The 10 Best Jennifer Lawrence Movies, Ranked

The 10 Best Jennifer Lawrence Movies, Ranked
Jennifer Lawrence - Red Sparrow

Ten years ago, Jennifer Lawrence was a supporting actress on the short-lived TBS sitcom The Bill Engvall Show. Nowadays, however, the mega-famous celebrity is an Academy Award-winning superstar, who has shown her talents in blockbusters and prestige flicks alike. It's a remarkable journey that has found the talented superstar headlining no shortage of commendable, noteworthy films throughout a varied and exceptional cinematic career. It's one that will continue with her latest work in Dark Phoenix, which will be making its way into theaters and IMAX screens this weekend.


While Jennifer Lawrence has only been seen in a handful of movies these past few years, it's remarkable how many of these films have gone to to be acclaimed, distinctive achievements or pop culture phenomenons. Sometimes both! Today, I'm ranking my personal favorite Jennifer Lawrence movies, placing them in order of personal preference. There are a few that missed the cut, like Passengers and Red Sparrow, for instance. And no doubt a few of these picks might be a bit different than yours, depending on how you feel about certain titles. Nevertheless, here's the official ranking!


Joy


In their third collaboration, Joy, David O. Russell and Jennifer Lawrence brought a loose retelling of the life story of Joy Mangano, a self-made woman who went from humble beginnings to a millionaire empire, to the big screen. The results were mixed, notably compared to their other collaborations together. But while the film is flawed, to say the least, it does have the distinction of boosting yet another exceptional Jennifer Lawrence performance.




After playing the second lead in Silver Linings Playbook and a memorable supporting character in American Hustle, Jennifer Lawrence is finally (and rightfully) given the center stage in this David O. Russell joint, and she definitely makes the most of it. Filled with the passion and indignation that was seen throughout her performances, Lawrence finds herself providing another powerhouse display, even if the movie itself fumbles to make the most of this top-tier performance. Not every movie can be a winner, but this intriguing, occasionally commanding film is benefited greatly by Jennifer Lawrence.


The Hunger Games


In the movie that turned Jennifer Lawrence from arthouse darling to movie superstar, The Hunger Games is certain a prominent and prosperous film on Jennifer Lawrence's resume. The actress was given a dystopian franchise that could've easily fizzled out from the public's conscious the way so many franchise non-starters do. But through her weighted, emotionally-resonant performance, Lawrence helped transport the ambitious franchise-starter into a bonafide box office hit.


As Katniss Everdeen, Jennifer Lawrence brought an honest emotional sincerity to the role that came from her experience of working with intense emotional dramas. That resonance helped the series become grounded and honesty in a way that most science-fiction franchises aren't. It's through those commendable talents that Lawrence was able to excel and become one of the biggest movie stars in the film business today.




X-Men: First Class


Shortly before she set the world on fire with The Hunger Games, Jennifer Lawrence got her first taste of blockbuster filmmaking when she took on the role of Mystique in the rebooted X-Men franchise-starter, X-Men: First Class. As the morphing blue mutant, one who's an adoptive sister to Charles Xavier (James McAvoy), there is no doubt that this version of the character was set to play a huge part in the retooled X-Men franchise. Sure enough, it's safe to presume that nobody involved with the film really knew just how big and famous JLaw would get in a short amount of time.


While Jennifer Lawrence's heart never seemed to be fully invested in this series after this introductory installment, Jennifer Lawrence's take on the character provided audiences with a more rich, layered take on the standout X-Men character. Allowing us to the see the emotions and depths that were often only hinted at with Mystique during the first three X-Men films prior, this new take on the character was a gentler, more sympathetic version, and that is often thanks to Jennifer Lawrence's emotional talents as an actress. These talents would shine ever brighter throughout other films in her career.


X-Men: Days Of Future Past


The X-Men series has always been on wobbly ground. For every rise, there is inevitably a fall. For every film that's on the level of X2, there's typically an X-Men: The Last Stand or X-Men Origins: Wolverine that trails behind it, shattering the potential of this superhero series. Nevertheless, after a promising start of a new, retooled franchise with X-Men: First Class, the Marvel comic property was finally brought back to its former exhilarating heights with the exceptional crossover event, X-Men: Days of Future Past.




Through this movie, which blended the high caliber talents of the new cast with the established excellence of Hugh Jackman, Ian McKellen and Patrick Stewart, to name a few, the result is a series rejuvenator that could've easily been a huge hulking mess, but one that actually turned out to be one of the most surprising and beneficial superhero blockbusters in recent memory. Filled with great action, compelling stakes and a great roaster of talent, it's an exceptional installment in the X-Men universe, and it's quite possibly the last good-to-great film we'll see with these characters in quite awhile.


The only real reason why I'm ranking it a bit lower here is because, ultimately, the film is good, but it's not the best showcase of Jennifer Lawrence's talents. It's apparent throughout the film that her heart isn't really in the series as much anymore, and while that doesn't mean her performance is bad, it doesn't have the same compelling range as some of her other, better work, seen prominently and exceptionally throughout a number of titles listed in this article. In any case, while it's not a great Jennifer Lawrence film, it's still one the best movies to feature the actress, if that ultimately makes sense.


Winter's Bone


For many folks, including myself, Debra Granik's somber, harrowing independent film Winter's Bone was their first introduction to Jennifer Lawrence. The young actress was still in her late teens when she played the lead role of Ree, an impoverished, head-strong young woman living hastily in the Ozark Mountains while also trying to track down her drug-dealing father to prevent her family from being evicted. Though the film is definitely very minor in scope, it had a monumental impact on her early career. Specifically, the small Sundance title went on to receive four Oscar nominations, including a Best Actress nomination for Jennifer Lawrence, and it introduced Hollywood to this explosively talented young actress well on the rise.




Based on the book of the same name by Daniel Woodrell, Winter's Bone is an impressively sorrowful and powerful mediation on impoverishment and self sufficient under extreme devastation and economical decline. Yet, in a weird twist of fate, this tale of loss, poverty and misfortune paved the way for an incredible successful and lucrative career for Jennifer Lawrence, one that only continues to flourish with new projects. There's no denying that she is an exceptionally talented actress, and the proof was on the screen nearly 10 years ago when Lawrence came on the scene in Winter's Bone.


Like Crazy


In 2011, Jennifer Lawrence was already a young Oscar-nominated actress set to embark on her biggest, most prominent role to date as Katniss Everdeen in The Hunger Games saga. But in this transition period in her life, she was still an up-and-coming actress who was working in a number of independent titles, hoping to make it up the ropes just like every young actor and actress in Hollywood. In any case, even by the time Like Crazy made its way into theaters, it was a little surreal to see Jennifer Lawrence play a prominent supporting role in this intimate, small-scale romantic drama.


In writer-director Drake Doremus' tender, touching personal story, Jennifer Lawrence plays Samatha, a woman with whom our main male character, Jacob (the late Anton Yelchin), begins seeing shortly after his relationship to after his long-distance relationship with Anna (Felicity Jones), falls apart. In the broad scheme of the story, Samantha is ultimately a minor part —even though she's the third biggest character in the movie. It represents that brief window of time when Jennifer Lawrence was well-established and well-accredited, but just before the celebrity rose to international superstardom.




But in the limited role, Jennifer Lawrence's Sam gives Anton Yelchin's lovesick Jacob a small, yet loving, window into a more stable, dependable romantic relationship close to home, one that doesn't come with the aches, heartbreaks and baggage of a long-distance relationship. Ultimately, due to Jacob's heart bleeding elsewhere, the relationship doesn't last, and Lawrence conveys that sweetness and eventual sadness beautifully in this rare supporting turn.


The Hunger Games: Catching Fire


While The Hunger Games provided the backdrop to a compelling and prosperous YA film franchise, it wasn't until its stellar sequel, The Hunger Games: Catching Fire, that the series really lived up to this film's subtitle. Propelled by the commendable work of director Francis Lawrence, who took over the reins from Gary Ross, and boosted by a story with higher stakes, better action, stronger tension and greater dramatic potential, Catching Fire remains the strongest and more resilient installment of the series. It was the film where you could also see Jennifer Lawrence's acting talents take full flight.


With a higher budget, more wiggle room to evolve and elevated material that proved more world-expanding, greater challenges and more character development, The Hunger Games: Catching Fire does what every good sequel should: match or exceed what we've seen before and allow the series and the characters and the environments therein to bloom, mature and flourish in greater and more beneficial and compelling ways. In many ways, this sequel equals or exceeds the benefits of the first movie, and it's a shape that the following installments, Mockingjay - Part 1 and 2, couldn't match it.




American Hustle


Hot off the heels of Silver Linings Playbook, David O. Russell rounded up the talents of his proven stars, including Jennifer Lawrence and Bradley Cooper, and provided audiences with another sizzling, sensational dramedy, American Hustle. The period piece is a splashier, more ritzy and stylishly-mimicking film, copying more than a few notes from Martin Scorsese's filmography. Yet, through the passionate and invigoration of its exceptional cast, the film is given a great amount of spry energy and enthusiasm. That's most certainly the case for Jennifer Lawrence's character, Rosalyn Rosenfeld.


In her Oscar-nominated performance, Jennifer Lawrence plays the role with a bold ferocity that nearly outmatches her work with David O. Russell's prior in Silver Lining Playbook, and it's certainly not for a lack of trying. While American Hustle doesn't live up to the same delirious heights as that previous film from the acclaimed filmmaker, it's still a stunning display of Lawrence's passionate talents. And it's another captivating performance from a performer who was near the top of the world at that point.


mother!


Though certainly divisive among both critics and general audiences, to say the least, Darren Aronofsky's visceral, allegorical horror-drama mother! is a spellbinding film. Filled with fraught tension, rigorous intensity and commendable craftsmanship, it is definitely not a conventional crowdpleaser, or any sort of crowdpleaser at all, and it doesn't work in everyone's favor. But for me, it remains not only one of Jennifer Lawrence's best films, but also one of the actress' greatest dramatic showcases to date.




Though the movie — at face value — is meant to be seen as a biblical retelling of humanity's disturbing relationship with mother nature, mother! is best seen as a high-stakes surrealist story that portrays the ego-driven, emotionally-disastrous home life of an artist who wants to be both world-renowned and romantically reserved, and how the folks who care most for the artist are the ones who often suffer the most. It's a brutal, unbecoming movie, and it is perhaps more for the arthouse crowd than the folks who like Jennifer Lawrence's blockbuster work. But if you have the stomach for what it dishes out, it's a gorgeously unsettling work of impassioned introspection — both intentional and otherwise.


But if you have the stomach for what it dishes out in excessive helpings, mother! is a gorgeously unsettling work of impassioned introspection — both intentional and otherwise. And Jennifer Lawerence's committed powerhouse performance often harkens back to Mia Farrow's iconic role in Rosemary's Baby. Strange, mysterious and often alluring, if you feel at home with something that's more messianic and unusual than your average theater visit, this is one that worth's seeking out.


Silver Linings Playbook


With writer-director David O. Russell's winning, wonderful Silver Linings Playbook, Jennifer Lawrence fully cemented herself as a great actress. While she had already proven her chops with Winter's Bone and The Hunger Games, it was in the role of Tiffany, the vivacious, yet deeply troubled, woman who serves as the mismatched match to Bradley Cooper's equally perturbed Pat, that ultimately won the actress her Academy Award. And it remains the role that best captures and displays all of Lawrence's multitudes of talents, capabilities and emotional prowess in one firecracker of a performance.




As she displays with a ferocity and tenacity of a young performer with a mountain of talent to prove, Jennifer Lawrence's award-winning performance is an exuberant, emotional, thunderous, rousing and brilliantly realized work of excellence. It's the type of heart-wrenching acting that commands the energy of a young performer while also containing the depths of an actress with an extraordinary future. Sure enough, that most certainly became true.


Jennifer Lawrence has become one of the most well-known and well-acclaimed young actresses in Hollywood, and it's thanks to a wealth talent as well as a great fortune of luck that she rose up into international super-fame. Watching her performance in Silver Linings Playbook, it's incredibly easy to see how that became possible. She is an astonishing actress with a wide range of dramatic heft and nuance, and while Silver Linings Playbook is one of her earliest performances in her blooming career, it does remain her most well-recognized and perhaps her most beloved performance as well. And that's more than a silver lining; that's a golden opportunity, and she took it and ran with it.


While there are some notable films on Jennifer Lawrence's resume that we didn't list, this collection of titles both big and small all help to display the exceptional talent of this incredible actress. And though it sounds like Jennifer Lawrence might be taking a bit of a recess from acting while she explores different things in her personal life, the actress has proven herself dedicated, assured, confident and commendable in many different ways. We hope to see even more rousing, brave and celebratory performances from this bright and acclaimed young actress in the not-too-distant future.




Is Poms' Box Office Failure Tied To Yikes Reviews?

Is Poms' Box Office Failure Tied To Yikes Reviews?
Diane Keaton in Poms

If the box office is perfectly balanced, as all things should be, that means that while Avengers: Endgame is breaking records, something else has to be failing spectacularly, and that something is the comedy Poms. The story of a group of women who start a cheerleading squad at their retirement community is the worst box office flop of the year so far for a film with a wide release on over 2,700 screens.


Poms debuted in 6th place, earning just $5.3 million against a $10 million budget over Mother’s Day weekend. Whenever a movie fails like this, it is worth doing a post-mortem and asking what happened. One of the first things worth wondering about are the yikes reviews Poms received, which certainly didn’t do it any favors. CinemaBlend’s own Eric Eisenberg highlighted the film’s lack of originality in his review, saying:



There is hardly a single underdog sports movie cliché that isn’t employed at some point, and it’s difficult to feel entirely engaged with the story when you know exactly how every single scene is going to begin and end.





Yikes indeed. Audiences need to be sold to spend their hard-earned money to come to the theater, and when the reviews warn of a cliché-ridden film that people have the impression they’ve seen before 1000 times, there is no incentive to go see it.


But maybe you’re okay with a clichéd and simple story, and you just want to laugh and have a good time. Sadly, Poms comes up short in that regard, according to the Associated Press’s Lindsey Bahr, who in her review said:



It’s fine to make a film that’s just supposed to make an audience smile but this film doesn’t even get close to that level of joy.





You can definitely see how potential audiences who read that review might have been reticent to spend money to see a movie where even the hope of cracking a smile is in doubt. And if a comedy can’t make you laugh, that’s a problem and that is definitely the case here according to IndieWire’s Jude Dry, who gave the film a “D” and said:



Poms is the first narrative feature from documentarian Zara Hayes, who wrote the script with Shane Atkinson, making his feature debut. Neither have much background in comedy, and it shows.



One of the theoretical selling points of Poms is its cast of legendary actresses, including Diane Keaton, Jacki Weaver, Celia Weston, Rhea Perlman and Pam Grier. However, a common thread among the reviews for the film was lament that the actresses aren’t given quality roles in a well-written film to work with. In her review, The Hollywood Reporter’s Beandrea July said:





Poms is equal parts boring and infuriating, especially when you consider the actresses made to perform caricatures of old age.



By many accounts, Poms doesn’t treat its elderly characters with much respect, which is made even more galling considering the pure talent involved. That lends a sad quality to the film that may have turned off audiences. The Guardian’s Benjamin Lee, gave Poms 1 star out of 5, and if you read his review, you probably wouldn’t spend your money to see the movie either. He said:



It’s easy to praise the mere existence of Poms as a rare wide-releasing comedy populated by women over the age of 70 but rather than feeling inspired, I left the cinema feeling depressed… The women in Poms deserve better and so do we.





‘I left feeling depressed’ is not the blurb you want for an ostensibly feel-good Mother’s Day movie. And while it might be great that this movie got made and received a wide release, general audiences aren’t in the business of voting with their dollar at the box office to advance the cause of older actresses in the industry.


Poms currently has a 32% on Rotten Tomatoes, meaning that the reviews weren’t all bad, and opening night audiences gave the film a “B+” CinemaScore, indicating those who saw it generally liked it. So is Poms' box office failure tied to the bad reviews?


It’s tough to say, but the reviews certainly couldn’t have helped. It’s difficult to know how much reviews truly influence audience’s moviegoing decisions. Plenty of horribly reviewed blockbusters make bank at the box office and countless critically acclaimed smaller films struggle to scrape together a few pennies.




I tend to think that reviews only influence audiences to an extent and that most people make up their minds before they see the reviews. It’s only when the consensus is drastically in one direction or the other that their choice can change. I also don’t know what the level or quality of the marketing across the country was for Poms.


If Poms was beloved and the reviews helped spur great word of mouth, maybe it wouldn’t have flopped in this way, but it was probably never going to really deliver. These kinds of smaller movies, rightly or wrongly, are a dying breed as blockbusters dominate the theatrical calendar. Counter-programming can be successful, and perhaps that, as well as coinciding with the Mother’s Day holiday was the strategy, but everything, including reviews, has to click, and that wasn’t the case here.


I can’t help but feel like in the current marketplace, Poms was far better suited to be released on a streaming service like Netflix. Perhaps when it arrives on a streaming service down the line, it will get a second life.




Check out our 2019 Release Schedule to see everything headed to theater this summer and stay tuned to CinemaBlend for all the latest box office news.


One Thing Captain Marvel Is Seriously Missing

One Thing Captain Marvel Is Seriously Missing
Brie Larson as Captain Marvel

This past weekend saw the release of Captain Marvel, and based on the weekend’s box office, a lot of people wanted to see this movie. Professional reviews were complimentary, if not glowing, and overall I really enjoyed it. However, as I walked out of the theater last week, I must admit I felt like there was one thing missing from Captain Marvel. The music. Don’t get me wrong, Captain Marvel had music. It had good music, but the music that you remember coming out of the theater is the 1990s pop soundtrack, not the score that was composed for the film. Captain Marvel had some epic moments, but it was short on an epic theme.


A lot of comparison has been made between Captain Marvel and Wonder Woman. Both are recent solo superhero movies starring female leads. However, when I compare my emotional impressions of these characters to each other, Wonder Woman comes out on top quite easily. The reason, I think, is that when I think of Wonder Woman, I think of Hans Zimmer’s powerful theme that he created in Batman v Superman: Dawn of Justice. You know what I mean. It's the one moment in the film that everyone agrees was great.


That music simply isn’t there when I think of Captain Marvel, and the character suffers because of it.





To be fair, the problem of a less than memorable score is not exclusive to Captain Marvel. It’s a problem the entire Marvel Cinematic Universe suffers from. The music isn’t bad and nothing is wrong with it, but there’s nothing quite like a memorable character theme, and few Marvel movies have them. Captain Marvel does have a theme, and it’s actually pretty decent, but I had to play the soundtrack on Spotify to hear it. I couldn’t tell you when in the movie it gets played. I don't recall hearing it at all, and that's part of the problem.


If you listen to Pinar Toprak's Captain Marvel score in its entirety, you'll hear that it's actually really good. The problem is the way it's mixed into the film. It's designed to fall into the background. It's designed to have you not notice it. It makes one wonder why the studio bothers to score so much of the movie if they don't want you to hear the music.


Marvel hasn't seemed as if it wanted us to care about the music for years. If the studio did, the music would be more consistent across films. Iron Man has three different themes in three different solo films, more if you count songs by AC/DC. Captain America has an actually pretty great theme in The First Avenger, which is then barely used in The Winter Soldier and utterly forgotten after that. Instead, Cap has a new theme in that movie, one you still never hear again. While Marvel has done a stellar job of making sure that its films have continuity of story, there is none in the music.





Some of this may be because nearly every Marvel movie is handled by a different composer, and clearly those composers want to make their own music, but it's not like the Harry Potter films forgot the theme John Williams wrote after he stopped scoring the movies.


Superhero themes can be some of the best pieces of music in modern films. John Williams’ theme for Superman and Danny Elfman’s Batman theme are classics. One Marvel theme, the Avengers theme, is a key part of the single most memorable moment in all of the MCU.


That moment would not have been nearly so memorable without that piece of music. It’s one of the few pieces of music that has been carried over from one film to another. It even shows up in Captain Marvel. It was at that point when I heard it that I realized that the movie had no noticeable theme for the main character the movie was actually about.





Of the 20+ movies and 10 + years that make up the Marvel Cinematic Universe, there are only a few themes worthy of note. If you look back at Avengers: Infinity War, a movie that contains basically every character who has ever appeared in the MCU, the only pieces of music you might recognize are the Avengers theme, which gets used twice, and the Wakanda theme from Black Panther.


And if we're being honest, one of those uses is totally wrong. The second time we hear the Avengers theme in Infinity War is when Thor, Groot, and Rocket arrive during the battle of Wakanda and help turn the tide. Only one of those characters is an actual Avenger. That moment would have been the perfect place for Thor's theme, an epic piece of music that told you the Asgardian was once again ready to fight with a new weapon by his side.


The problem is, if that piece of music had played, nobody would have recognized it because nobody can hum Thor's theme. Does Thor even have a theme? He has two actually. The movie needed a piece of music that conveyed to the audience all of that same information, and the Avengers theme is the only piece of music the audience knows well enough to be able to do that.





In the case of Captain Marvel, there is at least something of a reason why the score was downplayed. The focus, musically speaking, was on the '90s era music that made up the bulk of the soundtrack. The movie wants you to hear No Doubt more than it does the orchestral themes.


Still, we don't have to only pick one. The Guardians of the Galaxy movies make their '70s pop soundtrack not simply part of the movie, but part of the plot, and that didn't stop James Gunn and Tyler Bates from giving the team a solid theme that was used well in both Guardians of the Galaxy movies.


I loved almost everything about Captain Marvel. Everything on the screen was great, and yet, somehow I found something was lacking. What was missing was what I didn't hear. I hope that when Captain Marvel returns in Avengers: Endgame, her theme will be given some room to breathe. I hope some attention is given to it, because it will only make the character stronger.





See How Cool Michael B. Jordan Could Look Like As DC's New Superman

See How Cool Michael B. Jordan Could Look Like As DC's New Superman

Sooner or later, Superman is going to return to the big screen and when he does, it seems likely that Henry Cavill will not be the one donning the cape. While we await the eventual casting speculation, one name that is already in the mix is Adonis Creed himself, Michael B. Jordan. The Creed II actor definitely has the charisma and he would look pretty cool as Supes if this fan art is anything to go by. Take a look:


Under most circumstances, you’d think that this action figure-like, carved from granite physique would be unrealistic. But given how in shape Michael B. Jordan got for Adonis’ fight with Viktor Drago, he really could be the most ripped Superman yet. And with a wry smile and a cool suit, Michael B. Jordan looks awesome and like a Superman that audiences would be excited to see.


That said, diiegodesigner’s fan art isn’t of Michael B. Jordan as Superman, well, at least not the Clark Kent/Kal-El version of the character. This fan art envisages Michael B. Jordan as Val-Zod. In the Earth 2 universe, Val-Zod is one of the children that escaped Krypton before it exploded, alongside Kal-El and Supergirl Kara Zor-El.




Upon arriving on Earth, Terry Sloan finds Val-Zod and raises him in seclusion, resulting in the Kryptonian having a far more pacifistic nature than those red eyes would suggest. Val-Zod later assumes the mantle of Superman after Kal-El.


So is this purely some fun fan casting or could it portend our cinematic future? Well, back when we heard that Henry Cavill might be out of the DCEU it was reported that Warner Bros. would be looking to go in a different direction for Superman in the future and had considered casting Michael B. Jordan.


For his part, Michael B. Jordan seems open to playing Superman, but not Clark Kent. Rather than deal with that level of scrutiny and comparison to what came before, the actor put forth the idea that he could instead play Calvin Ellis, the Superman of Earth-23. Based on Barack Obama, that character was the President and Superman and obviously has not been onscreen before.




Since he isn’t too keen on playing Clark Kent, perhaps Val-Zod could be another option for Michael B. Jordan. He’s got a bit more comics history than Calvin Ellis and Michael B. Jordan could play him without comparisons to past iterations of the character.


This is just the latest bit of fan art to imagine Michael B. Jordan as Superman, and it’s clear that despite having already been in superhero movies, some people are eager to see more of him. Michael B. Jordan has already played Johnny Storm in Fox’s Fantastic Four and Killmonger in Black Panther. All he has to do is join WB’s DC universe and snag a role in Sony’s Spider-Verse and he’ll have hit for the comic book movie universe cycle.


We still don’t know for sure what’s going on with Superman in the DCEU, but with DC on a roll of late with Shazam! and Aquaman, hopefully it won’t be too long before we find out and see the Man of Steel back on the big screen, in one form or another.




Check out our 2019 Release Schedule to get a look at all the biggest movies headed to theaters this summer and for all your superhero movie news, stay tuned to CinemaBlend.


Chris Evans Wants Captain America’s Suit

Chris Evans Wants Captain America’s Suit
Captain America in Age of Ultron

The Marvel Cinematic Universe as we know it will soon come to a close, as Avengers: Endgame is just one month away from theaters. 21 movies and ten years of filmmaking will collide in the final blockbuster in Phase Three, so the stakes are sky high. What's more, Endgame will likely mark the final bow for many of the OG Avengers, including Robert Downey Jr, Chris Hemsworth, and Chris Evans. The latter has spent many years as Steve Rogers/Captain America, and therefore has a few things he'd like as a memento for his tenure in the MCU.


Appearing in seven Marvel blockbusters (in addition to a handful of cameos), Chris Evans' Captain America has been one of the most significant characters in the entirety of the shared universe. As such, he's worn a ton of different suits throughout various adventures. And the 37 year-old actor wants to take a Cap costume home. As he recently revealed:



I'm going to ask for the full suit I never asked for the full suit. Hemsworth got the full suit. I want the full suit.





While they've worked together for years, it appears that The Avengers still have some healthy rivalry. And if Chris Hemsworth got to take home a Thor suit, then Chris Evans wants to follow suit for Captain America. He spent long enough in the costume, after all.


Chris Evans' comments to THR revealed that he's already managed to take home a prop of Captain America's signature shield. The vibranium weapon is Cap's signature accessory during his onscreen appearances, and he's used it in a variety of ways in during Evans' impressive run in the MCU. But while he's managed to take home a shield, he still needs to get his hands on a full costume.


If Marvel Studios ends up coming through for Chris Evans and granting him a Captain America costume, one had to wonder which suit will be selected. There have been a ton of very different suits over the years, so will Evans get to pick? And will it be a classic Phase 1 costume, or the more gritty versions from Phase Three?




Captain America's suits very closely resembled the comics during his early appearances in Captain America: The First Avenger and The Avengers. They were bright and colorful, and even featured his iconic little wings on his headpiece. But as the MCU began growing, Cap's suits got more tactical and armored. And when we eventually saw him in Infinity War, the suit was badly damaged from his years on the run.


The surviving heroes including Cap will be getting fancy matching suits in Avengers: Endgame, as seen in the final trailer. But his classic costume is also shown, so it should be interesting to see where The Russo Brothers take the character for his final outing.


Avengers: Endgame will arrive in theaters on April 26th. In the meantime, check out our 2019 release list to plan your next trip to the movies.




The Goldfinch Trailer Puts Ansel Elgort Through Emotional Hell

The Goldfinch Trailer Puts Ansel Elgort Through Emotional Hell

After Donna Tartt’s The Goldfinch became a literary hit in 2014, which included it winning the Pulitzer Prize for Fiction and the Andrew Carnegie Medal, it seemed like only a matter of time before a film version would come. Warner Bros swiftly struck a deal shortly after it was published and an adaptation is coming to the big screen this fall, with Baby Driver’s Ansel Elgort, Nicole Kidman and Sarah Paulson leading the drama.


Check out the intriguing and emotional first look at The Goldfinch with its trailer below:


As a good trailer should, this establishes the tone and interest in the movie without giving too much away about what audiences are in for. Ansel Elgort leads The Goldfinch as Theo Decker, a young man haunted by the day his mother was killed in a bombing at the Metropolitan Museum of Art in New York City while he was was 13 years old.




The film’s title references the priceless painting the mother and son gaze upon right before the bombing which Theo takes and keeps with him throughout his life journey chronicled in the film.


The Goldfinch trailer flashes between Theo’s past and present, carefully unraveling his personal tragedy and how it alters his life. He comes across various characters, including a childhood friend named Boris, played by Stranger Things’ Finn Wolfhard as a kid and replaced by Dunkirk’s Aneurin Barnard as they grow older.


The cast also includes Nicole Kidman as Mrs. Barbour, who is his caretaker for sometime, along with Luke Wilson, who plays his problematic dad who has a girlfriend named Xandra (Sarah Paulson). Westworld’s Jeffrey Wright appears as Hobie, an unlikely friend to Theo during his time of loss.




Along with The Goldfinch having an impressive cast, behind the scenes is John Crowley as director, who previously helmed the Oscar-nominated drama Brooklyn. The script was written by Peter Straughan, whose other credits include Tinker Tailor Soldier Spy, Frank and The Snowman. The movie was also produced by Nina Jacobson and Brad Simpson, who worked on Crazy Rich Asians, American Crime Story and Ben is Back together.


The Goldfinch novel was over 700 pages long, so the movie is tackling a ton of material for one film. It was previously considered for a miniseries, but the project ultimately landed with Warner Bros and Amazon Studios.


The Goldfinch certainly looks to showcase an especially good performance for Ansel Elgort, who broke out in 2014 with his Fault in Our Stars and Divergent roles. The 25-year-old actor will also star in Steven Spielberg’s West Side Story remake coming in December 2020.




The drama is opening alongside crime comedy Hustlers, starring Constance Wu, Jennifer Lopez, Julia Stiles and Lili Reinhart, about a group of former strippers who band together to steal from their Wall Street clients on September 13. Both films will go up against IT Chapter 2’s second weekend at the box office.


Are you excited to see The Goldfinch? Let us know your thoughts in the comments.


7 Moments From The Sonic The Hedgehog Trailer That Had Us Saying 'What?'

7 Moments From The Sonic The Hedgehog Trailer That Had Us Saying 'What?'

The first trailer for Sonic The Hedgehog has arrived, and long-time fans and the general public at large are a bit confused. That's understandable given the sheer amount of things that happen that are both foreign to those who played the video games and those who are experiencing the blue hedgehog for the first time. To highlight a lot of those confusing moments, here's a breakdown of the moments from the Sonic trailer that had me saying "what?"


Sonic The Hedgehog Is Fast, But Not As Fast As He Should Be


The trailer opens with officer Tom Wachowski hiding in a speed trap, hoping to pull over inattentive drivers going over the speed limit. Instead, he clocks Sonic The Hedgehog, who blazes by at 760 miles per hour. His immense speed causes a minor break in the sound barrier, which is actually weird considering he's going seven miles per hour under that threshold.


Now, no one is stating this is Sonic's top speed quite yet, but it's worth mentioning past video games have brought up that he is much faster than the speed of sound. Some games have alleged he'll travel at speeds exceeding 1,000 MPH, while others say exceeding 2,000 MPH is no problem. Is this a nitpicky issue? Absolutely, but it's still weird to highlight a character's immense speed by showing him traveling just under a speed record that's been broken.




Sonic's Electric Quills


Sonic The Hedgehog introduced many elements to the franchise that aren't in the video games, but none were more glaring than his electric fur. Sonic conducting electricity isn't a power he's typically capable of, nor is it the source of his super speed. In SEGA canon, his power shoes are actually the source of the speed, which doesn't seem to be the case here due to all those worn out sneakers in his den.


More likely than not, the electricity is a way of introducing that Sonic's power can be examined and replicated by Dr. Robotnik. It's a bit silly considering the character's original canon already established Robotnik was a scientist who gave Sonic his shoes. It seems these two aren't familiar with each other from the sound of the trailer. Why mix things up?


Jim Carrey's Bizarre Portrayal Of Dr. Robotnik


At first, Jim Carrey seemed like the perfect actor to portray Dr. Robotnik. The character's over the top bravado and intensity seemed perfect for the man who brought that to the Grinch, and yet, the trailer footage doesn't show that. Instead, we're given a more Ace Ventura-type performance which, while still funny, isn't exactly the type of villain Robotnik is.




Of course, there's a chance this all gets turned around by the end of the movie, as the final seconds show Carrey's character looking a lot more like the Dr. Robotnik folks are familiar with. One would assume this happens near the end of the movie, but with the implication that Sonic is from another world, perhaps this is another Robotnik entirely.


The Trailer's Song Choice


In what may be the most baffling decision made for this trailer, the entire thing rolls along while Coolio's "Gangsta's Paradise" plays in the background. There's a reason why that song hasn't been used in a lot of movies since Dangerous Minds, because one would assume, there's very little that it goes to. Sonic The Hedgehog is no exception, as the iconic hip-hop track just feels like a bad song choice.


The logic, I'm assuming, is that the trailer team wanted to choose a song that invoked '90s nostalgia. Hilariously enough, "Gangsta's Paradise" was released a year after Sonic The Hedgehog 3, so it doesn't even have any real significance to the character. That is, unless it was meant as a subtle nod to the spinoff game Knuckles' Chaotix, which is doubtful.




Sonic The Hedgehog's Unsettling Human Teeth


Fans have had a lot to say about Sonic The Hedgehog's appearance, as the new look is a radical departure from the various designs of the character over the years. In those designs, he's always had an astonishing set of teeth, despite the fact that hedgehogs typically have teeth similar to dogs, but this franchise was never about realism.


Sonic's teeth might actually be the most accurate thing about his portrayal, so then why is it so damn weird to look at? Perhaps it's because he's proportioned like a human child, yet has a massive head and adult teeth? I can't put my finger on it, which has me questioning so many other things about the design.


Sonic The Hedgehog Is An Alien?


Did anyone else catch that line when Sonic told James Marsden's character he's there to save "your planet"? He meant what he said, as we've known for a while that Sonic is not of this Earth, which could very well mean he's not technically a hedgehog either.




Which might be the most ridiculous part of this entire movie if true. Retconning Sonic's hedgehog origins to make him an alien is a sin even the most casual viewer may not forgive. You know, because this movie is literally called Sonic The Hedgehog. Sure, he doesn't actually look like a hedgehog, but Robotnik isn't literally a robot and they had him act like he was one, so if this is retconned, people really have their priorities twisted.


Sonic's Rings Work Like Doctor Strange's Magic?


In one of the more bizarre parts of the preview, a ring appears in which Sonic throws to send his friends to what looks like another location. It's weird, and almost feels like a direct lift from Doctor Strange. Are the rings some type of alien tech that allows him to teleport to various places?


That's not how they are in the games, with one glaring exception. Sonic does have the ability to jump inside a giant ring. which transports him to another world where he can collect more rings. That doesn't appear to be what's happening here, but it's not difficult to understand where the premise came from, and perhaps a little unfair to say it's a straight mimic of Doctor Strange. Still, he also uses rings to stay alive, so where are those?




Do you have a moment from the Sonic The Hedgehog trailer that stuck out as weird? Feel free to share in the comments below and stick with CinemaBlend for more entertainment news in movies, television, and pop culture.