The Importance Of A Good Prosthetic, According To Taraji P. Henson

The Importance Of A Good Prosthetic, According To Taraji P. Henson

Playing a figure in real life is a minefield of minute details. Everything from speech patterns to hand gestures, as well as wardrobe choices and physical appearance, can be studied and scrutinized in the name of turning yourself into another person. But even with all of that effort, it still isn’t an exact science. That is when the time honored tool of a good prosthetic suit comes in handy, and while playing The Best of Enemies’ civil rights hero Ann Atwater, actor Taraji P. Henson understood this specific point the best.

During CinemaBlend’s recent conversation with Taraji P. Henson, as part of The Best of Enemies’ promotional tour, the subject of just what it took for her to sink into character came up. And in discussing that point, it all came down to the physical transformation that Henson had to make in order to truly embody Atwater’s trademark movements and gestures.

In the effort to make this change as accurate as possible, the suit that Henson wore in the film needed to undergo some specific alterations. And those changes, as explained in our conversation, came down to the following physical attributes:

The boobs were small, and they were perky and pretty. And I was like, ‘That doesn’t match the woman.’ … When I put the suit on, it felt light. I felt like I was walking like myself, and I was like, ‘I need to walk differently, I can’t walk like Taraji. I need to be earthy, heavy, in the ground, you know?’ I said, ‘Call Tyler Perry, and ask him who made Madea’s boobs, because I need boobs like that.’ … My point is, they didn’t think I would be willing to go there, and I was like, ‘I have to. This is a real person. I would be doing her a disservice if I didn’t."

It’s that sort of dedication that’s been extremely significant in Taraji P. Henson’s evolution as an actor. In preparing for Proud Mary, Henson previously spoke to us about how she prepared to deal with a film that had more action than she was previously used to. That same dedication is what comes through in her description of how she got ready for The Best of Enemies, as everything from how Ann ate to how she walked was put on the table as qualities to be studied and mastered in her portrayal.

The end result was something that everyone on set, and especially Taraji P. Henson herself, noticed during the filming of The Best of Enemies. Even her own personal security detail, whom she hired after their work on Proud Mary, noted to her that she was a totally different person once she’d gotten into her full prosthetic suit. And thanks to her push for a more accurate design, Henson was able to proudly claim this special victory:

For me, every time I put the suit on. Every time I got suited up, and I put on that fat suit, I was Ann.

It doesn’t matter if it’s getting a prosthetic suit just right, adapting to intense stunt work or whatever other challenges she has faced in the various projects she’s been a part of, Taraji P. Henson has a process when it comes to digging into a role; and it’s a huge part of what makes her specific brand of acting so unique. Tthat process works like a charm, as it allowed her to truly dig into the personal story of Ann Atwater and C.P. Ellis’s friendship, which is at the very heart of The Best of Enemies.

The Best of Enemies will be in theaters this Friday.

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Avengers: Endgame And Infinity War Shot A Whopping 900 Hours Of Footage

Avengers: Endgame And Infinity War Shot A Whopping 900 Hours Of Footage

An achievement in filmmaking, comic book adaptation and blockbuster franchise work in general, Avengers: Infinity War and Avengers: Endgame brought eager audiences almost 6 hours worth of story to close out the first saga in the Marvel Cinematic Universe. But if you thought that was a mammoth undertaking, just wait until you dive into the fact that this trim and svelte package came from 900 hours of footage cultivated through the film’s back-to-back shoots.

This wonderful nugget of information comes from Jeffrey Ford, the co-editor of Avengers: Infinity War and Avengers: Endgame, who, alongside fellow co-editor Matthew Schmidt, was tasked to help directors Joe and Anthony Russo craft their unique vision for the grand finale of the original Avengers lineup. And alongside that figure, Ford provided the following commentary for just why there was so much footage at the end of the day:

We were cutting every day, we were refining, we were figuring out what we were going to reshoot, figuring out what we had to finish. It was a constant state of pre-production, production and postproduction all at the same time for almost a year straight.

It kind of makes even more sense that when we interviewed the Russo Brothers about the production of Avengers: Infinity War and Avengers: Endgame, they had no problem confirming that the production of one film right after the other was one of their big regrets. Just imagining all of the shooting and editing on Infinity War running into pre-production, and eventually the shooting and editing of Endgame, is enough to potentially drive any civilian mad.

Jeffrey Ford confirmed as much when he spoke to Business Insider, as he continued to talk about that process in the following details:

And then when we finished that year of insanity we went right into an absolutely hellish, almost impossible postproduction period that lasted from January to April when we delivered Infinity War, and that was one of the most intense periods of filmmaking I ever experienced, and I have worked on some crazy movies.

Looking at how Ford has edited or co-edited each Avengers film, the entire Captain America trilogy and Iron Man 3 since 2012, those claims are as water tight as the work that’s come out of the editing rooms at Marvel Studios. It should be noted that the figure of 900 hours’ worth of footage, while daunting, should have some caveats attached to its existence.

This is probably counting multiple takes of certain scenes and even moments where scenes are being set up and broken down. However, that also means that with the reshoots and retooling we’ve heard about with Avengers: Infinity War and Avengers: Endgame, there are moments we haven’t seen hidden in the fray.

Those moments include Tony’s daughter Morgan appearing to him in the post-snap afterlife, or that alternate battle that Black Widow and Hawkeye engaged in on Vormir in Avengers: Endgame. Add in other moments, like the Hulk being present in the line-up on Wakanda in Avengers: Infinity War, or other moments created specifically for trailer fodder, and you can see some potential for this treasure trove of footage.

Namely, if Disney+ really wanted to give themselves a killer edge over the competition, not only could they offer the theatrical cuts of both films, they could provide alternate versions that fans will not be able to find anywhere else. And with this much footage available, it might be easy to smooth out some of the edges and provide a whole new experience fans didn’t know they wanted.

Still, even if that 900 hours of footage is just sitting somewhere in the Marvel Studios vault, it’s good to know that out of that massive wall of movie came two spectacular halves to an event we’ll be lucky to see as many times as we want in our lifetimes. And it’s all thanks to the efforts of Jeffrey Ford and Matthew Schmidt.

Avengers: Infinity War is available on Netflix for streaming, as well as Digital HD and home video release, while Avengers: Endgame is currently in theaters now, and will be on Disney+ as of December 11.

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One Of Toy Story 4's New Characters Has A Pretty Heartbreaking Backstory

One Of Toy Story 4's New Characters Has A Pretty Heartbreaking Backstory

Pixar seems determined to top the emotional gauntlet that was Toy Story 3. The newest film in the franchise, Toy Story 4, is said to have brought poor Tom Hanks to tears in the recording studio, and the film isn't pulling any punches with its new characters. The doll Gabby Gabby is voiced by Christina Hendricks, and apparently the toy has never felt the love of a child because of a factory defect.

My character Gabby Gabby is a baby doll who was sadly made with a broken voice box. Because of this defect, she has never known the love of a child or been able to fulfill her destiny to love one back. She has spent her whole life in an antique store looking out at the real world.

In addition to old favorites like Woody, Buzz Lightyear, and Jessie, Toy Story 4 will feature a bunch of new toys who will either help or hinder the heroes. One of the new characters is Gabby Gabby, who looks like she's based on one of those older "talking" dolls. The first trailer for the movie seems to position her as the villain (she does have an army of ventriloquist dummies after all), but she's got a backstory that will bring you to tears.

Christina Hendricks voices the new character and she told People that Gabby Gabby has a tragically ironic origin that prevents her from doing the thing all toys are meant to do. She has a broken voice box and has thus never been loved or given love to a child. Not only that, but she lives in a boring antique shop!

It doesn't sound like the other two new characters will be as tragic as Gabby Gabby. Keanu Reeves voices Duke Caboom, a Canadian daredevil modeled after Evel Knievel. Caboom is a friend of the returning Bo Peep, and he's enlisted by Bo and Woody to help on their mission. However, he's got a fear of failure that he'll have to confront to get the job done.

The final new character is the tiniest toy in the franchise, Giggle McDimples. Voiced by Ally Maki, the one-inch Giggle is the police chief of a toy haven called Miniopolis. She's Bo Peep's best friend and a "mega boss," according to Maki.

Toy Story is known for introducing great characters, so hopes are high for these three new toys! Despite an especially rough development process, the movie looks great and we'll see if it forces us to use every tissue in the house by the time the credits roll.

Toy Story 4 is all set to hit theaters on June 21. For everything else popping up this year in theaters, check out our 2019 movie release guide.

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New Avengers: Endgame Footage Features The Survivors Making Fun Of Captain America

New Avengers: Endgame Footage Features The Survivors Making Fun Of Captain America

It's hard to believe it, but Avengers: Endgame is almost upon us. A year after Infinity War arrived in theaters to shatter expectations and break hearts, moviegoers will finally get some answers, and see what happened to the surviving Avengers after Thanos wiped out half the galaxy. Ahead of the release, Marvel Studios has been keeping its cards close to the chest, methodically releasing new footage and information about the highly anticipated blockbuster.

With a matter of days before Endgame finally hits theaters, Marvel has been able to get a bit more chatty and revealing, while still guarding the film's secrets. The trailers and TV spots generally recycle the same footage, but a new one just hit that provides some much needed levity to the dark and dreary post-snap world. Check it out below.

Even after an apocalyptic event like The Decimation, Captain America is still the butt of everyone's jokes. It's the lighter side of serialized storytelling.

The new Avengers: Endgame TV spot mostly features footage we've seen before. The surviving heroes are shown in the Avengers facility, planning their rematch against Josh Brolin's villainous Thanos. Considering just how high the stakes of the mission are, Chris Evans' Captain America gives a rousing inspirations speech (as he's wont to do). The survivors have no room for error in Endgame, although there is room for one thing: poking fun at Cap.

Because after Steve Rogers finished his inspiring monologue, Bradley Cooper's Rocket expressed just how good he was at it. Paul Rudd's Ant-Man then chimes in to agree, allowing a quick moment of comedy in an an otherwise super serious marketing campaign. The group then unite their fists, one again showing off their mysterious matching white suits.

It should be interesting to see how much comedy is utilized for Avengers: Endgame, given just how high the film's stakes are. The Marvel Cinematic Universe has leaned heavily on comedic beats in their recent blockbusters, helping to buoy new blockbusters and keep their paces bright. Infinity War still had moments of levity, mostly due to the inclusion of the Guardians of the Galaxy. But since the team besides Rocket and Nebula faded to dust, it might be more challenging to include comedy in the next Marvel release.

The trailers for Avengers: Endgame have been serious and somber, showing how devastated Earth is after Thanos collected the Infinity Stones and destroyed half of all life. The losses are innumerable, and the affects of The Decimation are teased to really affect characters like Hawkeye, Nebula, and Black Widow. And while they'll get some help from Captain Marvel and Ant-Man, the Avengers' mission to reverse The Snap isn't going to be easy.

Luckily, answers are arriving shortly. Avengers: Endgame will finally hit theaters on April 26th, one year after Infinity War blew minds and broke records. In the meantime, be sure to check out our 2019 release list to plan your next trip to the movies.

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A ‘Happy Ending’ For John Wick? Keanu Reeves And His Director Have Thoughts

A ‘Happy Ending’ For John Wick? Keanu Reeves And His Director Have Thoughts

Warning: SPOILERS for John Wick: Chapter 3 – Parabellum are in play. If you haven’t seen the film yet, consider this message your head start. Bookmark this story, and come back once you’ve closed the contract.

The John Wick series is known for its spectacular stunt work, its neo-noir storytelling sensibilities and its usage of star Keanu Reeves as the ultimate angel of death. But what the series, now entering its third time at the box office with this weekend’s John Wick: Chapter 3 – Parabellum, hasn’t been known for is its happy endings.

If anything, the ending for the first John Wick movie represents the closest thing to an upbeat curtain call, with John busting his current pet companion out of the pound. But in terms of the last two chapters, the endings have made things more complicated for John and his navigation of the underworld ruled by The High Table. With such stakes, could there ever be hope for a happy ending in John’s eventual future?

That was one of the questions that CinemaBlend got to ask both Keanu Reeves and director Chad Stahelski during the press day for John Wick: Chapter 3 – Parabellum, and both of their answers pointed towards a similar direction. Starting with Stahelski’s answer to the question of whether or not the John Wick series is working towards a finite end feels like a good launching point, as he had the following point blank response to that question:

Honestly, we kind of took the whole idea of the John Wick universe from Greek mythology, and a more fable-istic kind of telling. I don’t think John will ever really have a happy ending.

Frankly, not only has the mythological influence on John Wick’s franchise been pretty solid, it’s set the table for that very sort of ending with each passing installment. Were the series to have been a one-and-done quest for revenge, the ending of that first film could have served as the emotionally upbeat, but still dour coda to John’s bloodlust.

That being said, how many Greek myths do you know of that have a happy ending? Much like any hero worth their legend, John Wick’s enduring reputation still makes him a target to some, a valuable asset to others and a huge liability to the likes of the mythical High Table that rule the world he operates in.

So it’s obviously going to be very hard to get John Wick out of the life he impossibly escaped from previously, and no one understands that better than the man himself, Keanu Reeves. He said as much during his turn to answer the question of where John’s fate may take him, even after John Wick: Chapter 3 – Parabellum put him through the ringer, as he provided the following thoughts:

A happy ending? You know, I’ve never seen that one. And whenever I think about it, it doesn’t go… I mean, it either goes to dying or being alone. But I guess that happens to everybody.

Hearing Keanu Reeves himself say that he can’t really think of an ending for John Wick that doesn’t conclude in death or isolation may sound like a bummer on the outset. Obviously death isn’t the most ideal circumstance for John, as his vengeance has been had for some time now, and the only real threat to him is an escalating set of circumstances that make it harder for him to make it through the day.

But if you’ve read the actor’s previous thoughts on just what should happen with his action powerhouse of a character and really look into what he’s saying, there’s a chance for happiness yet. In another recent interview, Keanu Reeves mentioned that his ideal ending for John Wick’s story would, in fact, see him alive and victorious as he can still live in the memory of his beloved wife, Helen.

That doesn’t necessarily mean that he has to be surrounded by friends in the end, as John’s survival will more than likely take out as many allies as it will enemies. Ultimately, the simplest and happiest ending for John might be to just walk away from the wreckage and settle down to a more normal life away from it all.

You can watch Keanu Reeves and his John Wick: Chapter 3 – Parabellum director Chad Stahelski discuss their individual answers, in the video from our interviews below:

The end point of the John Wick universe isn’t written yet, and if this weekend’s release of the third chapter has anything to say about it, that ending won’t be happening until a couple installments have come and gone. We’ll see where things go from here, but for now, you can enjoy John Wick: Chapter 3 – Parabellum at a local theater near you.

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Are The Spider-Man Movies Building To The Sinister Six?

Are The Spider-Man Movies Building To The Sinister Six?

Once upon a time, there was a plan. The Spider-Man movies being made by Sony were going to introduce a bunch of villains – including the Rhino (Paul Giamatti), a Green Goblin (Dane DeHaan) and Electro (Jamie Foxx) – and eventually team them in a villain ensemble movie, The Sinister Six. Those plans changed when Sony shifted its Spider-Man to Marvel Studios, with Tom Holland taking over for Andrew Garfield.

But the idea of a Sinister Six movie still sounds incredibly intriguing, and there’s no shortage of bad guys at play in the MCU’s version of Spidey. Michael Keaton already has introduced The Vulture. Michael Mando briefly appeared as a possible Scorpion. And we saw two Shockers in Spider-Man: Homecoming. We’re about to meet a bunch of new villains in Spider-Man: Far From Home, and Venom (Tom Hardy) now exists in the universe, so we wondered if The Sinister Six was somewhere on the radar.

While interviewing Spider-Man: Far From Home executive producer Eric Carroll on the film’s London set, we asked him about this idea, and he told us:

I don't know some of these plans for what's going forward. I do know that, obviously, getting someone like Jake [Gyllenhaal] to do a role like [Quentin] Beck is something we definitely think sets some really fun things up. But as to specifics, right now, I think everyone thinks we're dodging these questions -- and I especially don't want to speak to Sony's plans -- but we kind of take these movies one at a time. If we have that right idea, I think that's something audiences would love, for sure. I do think it's something people have been wanting for a long time. So, I can't imagine it's not somebody's dream project? But it's not something we're specifically building to at the moment.

That’s sad to hear, but somewhat understandable. If there was going to be a Sinister Six movie, we actually could see it taking shape on the Sony side of things, where the studio has successfully launched its own Spider-Universe with Venom and the in-production Morbius. There are plans underway for stories with Silver Sable and Black Cat, so if a Six feature were to form, it likely would be born from those collaborations.

That’s also a great excuse to bring Tom Holland over from his Marvel Studios duties and use him in a Sony Spider-Man movie. But this would happen way down the road, as these large ensemble pics take years to develop properly, and the way that Eric Carroll tells it, no plans currently are underway.

For now, Spidey fans can look forward to the young hero’s European vacation, which will take him away from New York City and pair him with Nick Fury (Samuel L. Jackson) and Mysterio (Jake Gyllenhaal) as they battle Elemental creatures from a multiverse dimension. Crazy!

Spider-Man: Far From Home opens in theaters on July 2.

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Looks Like The Fox And Disney Merger Will Cause A Ton Of Layoffs

Looks Like The Fox And Disney Merger Will Cause A Ton Of Layoffs

Even if you've never personally been part of a business merger of any kind (and I have), it's not hard to predict many of the things that will happen as a result. When two companies that used to do largely the same thing come together, you end up with one company that has a lot more employees doing the same job than it may necessarily need. That means layoffs. When two companies the size of Disney and 20th Century Fox come together, that's a lot of employees, and that means a lot of potential layoffs. Specifically, 7,500 people are expected to end up unemployed as a result of the merger.

Needless to say, 7,500 people is a lot of people who likely will be viewed as redundant after the dust settles. The Disney/Fox merger is expected to be finalized on paper as early as next week. We likely won't see a bunch of people out of work on day one. A lot of the work of combining these two massive companies together likely hasn't even started yet, waiting for the merger to become official.

Certainly, not everybody coming on board is going to lose their job. Fox, and its various subsidiary divisions, is going to remain as a separate distribution label under the Disney umbrella, similar to Marvel Studios or Lucasfilm. Those parts of the company will still need people to run them and handle various jobs inside.

While it's easy to assume that layoffs will hurt a lot of the people in smaller positions, and it certainly will, nobody is entirely immune from layoffs. The new company doesn't necessarily need any more vice presidents or other top level executives than it already has, so some layoffs will take place at every level. Though, certainly things will hurt the lower level employees more.

Most of these layoffs will likely come from the Fox side of things. Disney is the company retaining control over the new company, it's easier for Disney to simply keep all its people in place and simply add in the necessary Fox people, but there's no way to know for sure.

It shows just how big the new Walt Disney Company will be that it is adding an entirely new film division, some smaller film subsidiaries, like Fox Searchlight, as well as new cable channels, and more, and will still need to layoff something close to 7,500 people. THR says that the massive merger between AT&T and Time Warner won't result in nearly as many lost jobs. While there are some undeniably cool things that a Disney/Fox merger may create on the content side of things, it can't be overstated that this merger is changing the media landscape forever.

Wheels will begin turning next week once the merger is official and the new Walt Disney Company begins to move forward and figure out what it is going to be. Hopefully, the people who find themselves without a home in the new company won't be without a job for too long.

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