Avengers: Endgame’s Writers Have Characters They Wish Got More Screen Time

Avengers: Endgame’s Writers Have Characters They Wish Got More Screen Time
Rocket in his Quantum Suit

Spoilers ahead for Avengers: Endgame. If you haven't seen it in theaters, look away!


Avengers: Endgame has been in theaters for two weekends, and continues to break box office records and make an outstanding amount of money. The Russo Brothers crafted a complicated and epic story, and the movie is so dense that it warrants a re-watch or two. Writers Christopher Markus and Stephen McFeely were tasked with writing the project and balancing out its large ensemble of characters, and did so masterfully.


Given Endgame's massive critical and financial success, you could definitely says that Christopher Markus and Stephen McFeely accomplished their goals. But it turns out that the writers still wish certain characters got more time together. McFeely recently opened up about those missed opportunities, saying:





Steve and Bucky would've been good. Rocket and Groot could've had another moment. [Black] Panther and Okoye, even Hope and Scott Lang. Lang in many ways is the driving force of this story. He didn't get time to really have a moment with Hope.



Just when you thought that Avengers: Endgame included everything possibly could, it turns out that the writers would have liked to add a few more reunion scenes during the movie's final battle. And after looking at their list of scenes, the fans might actually agree.


Stephen McFeely's comments to the LA Times might have originally surprised moviegoers, but they make a great deal of sense. After the surviving heroes finish their Time Heist and acquire the Infinity Stones, Thanos from the past arrives and lays waste to the Avengers Compound. All seems lost, until the dusted characters arrive in droves, and the most ambitious MCU battle begins.




During this sequence, there are plenty of reunions and interesting character pairings occurred, as the heroes who were absent from the last few hours got their time to shine. But some of them got cut for time, and they're even more noticeable after hearing the writers point them out. Most of these relationships will continue in future movies, although Steve and Bucky are presumably the exception.


Related: How Anthony Mackie Learned About Avengers: Endgame's Captain America Twist


Thanos' victory in Infinity War accompanied a gut-punch of a scene, where audience was left to watch in horror as countless characters faded to dust. It was heartbreaking to watch Rocket lose Groot, and Bucky was the first hero to fall. Those characters reunions might have deserved a bigger spotlight, although Stephen McFeely and Christopher Markus had to edit down all of their original idea for the battle.




Even for being dusted, Bucky wasn't given a ton to do in Avengers: Endgame. He didn't take on the mantle of Captain America, and didn't get a huge reunion with Steve Rogers before the latter eventually time travelled again. The future of the MCU is largely a mystery, so it should be interesting to see how the characters are serviced in a post-Endgame world.


Avengers: Endgame is in theaters now. Be sure to check out our 2019 release list to plan your next trip to the movies.


New DVD Releases June 2019: All The Latest Movies And TV Shows

New DVD Releases June 2019: All The Latest Movies And TV Shows
Orange is the New Black Season 6 DVD

Although the summer months are geared toward plenty of outdoor activities, kids are also home from school and have plenty of free time. Which means there’s plenty of time for kids to plant themselves in front of a screen. Sure, there’s always YouTube and Netflix, but for the latest releases, look no further than this June list of titles.


This summer, we’ll see some big hits like Captain Marvel and Us finally being available in homes (the former will also be housed on Disney+). But don’t take it from me, check out the full list of the titles coming to DVD, Digital and Blu-ray below.


Early Digital releases are mentioned in the early Digital column; same day Digital releases come out when the DVD and Blu-rays do. As for DVD release, if you’re looking for May titles head here. In addition,




New DVD Releases June 4, 2019


Available currently for pre-order, this week will feature some indie hits, as well as Tyler Perry finally saying goodbye to Madea, a character that helped him to become a household name.


A Madea Family Funeral

Lost in Space: Season 1

Tom Clancy’s Jack Ryan: Season One 

The Haunting of Sharon Tate

The Man Who Killed Don Quixote

Gloria Bell

Batman vs. Teenage Mutant Ninja Turtles

J.T. Leroy

The Kid

Woman at War

Delicious: Series 3

London Kills: Series 1

Batman (1989) - 4K Ultra HD

Batman Returns (1992) - 4K Ultra HD

Batman Forever (1995) - 4K Ultra HD

Batman & Robin (1997) - 4K Ultra HD


Early Digital Releases Week of June 4, 2019


Us

Wonder Park




New DVD Releases June 11, 2019


A big new Marvel release is usually something to celebrate, and this week will be no exception, as Marvel’s first titular female superheroine will be getting her own DVD release with Captain Marvel! In addition, there are quite a few fun TV releases out this week.


The Good Doctor: The Complete Second Season (June 10)

Captain Marvel (Digital out May 28)

Captive State

Orange Is The New Black: Season Six

Five Feet Apart

I Am The Night

The Blacklist: The Complete Sixth Season (June 13)


Early Digital Releases Week of June 11, 2019


High Life

The Aftermath

Hotel Mumbai




New DVD Releases June 18, 2019


Following a successful run at the box office, Jordan Peele's latest horror flick Us is making its way onto DVD and Blu-ray this week. It's one of several high profile releases coming out, although some fared better at the box office than others. Take a look.


Us

Wonder Park

The Beach Bum

Hotel Mumbai

Will & Grace (The Revival) Season Two

Patrick Melrose

Killing Eve: Season Two

Suits: The Complete Season 8

Slaughterhouse Rulez

Lords of Chaos


New DVD Releases June 25, 2019


So far, there are fewer new releases this week than I’ve seen in some time. Of these, the highest profile release is probably The Aftermath, a period drama starring Kiera Knightley. When Knightley was doing press for the movie, she revealed why she’s not longer excited about doing nude scenes.




The Aftermath

The Hummingbird Project

Maze


Star Wars: The Rise Of Skywalker Might Change Up Rey’s Parentage

Star Wars: The Rise Of Skywalker Might Change Up Rey’s Parentage
Rey crying in The Last Jedi

The Star Wars franchise has been greatly expanding over the past few years, thanks to Disney's acquisition of Lucasfilm. New ground has been broken in the form of standalone films and the upcoming Mandalorian TV series, but the real focus is still on the main franchise. J.J. Abrams' The Rise of Skywalker will conclude the nine-film narrative that started with A New Hope, and the pressure is on to deliver a threequel that serves multiple purposes.


Fans are especially intrigued to see how J.J. Abrams will follow up on the subversive choices Rian Johnson made in The Last Jedi back in 2017. One of the biggest twists revolved around Rey's parents. Her lineage was one of the biggest mysteries going into The Last Jedi, but Kylo Ren revealed she wasn't related to any of the Jedi we knew and loved; she was no one. But Abrams is teasing that the story might change in Episode IX, recently saying:



I will say that we knew, going into this, that this movie, it had to be a satisfying conclusion. And we were well aware that that’s one of the things that’s been out there. I don’t want to say that what happens in Episode VIII [didn’t happen]. We have honored that. But I will say that there’s more to the story than you’ve seen.





Well, that's cryptic. While not revealing anything concrete about the contents of Star Wars: The Rise of Skywalker, it doesn't look like J.J. Abrams is going to let the story of Rey's parentage end with Kylo Ren's reveal in the last movie.


J.J. Abrams' comments to ABC News are sure to illicit a mixed bag of emotions from Star Wars fans. One one hand, purists might believe that Abrams retconning Rian Johson's creative choices is a cop out. After all, it ruins the emotional response Daisy Ridley gave in the scene, and cheapens one of the more significant moments in The Last Jedi.


But Rian Johnson's Star Wars sequel was extremely divisive, and his various plot twists weren't all well received by the fandom. Luke became a jaded recluse, Leia manifested her Force abilities, and Snoke was unceremoniously killed off before his origin was revealed. But the handling of Rey's parentage is perhaps the biggest sore point among certain fans.




In the year between The Force Awakens and The Last Jedi, fans theorized endlessly about who Rey's parents might be. Luke, Obi-Wan and Leia were all tossed around, which is why Kylo Ren's explanation was so disappointing. She was no one, and her parents were smugglers who sold her off. But now it appears that there's more to the story, so it should be fascinating to see if/how J.J. Abrams adds to his hero's origin.


There's still quite a lot to unpack about Kylo Ren's admission in The Last Jedi, for both moviegoers and Rey herself. Because once the lights came up on Rian Johnson's Star Wars debut, fans were left wondering if Kylo was telling the truth. After all, Adam Driver's character was desperately trying to convince Rey to join him and rule the universe, so he'd say anything to try and emotionally manipulate her.


Throughout The Last Jedi, Rey and Kylo Ren connected through The Force, and lamented their fates. Rey was convinced hat she could bring Ben Solo back into the light, and his murder of Snoke originally seemed like just that. But he refused to back down, and asked her to join him as they let the past die. Rey ultimately refused, and Kylo Ren revealed that she was the daughter of unnamed smugglers and thrown away like trash on Jakku.




But one has to wonder how exactly Kylo Ren is privy to this information, given that not even Rey knows where her parents ended up after leaving her. He presumably learned it from Snoke, but he didn't mention it to Rey until The Last Jedi's third act. What's more, he doesn't actually make the revelation himself. He forces Rey to admit her deepest fear: that her parents were nobody. Then he just confirmed it in an attempt to get her to join the Dark Side.


As a reminder, you can check out the scene in question below.


Upon re-watch, there certainly does seem to be some wiggle room for J.J. Abrams to play with in The Rise of Skywalker. No proof was presented in the revelation about Rey's parents, and she was too busy for the rest of The Last Jedi's runtime to bring it up to anyone. As such, her parentage should be one of the many big questions that is ultimately answered when Episode IX finally arrives in theaters.




Of course, the fandom has had well over a year to process the events of Star Wars: The Last Jedi. So once again flipping the canon on its head might elicit some negative reaction from moviegoers. Star Wars has always been a franchise that relied on twists, but doing an aboutface in regards to Rey's origin is a bold move. And we've already seen how the fandom negatively reacted to Rian Johnson's bold directing choices.


If J.J. Abrams doesn't retcon Rey's lineage in The Rise of Skywalker, his comments did tease that there may be more to the story than we're aware of. Perhaps he found a way to change up her backstory without totally ignoring the narrative Rian Johnson brought to theaters with The Last Jedi. Clearly Disney was happy with his work, as Johnson is developing his own Star Wars trilogy.


J.J. Abrams will be able to wrap up the story he began back with The Force Awakens, and hopefully give his characters some satisfying conclusion. He also has the added pressure of ending the Skywalker Saga forever, so there is a ton of pressure about bringing Episode IX to theaters. But the first trailer was powerful, and teased the group of heroes finally all together for one final adventure.




Answers are coming shortly, as Star Wars: The Rise of Skywalker arrives in theaters on December 20th. In the meantime, check out our 2019 release list to plan your next trip to the movies.


Explaining John Wick, The Continental, And The Rules The Assassins Follow

Explaining John Wick, The Continental, And The Rules The Assassins Follow
John Wick points gun John Wick Chapter 3

Last weekend, action fans flooded movie theaters to check out John Wick: Chapter 3 – Parabellum, the latest adventure of Keanu Reeve's increasingly iconic, deadpan, dog-loving assassin. The John Wick films are known for incredibly slick choreography and memorable action sequences, but one thing that never gets much attention is the surprisingly complex mythology. John Wick may go around tallying up head shots left and right, but even he has a strict set of rules that he needs to follow.


Obviously the main draw for a John Wick movie is action over the story, but the films place such emphasis on the hitman's world that it's tough to ignore. There's a unique mythology at play here, as John Wick's word is populated by secret clubs, assassin hotels and a whole network of goods and services purely for people of the underworld.


Each film expands the lore, but it doesn't give any real explanation. It lets the audience try to figure it out before moving right into the next action scene.




It can be kind of confusing, but that's where we come in! John Wick likes to throw a lot of seemingly random rules at you, but when you piece them all together, it starts to make some sense. Here are some of the most important aspects of John Wick's underworld and how it works.


The Baba Yaga


It makes sense to start right at the beginning with the man himself. John Wick's backstory is never really brought up in detail, though Parabellum tries to shed some light on the subject.


While the movie doesn't spend a lot of time explaining, it's implied that John Wick was raised by Angelica Houston's The Director, the leader of the Ruska Roma. In addition to teaching ballet, she apparently trains orphans to become assassins, and John Wick (whose real name is Jardani Jovonovich) eventually became her most successful student.




Basically, John was one of the greatest assassins who ever lived. He was so deadly that he earned the nickname Baba Yaga, which means The Boogeyman. John Wick spends an unknown amount of years racking up the kill count, building his reputation, and meeting a ton people.


The movies make it seem like basically every assassin knows who John Wick is. However, one day he falls in love with a woman named Helen and decides to get out of the life, something that is implied to be very hard to do and no one has ever done.


Apparently, you can't just leave the underworld, so John had to undergo an "impossible task" to earn his freedom. We don't know what he did, but it involved killing a lot of people. He succeeded and left his old life behind to start a new one with Helen. It didn't last long however, and that's where the first John Wick begins.




Assassins Have Unbreakable Vows


In John Wick: Chapter 2, we learn that John didn't complete his impossible task on his own. He needed help from an Italian crime lord named Santino D'Antonio. In order to secure this help, John offered his marker, which is the underworld's version of an unbreakable vow from Harry Potter.


The marker is essentially an amulet with a bloody fingerprint inside. If someone gives their amulet away for a favor, it means that they are making a blood oath to do any task the person asks of them in the future. If someone like John Wick gives away his marker, then that means you basically have the world's greatest assassin in your pocket for one favor.


If you give away your marker, then the debt must be honored. You have to do whatever it is that the person asks. The assassin world takes this very seriously, and it's one of the only two unbreakable rules. John Wick tried to break it and his house was burned to the ground as a result.




The Continental


One of the major locations of the John Wick films is the Continental, and it's more than just a fancy New York City hotel. The building caters exclusively to assassins and all its amenities are geared toward their specific purposes. For example, instead of recommending a nice restaurant, the concierge will point you to the secret backdoor of your target's safe house.


The Continental is a branch of worldwide hotels, and each one is run by a manager. Ian McShane's Winston runs the New York location, Halle Berry's Sophia is in charge of the Casablanca Continental and Julius looks after the Rome Continental. It's implied that each Continental offers the same services and follows the same guidelines, but the day-to-day stuff depends on the manager.


The most important thing about the Continental is that absolutely no business can be conducted on hotel grounds. In other words, no assassin is allowed to kill another assassin inside the hotel. It's the No. 1 rule of the underworld, and if broken, it's punishable by death or being labeled as "excommunicado."




That means that the assassin loses all access and privileges to the Continental's underworld resources. That's a major setback for any professional hitman, but it becomes a real headache if they have an open contract on their head. John Wick dealt with that exact scenario after he killed Santino in the Continental, as the High Table doubled the contract that was already out on him.


The Goods And Services


The life of a professional killer is dangerous and there are a number of resources scattered around the world to help assassins. For instance, a seemingly ordinary doctor's office can be a late night emergency room for a quick patch up if a mission goes wrong. Or you can visit a historian and get old blueprints or maps to find secret pathways to a seemingly impenetrable fortress. Even taxi drivers are in on it.


Assassins can also find the best guns and ammunition to fit their specific needs. There are also tailors who will custom make bullet proof suits to help protect the killers who still want to look damn good. All of these services are pretty much hidden right in the open, but a well-connected assassin knows the best spots.




All of these services don't come free. The underworld has its own special form of currency in the form of gold coins. If an assassin kills their mark, they get rewarded with coins, which can then be spent at the Continental or any other underworld establishment. A skilled assassin like John Wick will tally up enough coins to save for emergencies and keep secret stashes in convenient places.


The High Table


All these rules had to come from somewhere, and in the underworld, the High Table is the highest authority. Not much is known about the group, but they are a council of crime lords who oversee all the wheeling and dealings. They set the rules and if anyone breaks them, then they decide the punishment through an agent called The Adjudicator.


Basically everyone in the underworld works for the High Table in some form or they are at least expected to serve when called. For example, the Continentals all answer to the Table.




The only person that we know of who is ahead of the High Table is the Elder, who lives out in the middle of dessert and does... something. His job is pretty unclear, but he's the only one who can reverse a decision made by the Table. Only a few people know who he is or how to find him.


We don't know the identity of anyone currently on the High Table, how many members there are or what their origins are. However, they seem to be fairly disliked by the people who have to answer to them, and John Wick is especially not a fan by this point. The High Table essentially marked him for death, and he's been a frequent source of trouble.


It's not every day that an action franchise comes along that tries to build its own unique world. The star of John Wick is unquestionably the action, but part of the reason that these movies are so popular is that it's a cool world. Nothing is every really explained and literally everyone seems to know who John Wick is, but that does help to make the world feel lived in.




At the end of the day, you don't want your action movie to spend five minutes explaining the bureaucracy of the hitman's job when you could be watching a sword fight on motorcycles. However, it's still fun to piece it all together once the gunfire dies down.


The John Wick franchise will continue with the release of Chapter 4 on May 21, 2021.


The Hellboy Reboot Producers Already Have Ideas For Sequels

The Hellboy Reboot Producers Already Have Ideas For Sequels

Next month, a brand-new take on Hellboy will be hitting theaters. Unlike Guillermo del Toro's version, the 2019 Hellboy takes a bit more direct inspiration from the comics and takes several cues from a storyline called The Wild Hunt. Hellboy has some stiff competition in April, but should the film do well enough, producer Lloyd Levin said that there are already a couple sequel ideas mapped out, but not in any way that's set in stone.


In the new film, Hellboy (David Harbour) takes a trip over to Great Britain to battle the Blood Witch Nimue (Milla Jovovich). The story involves everything from dragons to undead armies to Excalibur to flaming crowns. Most of these were elements in a comic book storyline called The Wild Hunt, which serves as partial inspiration for the reboot.


As such, there’s some direction to take the story, should Hellboy be greenlit for a sequel. All of it is pretty much right there in the comics written by Mike Mignola, which served as the DNA of the establishing the reboot. So, while there is nothing etched in stone, producer Lloyd Levin told Collider that they have an idea where the story would go in a sequel.






Not in a No. 2 will be this and No. 3 will be that, but you can tell yourself. If this starts with The Wild Hunt, the track is laid from there in the comic books where you could go.



Hellboy doesn’t just take from one aspect of the comics. While there is plenty of The Wild Hunt in there, the story also has Hellboy boxing demons in Tijuana, which is from Hellboy in Mexico. The story also draws from Darkness Falls and The Storm and the Fury, and is more like a collage of stories, according to director Neil Marshall.



One thing it isn’t is a greatest hits. It’s a coherent story but it certainly dips into several different stories that Mignola put together, so I suppose it’s a collage of sorts, but we made a through-line that connects everything.






According to Levin, Mignola was involved “in the genesis” of the movie. Mignola and fellow Hellboy comic writer Chris Golden even wrote a draft of the script together. To keep things in the spirit of the comics, the movie shot for an R-rating because the comics don’t really get shy when it comes to violence. Per Levin:



The comic books themselves are R rated. There’s buckets of blood, there’s beheadings, there’s an intensity that equates naturally and organically to the R rating.



You can see a comic book accurate Hellboy in, well, Hellboy, out in theaters on April 12. To learn more about the film, here is what we know so far.





10 Great Movies Coming To Netflix In June 2019

10 Great Movies Coming To Netflix In June 2019
Dr. Seuss' The Grinch watching a monitor with his headset on

Every month brings its own share of treasure with the periodic updating of the Netflix streaming roster. But taking a look at what’s headed our way in June, it’s hard to think of a month that beats some of the stuff that’s headed our way. In particular, there’s 10 titles coming into view that have us looking to update our queues on a basis frequent enough to be considered addictive.


If you’re curious about the total incoming lineup for June, head on over to our complete rundown. Otherwise, it’s time to head into the future, and see the Netflix streaming titles we’re ready to watch at the push of a button.


Spider-Man: Into The Spider-Verse


Right out of the gate, June was going to be a winner the moment that Netflix announced Spider-Man: Into The Spider-Verse was going to become a part of their line-up. A film that has a legitimate claim to the title of “Best Spider-Man Film Ever,” the adventures of Miles Morales and a slew of other Spider-People blew everyone’s minds upon its release towards the end of last year. Now, after all of the awards and all of the hoopla has died down, it’s time to start it up again with an even wider audience to reach this time around.




A.I.: Artificial Intelligence


For years, Steven Spielberg refused to direct A.I.: Artificial Intelligence, a project that started with Stanley Kubrick’s vision of a robotic retelling of Pinocchio. With Kubrick conspiring with Spielberg to flesh out his vision for the story of Haley Joel Osment’s David, an automaton who could truly love, the idea would eventually become a reality once the legendary mind behind A Clockwork Orange passed away. The end result is a vision worth of Stanley Kubrick’s faith in Steven Spielberg being able to do the project, and remains one of his most underrated films in his canon.


Network


Some movies call the shot years, or even decades, before the events they predict come to be in reality. Network is one of those films, as writer Paddy Chayefsky’s biting satire of sensationalism in the news media seems more like a tragedy than a dark edged comedy in our trying times. With the Broadway adaptation starring Bryan Cranston being nominated for several Tony awards, and set to close its blockbuster run in the beginning of June, it feels like the right time to bring the film version of Howard Beale’s antics, with Peter Finch in the role he made famous, back to the world of streaming services.


Good Night, And Good Luck


While we’re on the subject of journalism, director George Clooney’s Good Night, and Good Luck will also be available on Netflix’s streaming library in June. Based on the true story of television news anchor Edward R. Murrow, and his team’s investigation into the McCarthy hearings of the 1950s, David Strathairn stars as Murrow in an all-star cast that includes Clooney, Jeff Daniels, Patricia Clarkson and Robert Downey Jr. A biopic that remains compelling all the way through, Good Night, and Good Luck is a firm reminded of how important the practice of journalism is, no matter what the era.




Small Soldiers


Joe Dante is one of those directors who has a stable of films so unique, they could only have been made by him. And in the fine tradition of Gremlins and The ‘Burbs, Small Soldiers is another one of those gems that stand out in his line of proudly weird films. With two factions of warring toys tearing apart a sleepy, suburban town, the film was one of Dreamworks’ earliest motion pictures in theaters, debuting shortly after its launch. But even with the late ‘90s era it incorporates into key moments of the film, Small Soldiers is still a ‘50s inspired sci-fi romp, much like most of the director’s other films.


The Dark Knight


It’s starting to feel like Netflix likes to add and subtract The Dark Knight from their lineup as often as people change their car’s air fresheners. And who can blame them? The second entry in the Christopher Nolan-directed Dark Knight Trilogy pits Christian Bale’s Batman against the late Heath Ledger’s Joker, with the soul of Gotham City at stake in their battle of wits. It’s been over a decade since it first debuted, and yet The Dark Knight still holds up to the test of time. Whether you watch it as a standalone experience or pair it with the also-returning Batman Begins, a perfectly good flashback is waiting for you in your own personal box office.


50/50


With Long Shot currently in theaters, moviegoers are enjoying director Jonathan Levine’s deft hand at portraying laughter and emotion in equal turn. And whether you’re already a fan of his work doing such feats, or have just become accustomed to them in your own time, 50/50 is another good reminder of how good he is at what he does. Starring Joseph Gordon-Levitt and Long Shot co-star Seth Rogen, the film is modeled the true story of Will Reiser, who, much like his fictional surrogate played by Gordon-Levitt, was struck with cancer in his mid-20s. At times hysterical and at times devastating, the film is an entertaining ride that will require tissues, but rewards you with deeply felt jokes at the same time.




Dr. Seuss’ The Grinch


Illumination has tried its hand at adapting the works of the late, great Dr. Seuss in the past, with The Lorax being a previous claim to fame for the animation powerhouse. With last year’s Dr. Seuss’ The Grinch, the studio was able to not only outdo its high water mark in the world of Seussian magic, it also put a pretty fresh spin on an old classic. With Benedict Cumberbatch’s Grinch, we not only get to see more of what turned him into such a sourpuss, but we also see more of an effective transformation than we’ve ever seen before. As cute as it is funny, Dr. Seuss’ The Grinch can still be enjoyed outside of the festive holiday time frame, as long as you keep an open mind.


Carrie


If Tabitha King had never fished the manuscript for Carrie out of the trash, we’d never have gotten the best-selling novel from Stephen King’s hand. Nor would we have ever gotten the classic film adaptation that director Brian DePalma would eventually terrorize teenagers with in the ‘70s. Featuring young Sissy Spacek as the shy girl who would eventually become a psychokinetic terror, the slow burn of her transformation is something that horror fans still admire to this day. Also, if you’ve ever wanted to hear John Travolta shout, “Git ‘er done,” you’ve got that added bonus coming your way if you choose to watch Carrie.


Cabaret


Maybe it’s because FX’s Fosse/Verdon has been diving into the creation of director Bob Fosse’s most iconic works, alongside a dissection of his darkest demons in life. Maybe it’s even the sort of darkening clouds that our culture feels have been upon them for some time. Whatever the reason, having Netflix bring the film version of Cabaret to its streaming lineup sounds like a fantastic idea for this moment. A film that delivered Fosse his resurrection as a filmmaker, it’s a dark and glitzy musical that shows the rise of Nazism in early Germany, with an increasingly dismal tone. If you’re looking for a purely good time, steer clear of this story; but if you’re not afraid to go places most musicals won’t, Cabaret will greet you with a warm wilkommen.




While there’s plenty of fresh air and sunshine headed our way in the next month, consider these upcoming Netflix addtions as the best ways to spend those rainy days that keep you cooped up inside. Or they could even be fantastic distractions for a day when it’s perfectly fine outside, but you’re in that special mood of movie watching.


Keep in mind, these titles are subject to change, so you may need to double check the availability of these films periodically. Also, if you want to see what the best and brightest titles from May’s incoming lineup happened to be, head over to last month’s rundown and fill out your queue! We’ll see you here next month, when we look at the top tier titles from July’s fresh batch of films.


Watch A Supercut Of Every John Wick Kill

Watch A Supercut Of Every John Wick Kill

John Wick, a.k.a. Baba Yaga, is the most feared assassin in the criminal underworld. If you interfere with his mission, you’re going down and almost certainly won’t get back up. With John Wick: Chapter 3 - Parabellum finally hitting theaters this weekend, we’ve put together this supercut video of all the people John Wick has killed onscreen so far. Alas, you’ll still have leave the carnage he unleashed during his Impossible Task to the imagination.


From shooting adversaries in the head to stabbing them with a pencil, there’s no shortage of ways for John Wick to slay someone. By the video’s end, Keanu Reeves’ deadly character has racked up 202 kills. Needless to say that number will rise once John Wick: Chapter 3 - Parabellum comes out.


All of this bloodshed could have been avoided had Iosef Tarasov and his buddies had just refrained from breaking into John Wick’s house to steal his car and kill his dog, the one thing his recently deceased wife left him. John had already killed enough people to fill up several lifetimes, and he’d spent the last four years living in bliss and far way from darkness.




But no, these idiots unwisely came into the picture, and with the grief of losing Helen still fresh on his heart, John Wick dished out hell on Iosef, his father Viggo and anyone remotely connected to them… well, except Kevin Nash’s Francis. He correctly decided to “take the night off” when John offered the opportunity.


Of course, that’s just covering the first movie, which ended with John Wick bringing a new dog back home. At the beginning of John Wick: Chapter 2, after he retrieved his stolen car, John was content to return to his quiet life, but Santino D’Antonio, the man who helped John with his Impossible Task, got in the way.


Santino demanded John make good on the marker he gave him, blowing up John’s house when the protagonist initially refused to comply with his demands. Making matters worse, even after John traveled to Italy to kill Gianna D’Antonio, Santino opened a $7 million contract on John to wrap up loose ends. The only way John saw fit to end this was to gun Santino down on Continental grounds, which is a big no-no in this crowd.




Which brings us to John Wick: Chapter 3 - Parabellum, where John is now on the run because assassins are after the now-$14 million contract Santino’s associates on the High Table have put out. Making matters worse is that John has also been declared excommunicado, meaning he’s lost all his underworld privileges and access.


So how will John Wick fare against this latest round of people trying to kill him? In the eyes of his friend Winston, the odds are about even. It’s already clear that John will manage to get out of New York, but it remains to be seen just how many bodies he’ll drop both in the Big Apple and elsewhere in the world.


John Wick: Chapter 3 - Parabellum opens in theaters on May 17, but if you’re wondering what movies are hitting the silver screen after that, be sure to browse through our 2019 release schedule.