. As one would expect, the theater had a lot of kids in it. They, and their parents, probably began to wonder when the first thing to happen after the lights went down was a trailer for a movie that those kids really didn't need to be subjected to. As George said on Twitter...



The theatre I'm in is playing a trailer for Annabelle Comes Home before Detective Pikachu LOOK AWAY CHILDREN OH NO





The children did not look away. As one might expect, this did not go well. If this had been a random mismatch of a trailer and had been an isolated incident, things probably would have been ok. However, it was not. The next trailer to run wasn't much better.



Andddd kids are crying. Now the Joker trailer is playing.



I can imagine at this point the parents might have been more upset than the kids. I can imagine very young children looking forward to Detective Pikachu simply being more confused by the Joker trailer than anything. Parents, however, were probably quite disturbed.




If you guessed that the terror did not end there, you'd be correct.



NOW IT'S CHUCKY OH NO CHILDREN OH NO



Yeah, the killer toy probably went over really well with both the kids and their parents. I can imagine.




Of course, as it turned out, the random horror movie trailers stuck in front of Detective Pikachu were actually just symptoms of a bigger problem, as the theater had actually mis-scheduled the screening and was actually playing Conjuring-verse movie The Curse of La Lorona instead of the Pokemon movie.



OH MY GOD THEY'RE PLAYING LA LLORANA INSTEAD OF DETECTIVE PIKACHU



At some point, the mistake was realized and the movie was shut off, at which point the entire audience was moved into another theater that had, one assumes, started playing Detective Pikachu accidentally, as the new audience found the film waiting for them.





We've all been moved to another theatre where Detective Pikachu is just paused? At least there aren't any more murders on-screen



One certainly hopes they started the movie over from the beginning once the audience was seated.


With modern theaters it's now incredibly convenient to move any given movie to any screening room where it's needed with just a couple presses of a button. There's no need to physically move reels or even a disc. However, if those buttons are pressed in error, you can end up giving kids nightmares.




Full Toy Story 4 Trailer Brings Back Bo Peep And Even Andy

Full Toy Story 4 Trailer Brings Back Bo Peep And Even Andy
Toy Story 4 poster

After being introduced to a handful of new characters for the upcoming Toy Story 4, the only question remaining was exactly how they were all going to fit into whatever story the new movie was planning to tell. Now, with the first full trailer, we have our answers. We know how Woody and Bo Peep get reunited, and what the broader themes of the story will be. We meet even more new characters, and even get to see some old friends we didn't expect, like Andy himself. Check it out.


The trailer allows us to get to get to know the odd new toy of Forky a lot better. He's at the center of the story as Woody decides the craft project needs protection as Bonnie's favorite new toy. However, Forky doesn't feel like a toy and attempts to run away, which results in he and Woody getting separated from the rest of the group. From there we see Woody and Forky meet Bo Peep, and a collection of other interesting toys, while trying to get back to Bonnie.


Bo Peep appears to be found inside some sort of antique shop. Woody and Forky walk past her lamp and Woody instantly recognizes it. Although, the pawn shop is apparently the toy equivalent to a haunted hose, as the others toys inside it seem to be as scary as anything found inside Sid's house. Gabby Gabby is the name of the doll, voiced by Christina Hendricks. She appears to command a small army of ventriloquist dummies, which is just creepy.





What's potentially more interesting than some of the movie's new friends, is the return of a very special old one. The trailer contains a pair of flashback sequences that show Andy once again. One replays the moment from the end of Toy Story 3 where Andy gave his toys to Bonnie, but the other shows a scene of an even younger Andy playing with his toys. It's hard to tell if this part of a significant flashback sequence in Toy Story 4, but if it is, we might get to actually see some earlier events in the story that we never saw, like the loss of Bo Peep.


It wouldn't be a Pixar movie if it didn't bring the emotion and even this brief trailer has the potential to get you to feel something inside. The shot where Bonnie discovers her toys gone is already heartbreaking. I can't even imagine how I'm going to feel watching the entire film.


In addition to the new trailer, Toy Story 4 also released a new poster which brings all the characters, new and old, together. Check it out.





Ultimately, Toy Story 4 is a movie about self discovery. Forky doesn't understand what he is. He's a toy, but he feels like he's supposed to be something else. Bo Peep has been abandoned for years and no longer needs a child to define her purpose. Woody, it seems, will begin to question the things he's always believed about his own existence.


Many have questioned the decision to even make a Toy Story 4, with the ending of the third film being viewed by so many as a perfect cap on the trilogy. One really has to wonder just how Pixar believed it could top that. It apparently wasn't easy. There are certainly some directions this story could go that have the potential to be as emotionally impactful as Toy Story 3, though I'm not sure I want to think about them. It's too painful.


Why Detective Pikachu And Sonic The Hedgehog Are Taking Totally Different Approaches To Their Big Screen Movies

Why Detective Pikachu And Sonic The Hedgehog Are Taking Totally Different Approaches To Their Big Screen Movies
Detective Pikachu

When the first trailer for Sonic the Hedgehog dropped late last month, the internet collectively imploded in a sea of threads, tweets and memes, all expressing confusion, frustration and horror at the look of the titular speedster. This live-action Sonic was not the video game icon that has been showing fans the meaning of speed since the early '90s; this was something else, and it had human teeth.


Not long after the Sonic the Hedgehog trailer came out, another video game icon hit theater screens. The Pokémon franchise finally made its live-action feature film debut, with the face of the franchise leading the charge in Detective Pikachu.


In addition to the fact that they are both video game movies, the proximity of the Sonic the Hedgehog trailer and the theatrical release of Detective Pikachu invite obvious comparisons. I am not the first to notice this, but I think it is worth discussing because even a surface-level look at both films reveals the totally different approaches Sonic the Hedgehog and Detective Pikachu are taking to their big screen movies.




Let’s first look at Sonic the Hedgehog, the myriad ways the trailer confounded fans and what that says about the approach the film is taking.


Beyond the baffling trailer song choice and the changing of Sonic’s powers, the most obvious point of discussion was Sonic’s look in the new film. His overall proportions are quite different than his video game counterpart with limbs that are too muscular and a head and torso that are too small. What's more egregious, though, are Sonic’s facial features.


The film design eschews Sonic’s traditional uni-eye look, where one eyeball has two pupils for a more realistic smaller, two-eye aesthetic. The design choice that has gotten the most hate, though, has to be Sonic’s teeth, which look very human, a look that doesn’t comport with the teeth of either his video game inspiration or the teeth of an actual hedgehog.




What’s especially fascinating about the reaction to Sonic's look in the trailer is that it was entirely predictable. When the first poster featuring Sonic’s silhouette was revealed last year, fans were immediately skeptical of the hedgehog’s build. Complaints grew even louder when another poster showed Sonic’s eerily human and muscular legs.


I don’t know if it was a feeling that they knew better or that the complainers were in the minority, but did anyone involved with the film, after seeing the criticism of the posters, really think ‘Wait till they see the final design, they’re gonna love it!’?


Speaking about the decision to change Sonic’s eyes for the movie, executive producer Tim Miller previously said:





I don't think SEGA was entirely happy with the eye decision, but these sorts of things you go, 'It's going to look weird if we don't do this.' But everything is a discussion, and that's kind of the goal, which is to only change what's necessary and stay true to the rest of it. He's not going to feel like a Pixar character would because I don't think that's the right aesthetic to make it feel like part of our world.



Those last words are quite telling, “to make it feel like part of our world.” All of these changes to this iconic video game character for his feature film debut speak to the approach on the part of the filmmakers to make Sonic the Hedgehog “realistic.”


That’s why Sonic has separate eyes and more human features, and why he’s an alien in the film. Because the choice was made to set this film in our world as we know it. Sonic the Hedgehog isn’t the first movie to take this approach when adapting a fantastical property to live-action (animation has more freedom to be strange in this regard). The Smurfs in 2011 and 1987’s Masters of the Universe come to mind as properties that took characters out of their fantasy worlds and plopped them in our Earth.




The thinking behind this strategy (from my perspective anyways) is that it creates a smaller barrier of entry for the audience. Instead of trying to explain to moviegoers that the world of the film is one in which characters like Sonic exist, he is made into an alien and dropped into our world, where only he is different and everything else is familiar.


This approach also necessitates that Sonic look more realistic, or the filmmaker’s idea of realistic for an alien hedgehog. The concern being that if Sonic looks too cartoony or too Pixar-like, as a CGI character, he will stick out like a sore thumb and look, for lack of a better word, fake.


It’s not an inherently bad approach and I have no doubt that everyone involved is working their hardest to make the best movie they can, one that also pleases fans of the character. But this approach of setting the story in our world and altering Sonic’s look, which was guaranteed to result in backlash, to fit into that world, speaks to a fundamental disconnect with the fans of this property and what people want from adaptations of iconic stories and characters.




Now contrast this with Detective Pikachu. Like Sonic the Hedgehog, Detective Pikachu is based on recognizable video game characters that fans have come to know and love over decades. And while I am sure that somewhere there are fans who have taken issue with the look of the Pokémon in the movie, there has been no major outcry because by and large they look pretty much exactly like their video game counterparts.


Pikachu looks like Pikachu; from his lightning bolt tail and his rosy cheeks to his weapons-grade cuteness, he looks like the Generation 1 electric-type rodent Pokémon that became the face of the brand. The same is true for Charizard, Gyarados, Psyduck, Cubone, Bulbasaur, Mewtwo and all the rest. The film embraced the iconic designs of these creatures and rendered them in an extremely faithful fashion.


The only real sort of overture towards realism Detective Pikachu makes is to give the Pokémon some texture to make them feel more tangible and less like flat cartoons. But that tactic does little to nothing to diminish their resemblance to their video game inspirations.




Detective Pikachu was able to do this and give us such great live-action Pokémon because the story didn’t force things to take place in our world. Instead, the film took the approach that in the world of the film, Pokémon exist alongside humans. They aren’t aliens that just landed or genetic mutations or beasts from another dimension, they just are, and that premise required remarkably little in the way of world-building or expository setup.


The filmmakers trust that you know what Pokémon are, know what they look like and can wrap your head around a live-action world where they exist. There is no handholding and no timidity that audiences won’t get it or will check out if the movie goes all in on Pokémon weirdness.


It’s an approach that exudes a tremendous amount of confidence in the audience, trust in the characters and the story and faith in the source material. It either works or it doesn’t. Detective Pikachu bravely asks you to buy in and that gamble seems to have worked.




While opinions may vary, despite not striving for realism in the Pokémon designs, Detective Pikachu does the one thing it had to, according to CinemaBlend’s Mike Reyes: it convinces you that Pokémon and humans can live together in a live-action cinematic world. Even though they look almost exactly like the Pocket Monsters in the video game, it doesn’t take you out of the movie. More quantitative metrics also support the success of Detective Pikachu’s approach.


Rob Letterman’s movie is the best-reviewed video game movie of all time and it also enjoyed a bigger opening weekend than any of its video game adaptation predecessors. Audiences gave it an “A-“ CinemaScore and there certainly seems to be interest and potential for future Pokémon movies.


This isn’t all to say that Detective Pikachu’s approach was unquestionably right and Sonic the Hedgehog’s definitively wrong. Each property is different and adaptation is one of the most precarious forms of filmmaking. Sonic may well end up being a far better movie than Pikachu for all I know, and maybe going all in with a more fantastical world where Sonic exists wouldn’t have worked.




Nevertheless, it is also important to remember that this isn’t a literary adaptation. These aren’t only iconic characters, they have iconic designs, and I think it is telling that the highlight of the Sonic trailer, for me anyways, was at the end where Jim Carrey looks the most like his video game counterpart Dr. Robotnik.


To his credit, in response to the vocal criticism, Sonic the Hedgehog’s director Jeff Fowler said that design changes to Sonic are coming. It's nice to know they're listening and fan sentiment can make a difference. But I can’t help thinking that if this movie just took an approach that was less focused on realism and setting things in our world, and instead embraced the source material and trusted audiences to get it, the Blue Blur would be coming to the big screen surrounded by a spirit of excitement, not one of trepidation.


We'll find out how Sonic the Hedgehog is received by the public when it races into theaters on November 8, but for now you can still enjoy Detective Pikachu on the big screen.




Aladdin Hit A Box Office Milestone After Dethroning An X-Men Movie

Aladdin Hit A Box Office Milestone After Dethroning An X-Men Movie
2019 Aladdin Will Smith smiles genie

Mister Aladdin, sir, your wish came true! After the full four-day results came in, the 2019 Aladdin movie was confirmed to have cracked the top 5 Memorial Day weekend box office openings.


From Friday through Memorial Day, Aladdin made $116,805,962. That put it well past the previous #5 on the list, X-Men: Days of Future Past, which had a four-day opening of $110,576,604 in 2014. That also put Aladdin just a hair behind Fast & Furious 6. However, it was nowhere near the top three names on the Memorial Day weekend box office board -- X-Men: The Last Stand, Indiana Jones and the Kingdom of the Crystal Skull, and #1, Pirates of the Caribbean: At World's End. Here are all of their opening weekend details.


Disney must be sighing with relief over Aladdin, which has already made close to $300 million worldwide without even counting this weekend's grosses. The 2019 Dumbo remake had a slower start, but Aladdin hit big out of the gate. Granted, it's not #1 in its second weekend. That honor is going to Godzilla: King of the Monsters. But even with competition from other new films, Aladdin is still expected to take second place over the May 31-June 2 weekend. Box Office Mojo predicts Aladdin will make about $38 million at the domestic box office this weekend, putting it at #2 ahead of Rocketman, Ma, and the #1 titles of a few weeks ago, John Wick 3 and Avengers: Endgame.




The original animated Aladdin came out in 1992, when movie prices were a lot different. But even with cheaper tickets, that movie made $504,050,219 worldwide -- split almost equally between the domestic box office and the foreign markets. The new Aladdin still has a long way to go if it wants to even come close to that take.


But fans have really embraced the 2019 Aladdin, which was not a given, enjoying new songs like Jasmine's "Speechless":


When it comes to the top Memorial Day weekends, X-Men: Days of Future Past might've lost its spot in the top 5, but X-Men: The Last Stand is still at #3, and X-Men Apocalypse is down at #12. Thanks to that track record of success, X-Men movies tend to like to open over Memorial Day weekend. X-Men: Dark Phoenix is something of an exception this year, albeit just by a couple of weeks. That movie opens this coming Friday, June 7.




Moving forward from Aladdin, Disney still has some massive potential hits ahead in 2019, including The Lion King remake, which could break the 2017 Beauty and the Beast's record for a remake opening. Stay tuned, and keep up with all of the release dates with our handy 2019 guide.


Godzilla: King Of The Monsters Definitely Won't Include Certain Iconic Monsters

Godzilla: King Of The Monsters Definitely Won't Include Certain Iconic Monsters
Gigan and MechaGodzilla

When Godzilla returns to the big screen later this year, he will be fighting in a battle royal opposite monsters both good and evil for dominion over the Earth and the title King of the Monsters. Yet while Mothra, Rodan and King Ghidorah will be appearing in the film, the upcoming Godzilla sequel won’t be including every iconic monster from the character’s 65-year history. Speaking about monsters that aren’t in the movie, O’Shea Jackson Jr., who plays one of the soldiers in the film and is a big Godzilla fan, recently said,



I’m gonna’ tell you about my most feared Godzilla monster. One time as a kid, Godzilla was about to die and it was Gigan. Gigan is a problem. There’s like – there’s no way Godzilla should have won. Gigan is a real problem, so I hope we don’t see him, because this is going to be way worse nowadays. But you know, MechaGodzilla. MechaGodzilla is like a hidden gem right now.



We’ve speculated about what classic monsters might make an appearance in Godzilla: King Of The Monsters, with Gigan and MechaGodzilla among them, but if O’Shea Jackson Jr. is to be believed here, those two definitely won’t be part of the festivities (i.e. apocalyptic destruction) this time around. As the expressed to Collider, though, things would be way worse for Godzilla if those two were to show up.





The actor has distinct memories of Gigan, who is one of Godzilla’s most formidable and crazy-looking opponents. An alien cyborg kaiju, Gigan has deadly hooked claws on his appendages, a spiked tail, and vertical spikes that go all the way up his torso. He also has a cybernetic visor for an eye, out of which he can shoot lasers.


Gigan basically looks like he was designed by an 8-year-old: ridiculous looking with lots and lots of weapons. Aliens originally deployed him alongside King Ghidorah as part of a conquest of Earth, but that won’t be the case this time around it seems, as the trailer has shown Ghidorah frozen in ice and intimated that all the Titans are Earth’s pre-human inhabitants.


As for MechaGodzilla, he is one of the more popular Godzilla monsters, at times being both heroic and villainous. He has been depicted as an alien weapon or as a human creation meant to fight Godzilla. MechaGodzilla recently had a big cameo in Ready Player One and as you saw in that film, this robotic Godzilla is the War Machine of the kaiju, with missiles, lasers, energy beams and the power to fly.





Interestingly, O’Shea Jackson Jr. said that MechaGodzilla is “a hidden gem.” He could just mean that he simply likes the monster and can’t wait to see him utilized at some point in the future, but perhaps there is more to it. O’Shea Jackson has also teased that Godzilla: King of the Monsters will have Easter Eggs, so maybe there will be some reference to MechaGodzilla blueprints, or something of that sort.


It is probably for the best that Gigan and MechaGodzilla won’t be in Godzilla: King Of The Monsters. Godzilla has his hands plenty full with King Ghidorah, and Gigan and MechaGodzilla historically have more fantastical stories that don’t exactly mesh with the prehistoric mythology the MonsterVerse seems to be going for. Perhaps eventually they could be given new origins, though, while maintaining their looks and names.


It also makes sense for some iconic monsters to sit out Godzilla: King of the Monsters to save them for future movies in the franchise. King Kong and Godzilla will face off in 2020, but as they are both good monsters, they will presumably have to unite to face a common enemy by that film’s end - and perhaps that enemy could be either alien or man-made.





Godzilla: King of the Monsters stomps into theaters on May 31st. Check out our 2019 Release Schedule to keep track of what’s coming out when for the rest of this year.


X-Men: Days Of Future Past Almost Featured Cable

X-Men: Days Of Future Past Almost Featured Cable
Cable X-Men comics

2014’s X-Men: Days of Future Past was an especially interesting entry in the X-Men film series, as not only did it continue the storyline that began with X-Men: First Class by jumping to 1973, it also reunited with many of the original X-Men cast members as they struggled for survival in a dystopian 2023. This group of heroic mutants was accompanied by some new faces, and originally Nathan Summers, better known as Cable, was supposed to be one of those faces.


Given how Cable is best known for growing up in a future, apocalyptic timeline and time traveling to the present day Marvel universe, it would have been fitting to have him involved in X-Men: Days of Future Past, even if unlike his comic book counterpart, he wasn’t the one traveling backwards in time. As for why he didn’t appear in the fifth main X-Men installment, it turns out that Cable’s co-creator, Rob Liefeld, pushed for him being taken out, providing the following explanation for why:



He was originally in Days of Future Past in the Bishop role and he got killed. And then there was a note that came back that said he's kind of too big of a character to do this with, and poor Bishop got slaughtered instead. But I swear to you... So, summer 2012, I was like, you can't, you can't have Cable. Like, as much as I want to see him, fans will freaking go nuts if they see him and you kill him immediately. He's too big.





Considering Cable’s decades of popularity, I can’t say I blame Rob Liefeld for wanting the character to sit out X-Men: Days of Future Past. Sure, audiences finally would have been introduced to him on the big screen, but their time with him would have been short, as Cable would have been among the mutants killed by the Sentinels in that dystopian future, like Sunspot, Blink and Warpath. There wouldn’t have been any time to properly develop the character, and someone like that needs a bigger platform to shine on.


Instead, as Rob Liefeld told ScreenRant and as audiences saw in the final version of X-Men: Days of Future Past, Cable was replaced by Bishop, another mutant with a history of time travel. On the one hand, Cable is arguably more popular than Bishop, so it makes sense that the latter would take priority over the former. On the other hand, Bishop also has his fair share of fans and his own interesting story that stretches across several time periods, and Days of Future Past did not delve into that at all since he was such a minor character.


So the tradeoff might not have appealed to all X-Men fans, but had Cable stayed in X-Men: Days of Future Past, like Bishop, he would have been killed off, with no time dedicated to fleshing out his backstory. Ultimately, this replacement was probably the right call, but hopefully if/when the X-Men are incorporated into the Marvel Cinematic Universe, there will be an opportunity to spotlight Bishop in a fitting way.




Fortunately for Cable fans, they only had to wait four more years after X-Men: Days of Future Past to see him finally make his live action debut. After being teased at the end of Deadpool, Cable, played by Josh Brolin, finally joined the fray in Deadpool 2. Like his comic book counterpart, he hailed from an apocalyptic future, but his reason for going back in time in this movie was to kill Russell Collins, a.k.a. Firefist, the mutant who murdered his wife and daughter, as a child.


Cable didn’t succeed in carrying out his assassination, but the adolescent Russell decided to step off the villainous path he’s heading down, thus saving Cable’s wife and daughter in the future. Sadly, the cybernetic mutant was unable to return to his family, but he’s now working to improve the present so they have a better future awaiting them.


Although Disney, which recently finalized the Fox merger, plans on keeping the Deadpool franchise going, it remains to be seen if Cable will return in either X-Force or Deadpool 3, let alone if Josh Brolin will reprise him or if someone else will take over the role. Stay tuned to CinemaBlend for updates either way. In the meantime, feel free to keep up to date with what’s heading to theaters later this year in our 2019 release schedule.