Dumbo Box Office: The Baby Elephant Doesn't Quite Soar

Dumbo Box Office: The Baby Elephant Doesn't Quite Soar
Dumbo box office cinemablend March 29-31 2019

Disney has pretty much every one of its major brands in operation this year - with Marvel, Pixar, and Walt Disney Animation all putting out big titles - but one area where the studio is really going all-in this year is with its live-action remakes of animated classics. There are a total of four titles being released between now and the end of December, with movies including The Lion King, Aladdin, and Maleficent: Mistress of Evil, but after this past weekend one wonders if there might be some concern growing. Because while Tim Burton's Dumbo did nab the top spot at the box office, it's numbers aren't exactly spectacular. Check out the Top 10 below, and join me after for analysis!


Overall this was a strong weekend at the box office, and Disney is seeing cash rolling in from two of the top three movies in the country, but the studio certainly must have had higher expectations for Dumbo. Prognostications from earlier this month estimated that the three day haul for the elephant-centric family feature would be around $50 million, and it's not wonderful that the film fell $5 million short of that bar. It's worse when you consider that the first predictions suggested a high end of $65 million.


Those estimates were proven to be too high, but when you look at the numbers, it's not hard to figure out why the pros were a bit off. Disney has been having a tremendous amount of success in recent years with their live-action remakes of animated classics, and with the exception of the 2016 sequel Alice Through the Looking Glass they all arrived with strong openings. Prior to the release of Dumbo, the lowest first weekend total was Kenneth Branagh's Cinderella, which made $67.9 million back in March 2015. That film wound up making over $200 million domestically - but at this point it doesn't look like the 2019 release will be crossing that particular milestone.




It's definitely all far from doom and gloom, however, thanks to a few positive factors. For starters, while Dumbo received a mostly tepid response from critics, those who went to go see it seem to be digging it, and delivered it an "A-" on CinemaScore. As for the numbers, the film is also obviously going to get a big boost from international ticket sales. It has already made over $70 million from foreign markets. So while it won't be the billion dollar hit that Tim Burton's Alice In Wonderland was back in 2010 (arguably the release that fueled this entire trend), it still will be a profitable release for Disney.


Sticking with the Mouse House for a minute, while Dumbo may not wind up being a member of the three comma club, Anna Boden and Ryan Fleck's Captain Marvel absolutely will. And while the film didn't quite get there this weekend, it most definitely will be happening in the next few days. The ticket sales abroad over the last three days, as well as the $20.5 million it made here at home, have now brought its global total to $990.6 million. To put that in some perspective, that means it is now the seventh most successful Marvel Cinematic Universe film, having passed the $880.2 million that Spider-Man: Homecoming made in 2017. What's more, it's not entirely out of the question that it could wind up beating Captain America: Civil War as well, which made $1.2 billion three years ago. That's one hell of a launch for a hero expected to play a massive role in the franchise going forward.


Jumping back to the number two slot, Jordan Peele's Us had a solid, if not unspectacular second weekend, dropping about 52 percent and adding $33.6 million to its domestic total. Not only was the money more than enough to push the film across the $100 million mark, but it also now looks like it is indeed on pace to make more money at the box office than Peele's Get Out did in 2017. The director's sophomore effort did have a budget four times the size of its predecessor - $20 million vs. $4.5 million - but that's basically negligible when you consider the numbers that the release is ultimately looking at. Factoring in the money from outside North America, it's already gone north of $174 million, and one nice trick it has in its back pocket is that it's a feature that begs to be seen more than once. There is no questioning Peele's status as a blockbuster director at this point, and expectations are only going to get higher for whatever he does next.




What's also helping take a bit of heat off of Dumbo is the disappointing release of Harmony Korine's The Beach Bum - which sadly now exists as the worst opening of Matthew McConaughey's career, and is the second big disappointment for the Oscar winner this year following the release of Serenity back in January. The movie had a much smaller release than most titles found in this weekend's Top 10, only showing in 1,100 theaters nationwide, but it doesn't exactly have a high per screen average either. It's not all-together unexpected, as the film got a fairly tepid response when it premiered a few weeks ago at SXSW, and that buzz has been consistent since. Still, it won't look good in the history books next to Korine's last feature, Spring Breakers, which made a surprising $31.7 million in its worldwide theatrical run back in 2013.


Looking ahead, we should see some major shake ups in the Top Five this week, as we are about to see some anticipated features arrive in wide release. The first is another dose of kick-ass superhero action, this time arriving in the form of David F. Sandberg's Shazam! (which is looking at a three day total between $40 and $45 million, and is expected to become the new number one movie in America). Also arriving, though, is the latest Stephen King adaptation: Kevin Kolsch and Dennis Widmyer's Pet Sematary - which could not only steal some attention from the new DC Extended Universe feature, but also Us. How will things shake out? You'll have to come back next Sunday for our box office column to find out.


John Boyega Reveals Why He Was Pumped About Finn’s New Costume In Star Wars: The Rise Of Skywalker

John Boyega Reveals Why He Was Pumped About Finn’s New Costume In Star Wars: The Rise Of Skywalker
John Boyega as Finn in Star Wars: The Rise of Skywalker

Anybody who is a Star Wars fan is excited for The Rise of Skywalker. The first images we saw of the film in the first trailer during Star Wars Celebration have got fans talking and looking forward to when the movie finally releases in December. However, the viewers aren't the only ones excited by a new film. It turns out that John Boyega was also quite enthusiastic about going back to the galaxy far, far away, especially after seeing his new costume.


During the Star Wars Episode IX panel at Star Wars Celebration, Boyega revealed that due to Finn's character arc, his clothes in the two previous films didn't really help define him as a character, but he feels like that has changed with The Rise of Skywalker. According to Boyega...



I think the last two movies Finn couldn’t decide where he belonged. And in this film he’s a full-fledged Resistance sexy young man. At the beginning my big thing was costume. I always felt that Finn didn’t have his identity through his costume. And J.J. was like ‘You’re going to love this one.’ I saw the pre-packets coming out… and I was like, ‘I’m in Star Wars now!’ So, it’s been great.'





Finn's entire story has been about a man figuring out where he belonged. He starts the story as a Stormtrooper but quickly realizes that life is not for him. Throughout most of Star Wars: The Force Awakens he's mostly concerned with just getting the hell away from the First Order as quickly as possible. In The Last Jedi his goal is reuniting with his friend Rey.


Finn literally had no identity at the start of the trilogy, and part of his journey has been figuring out who he is an independent person. Most of us use our clothing as a way to show a piece of who we are to the world. Finn hasn't been able to really do that because he hasn't known that answer. It makes sense that John Boyega's costumes haven't shown Finn's identity, but clearly the actor is happy that Finn will finally find himself in the new film.


While we get a few different quick shots of Finn in the Star Wars: The Rise of Skywalker trailer, the best look at Finn's costume comes near the end as part of the group shot. Check it out below.




Everybody has new outfits in Star Wars: The Rise of Skywalker, and it will certainly be interesting to see how these costumes reflect the people inside them. How has the galaxy changed following the events of Star Wars: The Last Jedi? We'll find out for sure when the movie finally arrives December 20.


The Last Jedi’s Rian Johnson Really Loves First The Rise of Skywalker Trailer

The Last Jedi’s Rian Johnson Really Loves First The Rise of Skywalker Trailer

Unofficially, there seems to be a war between those who support Star Wars: The Last Jedi and those who are embracing Star Wars: The Rise of Skywalker. With J.J. Abrams returning to the fold as co-writer and director of this new film, it felt to some like a bit of a rejection of the bold new direction that Rian Johnson had brought his Star Wars film towards. Those feelings are invalid now, as Johnson himself saw the trailer for the ninth episode of the Skywalker Saga, and shared the following rave review:


It’s hard to argue with a statement like that, as Rian Johnson is as much of a Star Wars fan as J.J. Abrams is. While some may have thought that Abrams’ return would look radically different from Johnson’s middle installment of this third act trilogy, the trailer to Star Wars: The Rise of Skywalker looks like it fits nicely into the trajectory that the previous film already set up.


What’s also nice to know is the admiration between these two directors is mutual, as earlier today J.J. Abrams handed out a very special thank you to Rian Johnson, in particular for hiring actor Kelly Marie Tran. This comes after Johnson commented on how he’s actually interested to see what J.J. Abrams does with the Star Wars universe in his latest film, even if it happens to retcon pieces of The Last Jedi in order to close this portion of the series.




Though it’s not like Rian Johnson isn’t heading back to that galaxy far, far away himself. Much as Abrams came back for Star Wars: The Rise of Skywalker, Johnson will be making more magic in the franchise himself. As previously reported, Rian Johnson is still on track for the trilogy of Star Wars films that take place outside of the Skywalker Saga’s episodic structure. When exactly that’ll take place is in question, particularly in the light of the hiatus recently announced by Disney CEO Bob Iger. But at least for now, as exhibited in his Twitter feed’s latest output, Johnson is still very much on board for whatever comes next.


Star Wars fans, as any fandom at its best behavior, lift each other up in the name of their appreciation of the series. Now that both J.J. Abrams and Rian Johnson have provided a bridge between their theoretical halves of the property, it’s up to the fans of both directors to meet in the middle, as they await this next and last chapter of the classic story arc to come to a close.


Star Wars: The Rise of Skywalker heads to theaters on December 20. However, if you’re looking for some movie excitement to tide you over until then, head to our 2019 release schedule to get a jump on this year’s biggest debuts.




Dark Phoenix Footage At WonderCon Shows Off Outer Space Chaos And An Emotional Battle

Dark Phoenix Footage At WonderCon Shows Off Outer Space Chaos And An Emotional Battle
Phoenix In space Dark Phoenix

Though Dark Phoenix has been in the works for a while, we really haven’t seen all that much footage from the blockbuster. Sure, we’ve seen a couple of trailers come out, but when considered in the context of how much time there was between previews, what we’ve seen doesn’t amount to much. It’s a bit of a surprise, given that the film is now just a few months away from release, but the marketing for the movie broke the drought in a big way today by showing off a couple of full scenes at WonderCon.


20th Century Fox held a special Dark Phoenix panel at the Anaheim Convention Center today, and in addition to having a panel featuring a bunch of stars and filmmakers, the film also showed off nearly 20 minutes of footage. It’s all pretty cool stuff, and you can find the details about it below:


The sequence started with a shot from behind the X Mansion, with the basketball court opening up and the Blackbird launching from the hanger underneath. The X-Men are on a mission - on board are Mystique (Jennifer Lawrence), Beast (Nicholas Hoult), Quicksilver (Evan Peters), Storm (Alexandra Shipp), Cyclops (Tye Sheridan), and Jean Grey (Sophie Turner) – but it isn’t a typical Earthbound adventure. For the first time ever they are making their way into space, and it’s clear that it’s not an environment in which they are totally comfortable.




News stations from around the world are broadcasting the event, showcasing the popularity of the world’s first superhero team. While the X-Men are on the move, Professor X (James McAvoy) is in Cerebro communicating with NASA, who are reporting an incident with a shuttle in trouble involving a solar flare. As we see through the eyes of the mutant team, however, it’s not exactly a normal cosmic event, as it looks more like there is a dangerous mass floating and getting closer to the troubled spaceship – which is shown spinning out of control with a busted thruster.


Calling the shots, Mystique notes that before they can do anything they need to stop the rotation of shuttle, but Nightcrawler notes that he can’t teleport in because he can’t see into it. The job then falls to Cyclops, who is told that he needs to blast the thruster and stop the spin. He goes below deck, lines his specialized visor up with a periscope-esque targeting system, and successfully fires an optic blast that gets the in-trouble ship to stop.


With the situation more manageable, Nightcrawler and Quicksilver are called into action to teleport to the NASA vessel – and meanwhile Storm seals the damage that’s been done with ice. In hyper-speed mode, Quicksilver takes the seatbelts off all of the astronauts, and then tosses them towards the back of the shuttle where Nightcrawler is waiting. Once everyone is collected, they BAMF and find themselves back on the Blackbird.




All seems well and good and the call is made to head home… until one of the rescued astronauts points out that the mission isn’t done yet. Their commander was in the airlock trying to fix the thruster at the time of the rescue, and he remains there with the “solar flare” getting closer and closer. Mystique wants to leave, not wanting to risk the members of her team for one more person, but Professor X insists that they stay and do everything they possibly can to save the remaining life in danger.


With Storm no longer able to keep the ship together with ice, Jean Grey boldly claims that she can slow the destruction, but she needs to get closer to the ship. Both Cyclops and Professor X back her up, though Beast notes that there is less than a minute before the solar flare hits and becomes too dangerous to survive. The call is made, and Nightcrawler and Jean teleport over, with the powerful telepath keeping the construction of the ship together. The commander is saved by Nightcrawler, but as time runs out Jean finds herself trapped as the flare hits. Cyclops screams asking where Jean is, but all they can do is helplessly watch from afar as the cosmic energy engulfs the damaged shuttle.


With Jean, we watch as she starts to absorb the energy – screaming as she does – and it’s an experience that it seems Professor X has right along with her. What adds an interesting note, however, is that while part of the solar flare seems to try and reach out to the Blackbird, Jean uses her concentration to divert it, and winds up absorbing all of it. The shuttle explodes and everyone thinks that Jean is dead. Once all the chaos is over, Nightcrawler teleports and brings her to be back with the X-Men – and while the group initially mourns, she then opens her eyes to reveal that she is alive (with a bit of orange swimming around in her irises).




The X-Men land back on Earth to much fanfare, and the celebrating continues when they get back to the X Mansion. Everyone is happy, and Professor X is feeling enough pride to cancel all classes for the rest of the day, but Mystique is definitely not happy about the whole situation. After Xavier checks in on Jean Grey, sending her to get a full medical exam, Mystique takes him into his office, and she has a frank discussion with him about the increased risks that are being taken. She is worried about the safety of the recruits, and is afraid that the wheelchair-bound telepath is taking on bigger and bigger challenges just for the sake of his ego. He counters, however, by acknowledging that mutants are being accepted unlike any other time in history, and that only one bad day could result in their kind being hated and despised again. It’s clear that it’s not an issue that is going to be solved with one discussion, but at the very end Mystique gets in one last shot, noting not only that it’s been a minute since Xavier last risked his own life, and that women are so consistently saving the men that the team name should be changed to X-Women.


Jumping ahead in the movie (and clearly skipping over some major, major developments), the other big sequence in the Dark Phoenix footage showed off a showdown that seemingly happens in the second half of the film – so if you don’t wish to be spoiled on anything, you may want to stop reading here.


Starting with Xavier in Cerebro with Cyclops, it’s made clear that Jean Grey has started to go off the deep end, and that crap is really starting to hit the fan. Beast has teamed up with Magneto, and they have decided that Jean needs to die – which, naturally, Professor X is unwilling to let happen. He psychically connects with Nightcrawler, showing the place where he needs to go, and together they travel along with Storm (after some argument) to try and stop the assassination.




The members of the X-Men then quickly find themselves in a confrontation with Magneto and Beast in Central Park, as well as two other mutants: one, Red Lotus, with braids that basically act as prehensile tentacles, and another, Selene, with the ability to control minds. Following a verbal scuffle (including an F-bomb from Cyclops), a battle begins as Magneto makes his way towards a building where Jean Grey and Jessica Chastain’s mystery character are staying, and they know that he is on his way to kill Phoenix – what is basically spelled out as an act of revenge for the killing of Mystique. The fight rages on, but the Master of Magnetism gets the upper hand when he uses his powers to pull an entire subway car out of the ground and positions it to block the entrance of the aforementioned building.


Once inside, Magneto is confronted by Jean Grey and Jessica Chastain’s character, and his big move is executed by pulling a metal banister from its spokes and pointing the jagged end at Jean. As emotional as he is, though, he can’t go through with it. Unfortunately for him, it seems that Jean doesn’t feel the same way. With her heightened abilities, she starts to crush Magneto’s head with the villains helmet… though it cuts to black before we can see what happens.


Overall, the footage was interesting if not just because it shows off a lot of new stuff that we haven’t actually seen in past X-Men movies. The titular team operates in a completely different way than other iterations – particularly with the way in which it pairs certain mutant abilities together in order to achieve a certain goal. It’s also a bit that gives us quite a lot of clarity when it comes to where all of these characters stand within this story – particularly Professor X, Mystique, Magneto, Cyclops, and particularly Jean Grey.




We’ve obviously been waiting for Dark Phoenix for a long time, but it’s now actually almost here. The film will be arriving in theaters everywhere on June 7th, and be sure to stay tuned here on CinemaBlend for not only more of our WonderCon footage, but also our interviews at the convention with the movie’s filmmakers and stars.


Star Wars: Galaxy's Edge Will Feature Yoda, Other Surprising Returning Personalities

Star Wars: Galaxy's Edge Will Feature Yoda, Other Surprising Returning Personalities
Yoda and Luke Skywalker in Star Wars: The Last Jedi

Star Wars: Galaxy's Edge promises to open up a new corner of the Star Wars universe. It creates an outpost on a planet at the edge of wild space where guests will be able to interact with new characters, eat new food, and experience all new attractions. However, it wouldn't be Star Wars if the new land didn't also include those elements of the franchise that we're familiar with. At the recent Star Wars Celebration it was revealed that several classic characters will appear in the new land, including Jedi Master Yoda.


Of course, since the time period for the new Galaxy's Edge land is set in the era of the new trilogy, don't expect to actually see Yoda anyplace in the new land, except possibly as merchandise. Yoda has been long dead by the point in which this part of the story is taking place. However Chris Beatty, the Executive Creative Director at Walt Disney Imagineering did reveal that Yoda would be heard someplace in the new land, and that Yoda's voice was being provided by Frank Oz, the voice of Yoda throughout all of the films.


Exactly how the voice would be heard wasn't revealed. It could be part of one of the E-ticket attractions inside the new land, though neither of them strikes me as particularly Jedi enough to make Yoda make sense there. Perhaps Yoda will help guide you as you build your own custom lightsaber, which will be something you'll be able to schedule for yourself in one of the Black Spire Outpost shops.




However, Yoda isn't the only classic voice who will be returning for Galaxy's Edge. Fans of the original Star Tours will remember the pilot, named R3x, who was voiced by Paul Reubens. While the current version of the attraction doesn't have R3x flying, Galaxy's Edge will have the character back, as a DJ at Oga's Cantina.  Margaret Kerrison, Story Editor at Walt Disney Imagineering says the new R3x is going to be a lot of fun...



We worked with so many incredible voice-over actors. One of the ones that we definitely wanted to bring back was Paul Reubens. We were super excited to bring him back and nobody was more excited than Paul. He was really great to work with. He really, really was. He brought in a lot of inspiration and new lines for us. Let’s just say you will be thoroughly entertained in Oga’s Cantina.



Reubens apparently recorded a lot of new dialogue for his new role, where he'll be playing a lot of brand new music written specifically for the land. Some of that music is being attributed to the band Figrin D'an and the Modal Nodes, which is the group more widely known as the "Cantina Band" from Star Wars: A New Hope. Take a listen to some of it below.




One more classic Star Wars character who will be seen at Black Spire Outpost is the alien Nien Nunb. First seen as Lando Calrissian's co-pilot during the attack on the second Death Star in Star Wars: Return of the Jedi, Nien Nunb was seen as an X-Wing pilot in Star Wars: The Force Awakens, and he's also a background character in Star Wars: The Last Jedi who survives until the evacuation on Crait.


Nien Nunb will also appear in Galaxy's Edge in some capacity, and he will be voiced by the same man who gave him a voice back in Return of the Jedi, even though, according to Galaxy's Edge project lead Scott Trowbridge, making that happen was a little bit tougher this time around...



I love this story because Nien Nunb, when he was voiced in his original appearance, was voiced by a young man who was a student in the bay area at the time. Actually, was from Kenya. He spoke a unique dialect and had a unique sounding voice. But then, time passed and the gentleman, whose name is Kipsang, went back to Africa. We kind of lost track of him. But when we decided we were going to bring Nien Nunb back for Star Wars: Galaxy’s Edge, we actually went to Kenya, tracked him down, to record the original voice actor for Nien Nunb to play in Star Wars: Galaxy’s Edge because that’s the kind of thing you want us to do.





All of these characters get added to the list of Star Wars characters we already knew would be appearing. All of the main heroes and villains of the current trilogy will also appear on Batuu. We'll see Rey, Finn, Poe Dameron, and even Kylo Ren as part of the Rise of the Resistance attraction. Fans of the Star Wars: The Clone Wars and Rebels animated series will meet an incredibly life like animatronic of Hondo Ohnaka


Star Wars: Galaxy's Edge will also see new music written for it created by John Williams, the man who has written nearly every note of music for the galaxy far, far away. It won't simply be ambient music throughout the land, as that would potentially break the illusion that you actually standing on an alien world. I'm sure, however, that Disneyland and Walt Disney World have found plenty of other ways to include the music.


Whatever your level of love for Star Wars, there's going to be so much going on in Galaxy's Edge that you're going to find something that strikes a chord. Disney never gives the entire game away and with all this announced only slightly over a month before the new land opens, there's almost certainly more to see and hear that we don't know about yet.




We'll find out when Star Wars: Galaxy's Edge opens at Disneyland on May 31 and at Walt Disney World August 29. If you want to guarantee yourself access to the new land, you'll need to book a Disneyland Resort hotel stay during the land's first three weeks, as that will get you a no-cost reservation to enter Black Spire Outpost.


The Battle For SPECTRE - The Rights War That Complicated James Bond For Decades

The Battle For SPECTRE - The Rights War That Complicated James Bond For Decades
Spectre glass cracked into the octopus symbol

Time and time again, we’ve seen issues surrounding intellectual property rights complicate everything from a film’s production to its theatrical release. But some cases are so complicated that they don’t simply go away after the cameras are packed and the posters are removed. And in the case of most other areas of his expertise, nobody does complicated rights better than James Bond.


What started as an idea for a film became a flashpoint of massive legal proportions that, until recently, left the 007 franchise without the usage of one of its most iconic bodies of villainy for quite some time. With the resolution of this conflict still pretty fresh in recent history, and Bond 25 currently in production, the battle for SPECTRE’s very place in the series’ canon is a vital piece of history to revisit.


What Is SPECTRE?


In the history of the film adaptations to Ian Fleming’s James Bond novels, the most formidable threat to the world was the SPecial Executive for Counterintelligence, Terrorism, Revenge, and Extortion. Known as SPECTRE for short, it was the one stop shop for villainous personalities like Dr. Joseph No, Auric Goldfinger, and most notably Ernst Stavro Blofeld, the leader and “Number One” in charge of SPECTRE’s operations.




SPECTRE and its personnel were used in the films intermittently, starting with 1962’s series starter Dr. No, with 1971’s Diamonds Are Forever marking the supposed end of the organization and the one true death of Ernst Stavro Blofeld. It wasn’t until 2015’s Spectre that the James Bond series would reintroduce both that character (through the casting of Christoph Waltz), as the rights issues surrounding the creation and implementation the man and his legacy were subject to legal challenges that weren’t easily circumvented.


The Movie That (Almost) Started It All


When author Ian Fleming looked towards turning his literary franchise into a box office hit, Thunderball was originally considered to be the first film to do so. The eighth novel in his series, his 1961 book was a creation that drew on a rather controversial source: an original screenplay that was written between himself and screenwriters Kevin McClory and Jack Whittingham in the late 1950s. While Fleming eventually decided to distance himself from the writing process, McClory and Whittingham would finish the screenplay, which eventually got its title from Ian Fleming himself.


After reading the finished novel before publication, McClory felt that Ian Fleming had plagiarized the screenplay of Thunderball for his novel. Even with some differences separating the two projects, one such difference being the alleged creation of SPECTRE to stand as the villains, Kevin McClory tried to stop the book from being published. While that tactic failed, McClory eventually pursued further legal action that granted him the literary and film rights to Thunderball, leaving Ian Fleming with the rights to the novel he wrote from its screenplay.




The End Of SPECTRE


With Kevin McClory owning the rights to Thunderball, this kind of threw the question of who created SPECTRE into the air, with McClory and Ian Fleming being the two parties the issue landed in-between. In the end, while the matter wasn’t officially resolved, Ernst Stavro Blofeld would make his final appearance in Diamonds Are Forever, with SPECTRE not even being named in the film at all. While there were intentions to use Blofeld and his criminal enterprise in 1977’s The Spy Who Loved Me, McClory was ready with another injunction to prevent this from happening.


Instead of fighting another court battle to continue, the film was altered to omit the organization and its leader, opting instead for an original character, shipping magnate Karl Stromberg, as its villain. Though turnabout was fair play at that same point in Bond history, as Kevin McClory and Sean Connery had worked on a story entitled Warhead, which would be the first of several attempts to revive Thunderball in his own image. With the rights firmly in his hands, it was only a matter of time before he tried again.


The Remakes That Stoked The Fires


Sure enough, Kevin McClory would go on to two more attempts at remaking Thunderball in his own way image. The first was 1983’s Never Say Never Again, in which James Bond and Ernst Stavro Blofeld fought for custody of two nuclear warheads yet again. And oddly enough, Sean Connery was convinced to play the character of 007 yet again, after famously saying he’d never return after Diamonds Are Forever. With this film being released in the same year as the official Bond series’ Octopussy, there was obviously a competition between the two films. Ian Fleming’s estate attempted to prevent such a race, but lost their bid to stop the film’s release. In the end, the two films only saw a $27.5 million difference in their grosses, with Roger Moore’s official James Bond movie winning out.




The second, and final, time that Kevin McClory would try to remake his intellectual property was with the film known as Warhead 2000 A.D. With Sony spurring him on in hopes it could create further competition with its own James Bond franchise. But, much as McClory prevented MGM from using SPECTRE and Blofeld for The Spy Who Loved Me, the studio was able to successfully prevent Kevin McClory from achieving his goal, through a deal with Sony. If the film had progressed, there would have been a chance that either Timothy Dalton or Liam Neeson would have played the role of Bond. But alas, it was never meant to be.


Reuniting Bond and SPECTRE


It seemed that the true James Bond series would never see SPECTRE again in its lifetime. Even Albert Broccoli and EON Productions, the parties that practically ran the show with MGM, thought it to be so. Nowhere was that clearer than in the bold statement they made in the prologue to For Your Eyes Only. With a huge action sequence that saw Bond tormented by and dispatching of a bald man sitting in a wheelchair with a white cat in a smokestack, the message was clear: that contractually complex character is dead, and they didn’t need him anymore.


While the series would eventually move on for decades without official use of SPECTRE or its main villain, circumstances eventually saw those rights landing with MGM and EON Productions once more. After Kevin McClory passed away in 2006, his family would move on to the point where they sold the rights to the intellectual property he held onto through the rest of his life back to the studio. So it came to pass that in 2013, SPECTRE became a part of the official 007 playground once again, just in time to tie the organization in with its modern counterpart, Quantum, in the 2015 film named for this shadowy group of newly restored evil.




At this point, the only way that Ernst Stavro Blofeld won’t return would be due to Christoph Waltz not wanting to portray the character again. Though if the history of Blofeld has taught us anything, it’s that he can always be rewritten for a new actor through cosmetic surgery. It’s worked for him in the past, though if the casting of Rami Malek goes through, it seems unlikely that this route is going to be taken. But at the very least, SPECTRE will be around for any future villain to take their place in, ready to use its apparatus to make James Bond’s life a living hell.


James Bond will return in Bond 25, when it hits theaters on April 8, 2020.


Oscar Isaac Teases Lots Of Poe And Finn Scenes In Episode IX

Oscar Isaac Teases Lots Of Poe And Finn Scenes In Episode IX
Finn and Poe in The Force Awakens

The relationship between Oscar Isaac’s Poe Dameron and John Boyega’s Finn was one of the highlights of Star Wars: The Force Awakens and, depending on your perspective, something that was missing from Star Wars: The Last Jedi. The two heroes each had their own stories in the sequel trilogy’s middle chapter so we were denied their fun dynamic together. Fear not though, because Poe and Finn are set to have lots of scenes together in Star Wars: Episode IX as Oscar Isaac teased:



I think the one thing I can say is that it has been the most fun for me, particularly working with John Boyega because we have just had so much more to do together and we just really connected in a great way. It was really a wonderful way to finish it for me because John was the first person I met right when I screen-tested. It was just with me and him. So it just felt like a real full-circle thing.



Oscar Isaac couldn’t reveal much about the ultra-secretive Star Wars: Episode IX in this interview, but what he could reveal should be welcome news for fans who love the bromance between the Resistance pilot and the former Stormtrooper. He told Metro that he and John Boyega had so much more to do together in this film, which makes it sound like the two characters will share more scenes together in this final chapter in the Skywalker Saga.




We don't know the precise plot of Episode IX, but with Finn poised to take on a real leadership role in the Resistance and Finn finally committing to the fight himself, it makes sense that these two would be working together more closely than they did in The Last Jedi when Finn was off on his Canto Bight escapades.


It seems the two actors really connected and had a good relationship, so having the opportunity to reunite with John Boyega to bring "full-circle" closure to what they started together in The Force Awakens was quite rewarding for Oscar Isaac and simply made for a more fun filming experience. Their reunion also allowed the actors but not necessarily the characters to go out on a high note, although hopefully it's a characteristic that extends to the final film itself.


The Triple Frontier actor has said before that Episode IX was the most fun to film of the trilogy because of the looseness and energy on set, but now we know it was also because Poe got his friend back. This will no doubt reignite the flames of the Poe/Finn shipper fire, a fire that Oscar Isaac himself has stoked on occasion, but they may have to deal with a third wheel in Daisy Ridley’s Rey.




About a year ago we heard that Star Wars: Episode IX may not separate Rey and Finn, so if true, maybe the entire trio goes off on an adventure together or Finn is with Rey for part of the movie and Poe for other parts. Whatever the case, the duos of Rey and Finn and Finn and Poe have great interplay together and Episode IX can only benefit from more of that.


This is just the latest thing that Oscar Isaac has said that is a positive sign for J.J. Abrams’ film. The actor has said that Episode IX is a fulfilling end to the 9-film Skywalker Saga and that fans will be blown away. He clearly really enjoyed making this last movie and has genuine enthusiasm for what they made.


Hopefully we’ll get a better idea of what that is pretty soon. We are still awaiting the title and first trailer for Episode IX, but Star Wars Celebration is less than a month away and there would be no better movie to attach a big trailer to than April’s Avengers: Endgame.




Star Wars: Episode IX blasts into theaters on December 20. Check out our 2019 Release Schedule to keep track of this year’s biggest movies and stay tuned to CinemaBlend for all your movie news.