Walt Disney World's FastPass+ System: What It Is And How To Use It

Walt Disney World's FastPass+ System: What It Is And How To Use It

There's no place in the world quite like Walt Disney World. With four different theme parks, two water parks, and more hotels, shops and restaurants than you can count, there is so much to do and so much fun to be had. However, to get the most out of your Walt Disney World trip, you need to plan in advance, and that includes using the FastPass+ system to book your wait times early at the theme parks.

Nobody likes to wait in line, and while you probably won't be able to avoid standing in a queue at all, you can severely cut down on your standing around time by using FastPass+ to its full potential. In this guide, we'll be talking how to make the most of your trip using Disney's helpful FastPass+ service.

What Is Disney World’s FastPass+?

FastPass+ is Walt Disney World's system that allows you to skip the line on most of the attractions that you'll find at all four Walt Disney World theme parks, Magic Kingdom, Animal Kingdom, Epcot and Hollywood Studios. It's linked to your park ticket or MagicBand and allows you to book up to three FastPass+ windows per day of your Walt Disney World vacation in advance of your trip. This means you can schedule when you want to visit certain attractions, and you'll end up in a much shorter line.

What Do You Need To Book FastPass+?

The first thing you need to do to use FastPass+ is sign up for an account on the Walt Disney World website. Each member of your party will need their own registration, but if individuals won't need to access their account themselves, like minor children, their account can be set up so that one person will manage the account, like mom or dad. Once all the accounts are linked together, one person can book FastPasses for the entire group.

Next, each member of the group will need their own theme park ticket linked to their Disney account.

Finally, the third thing you need to consider is optional, but is quite valuable: a reservation at a Walt Disney World Resort hotel. If you have one, you can sign up for your FastPass+ times 60 days in advance, and you can sign up for every day of your vacation at once. If you're not staying on property, you can only sign up for your FastPass+ times 30 days in advance, and you'll need to sign up for each day of your trip separately.

Some of the most popular attractions like those at Disney's Animal Kingdom's Pandora - The World of Avatar, will see all or most of their FastPasses get snapped up before the 30-day window opens.

How To Sign Up For FastPass+

FastPass+ opens up each day at 7:00 AM eastern time. This means if you live on the west coast, you'll need to get up at 4:00 AM to get the first shot at the best times on the best rides.

On the day that you can sign up for FastPass+, 60 days before the first day your ticket is active if you're staying at a Walt Disney World Resort hotel, 30 days before if not, go to the Walt Disney World website, sign into your account, and then, under the My Disney Experience menu, select GetFastPass+.

Select every person in your party that you want to book a FastPass+ for, then select the date you want to book, then which park you want to book your FastPass+ for. All three of your FastPass+ selections have to be for the same theme park, so if you first book a FastPass+ for the Magic Kingdom, all three FastPasses for that day will have to be there as well.

After you select the park, you'll be shown the list of available attractions and available times. Each attraction will give you a window of time that is one hour long. Simply select the first FastPass+ time that you want on your favorite attraction, confirm it, and then do that two more times.

There's no way to book more than three FastPasses per day before your trip. However, once you've used your three scheduled FastPasses each day, you will be able to book more, one at a time, via either the Disney World app (more on that down below) or via the kiosks located within the Epcot, Magic Kingdom, Animal Kingdom and Hollywood Studios parks.

How FastPass+ Works At The Different Parks

Signing up for FastPass+ at Magic Kingdom is easy, because all FastPasses are considered equal, but that's no longer the case at the other three parks. At Epcot, Disney's Animal Kingdom and Disney's Hollywood Studios, attractions are broken up into Tier A and Tier B attractions, and you can only use one of your daily FastPasses on a Tier A attraction when signing up in advance. Here are the Tier A attractions at the three parks, anything not listed is in Tier B. It can get a little complicated, so please make sure you take a look over the list.

Epcot: Frozen Ever After, Test Track, Soarin', Illuminations: Reflections of Earth, Character Meet and Greet

Disney's Animal Kingdom: Avatar Flight of Passage, Na'vi River Journey

Disney's Hollywood Studios: Slinky Dog Dash, Alien Swirling Saucers, Toy Story Mania

How Do You Use FastPass+ Best?

FastPass+ can be intimidating, especially if you've never used it before. There are so many options, and if this is your first trip to Walt Disney World or your first trip with FastPass+, it seems impossible to know a month before your vacation just what you're going to want to do. So how do you know what to schedule? Here are some tips to keep in mind.

What to schedule first: Those Tier A FastPasses are all for the most popular rides, so you'll want to be sure to grab those first if they're available. Specifically, grab Flight of Passage at Animal Kingdom and Slinky Dog Dash at Hollywood Studios as those are the most popular rides at those parks with the longest lines.

At Magic Kingdom, be sure to grab the Seven Dwarfs Mine Train, as that will be the first to go there. At Epcot, you can grab either Test Track, Frozen Ever After, or Soarin,' whichever is the more attractive ride to your party.

Book early in the day, but not too early: It's tempting to book a FastPass+ for right when the park opens, but if you're going to be there at rope drop, the lines will be shorter. Instead of wasting a FastPass+, when the park opens, go straight to something you would use a FastPass for. You'll still have a bit of a line, but it will be shorter than normal and you'll be able to save that FastPass+ for something else.

Having said that, try to book your three FastPasses for as early in the day as you can. Since you can only book additional FastPass+ times after your initial three have been used, the sooner you're done with the them, the more time you have to potentially pick up others. This is also why you probably don't want to waste a Tier A FastPass+ on Illuminations. Since it's an evening show it locks out additional FastPasses for the entire day.

A Pirate's Adventure: There is one way to get a specific FastPass without booking it online. If you find the A Pirate's Adventure building between Adventureland and Frontierland, you can go on a number of different treasure hunts that will take you all over Aventureland. They're full of fun interactive elements and and are a great way to spend down time. If you complete three of the treasure hunts you'll actually be given a FastPass for Pirates of the Caribbean. This way, you don't need to spend one of your precious FastPasses on the attraction, and you have a lot more fun than you would standing in line.

What App To Use With FastPass+?

You'll want to download the My Disney Experience - Walt Disney World app from your smartphone store of choice. From there, you can make and manage your FastPass+ times. It's useful for scheduling additional FastPass+ times after you've used your first three, but it's also good for checking to see what's available at any given moment. People frequently cancel or reschedule their own FastPass+ times, so it's always possible that a FastPass for a particularly popular ride that wasn't available when you made your your initial FastPasses bookings might show up later.

The app is also very convenient for booking your initial FastPass+ times if you live on the west coast so you don't need to get out of bed at 4:00 in the morning, just reach over and grab your phone.

Is Disney’s FastPass+ Worth It?

There is no question that FastPass+ is worth it. It costs nothing and if you don't use it then you're just resigning yourself to standing in lines that are much longer than is absolutely necessary. If you're not staying in a Walt Disney World Resort hotel, it can certainly be a pain to get up for several mornings in a row to book your FastPasses, ( I know) but it's a small price to pay.

The only downside is that using FastPass+ does lock you in on what you're doing on any given day weeks before your trip. If you book your FastPass+ times for Disney's Animal Kingdom on any given day, but then somebody feels tired after three days of running around the parks or just falls unexpectedly ill, or the weather sucks, you can't get those FastPasses back.

Images Courtesy: WDWNews.com/Disney

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Looks Like Dark Phoenix Might Have The Smallest Opening Of The X-Men Franchise

Looks Like Dark Phoenix Might Have The Smallest Opening Of The X-Men Franchise

As the final entry in the recent run of X-Men films, Dark Phoenix has been an interesting case study when it comes to what sort of opening to expect. With several release date bumps to the film’s name, it’s hard to tell if Fox is being protective of the film’s chances in theaters, or if they’re just trying to find a good spot for it to take its lumps and move on.

In either case, it looks like we have our first big indicator of whether Dark Phoenix will rise from the ashes, or be reduced to embers. The opening weekend for the film is estimated to land between $40 – 55 million, and if this holds, there’s a good chance that director Simon Kinberg’s film will have the smallest opening of the entire X-Men franchise.

Spanning back to the year 2000, the X-Men series has had peaks and troughs when mapping its box office history. Starting with $54.5 million opening in the first July of this millennium, the series would climb to its highest opening ever with 2006’s X-Men: The Last Stand, which weighed in with a $102.7 mil opening.

Before these estimates for Dark Phoenix came in pegging the film with a $40 – 55 million range, the low water mark stood at 2011’s X-Men: First Class, which brought in $55.1 million in one of the few openings in the franchise taking place outside of its typical May time frame.

So in order to avoid this outcome, Dark Phoenix needs to not only stay on the high end of the opening range estimated by Box Office Pro, it needs to bury the needle and go above and beyond those numbers. It wouldn’t have to be a huge jump past the high water mark, but the more it can surpass these numbers, the better Dark Phoenix’s chances would be of recouping its rumored budget. Though the whispers of a monetary spend upwards of $200 million don’t exactly bode well.

Counter to the typical picture of comic book box office success, the X-Men series has been less consistent in its increases, but more consistent in its cyclical nature. Looking at the pattern as it stands, Dark Phoenix’s intended end of the current phase of mutant powered films couldn’t have come at a better time.

Should this new crater in the X-Men box office time line occur, there is a silver lining that’s currently presented as a con. There’d be nowhere to go but up when the X-Men franchise eventually makes to return to the box office as part of the Marvel Cinematic Universe. Revitalizing this classic fan favorite property, with the hype of a fresh MCU coat of paint, is exactly the blockbuster that everyone will be waiting for.

For now though, we’ll have to wait and see if Dark Phoenix makes or breaks this round of fate in the X-Men universe, and if that final impressive trailer makes any difference in the matter, when the movie debuts on June 7th.

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4 Great Frozen Songs That Aren't 'Let It Go'

4 Great Frozen Songs That Aren't 'Let It Go'

Listen, everyone knows "Let It Go." Chances are, if you have lived through the year 2013, or especially if you have young children running around the house, you have heard the popular, Oscar-winning Disney single from the hit animated film, Frozen. Then, you've probably heard it again. And again. And again, and again, and again, and again.

The invigorating, wondrous and captivating song has been a persistent fixture of pop culture ever since it was first belted by the great Idina Menzel (also known as "Adele Dazeem" by certain Oscar presenters). But even though it's the most famous song from the movie, the other songs from the hit album shouldn't be dismissed in the process. There is enough love to go around when it comes to the Frozen soundtrack.

There is no denying that "Let It Go" is a great song. But we want to make a case for the rest of the songs from Frozen's soundtrack. Therefore, here are some other Frozen songs that you've certainly heard before but should be given a second thought before you put "Let It Go" for the 400th time today.

"Frozen Heart"

Before we meet Elsa, Anna, Olaf, Kristoff and all our main characters, and before we even heart the opening notes of "Let It Go," we're introduced to the world of Frozen through the thunderous, nordic village song, "Frozen Heart." An intensive, pulsating working tune is our worldbuilding song, the track that puts us into the world of our animated characters and invites us into their wintry terrain. As a result, while it is gruffer and more action-intensive than the other songs on this soundtrack, it's a great way into get yourself immersed in the frosty story.

The rhythmic slashing of the pickaxes trudging into the frozen ground sets the mood for the introductory song, letting us see the beauty in the mundane world and capturing the icy energy of the hardworking singers. It's a pulsating, hard and fast song with an excellent hook and yet a somber mood. It's also a nice way of letting us understand the mood of the film, which can be as warm as it can be cold in equal turns.

"Do You Want To Build A Snowman?"

Arguably the second most famous song in Frozen, to be clear, "Do You Want To Build A Snowman?" is, nevertheless, a sweet-hearted, instantly catchy and heart-tugging tune. It's filled with childhood whimsy, copious bouts of heart and an underlying melancholy at the dysfunction that can often arise between siblings. A literal hot-and-cold relationship, as it were.

Performed by Agatha Lee Monn & Katie Lopez, along with Kristen Bell, "Do You Want To Build A Snowman?" is intentionally simple, relying on its warm innocence and cold sadness, mixed lovingly by its compassionate singers, to sell the emotional crux of the song. Particularly since it serves as one of our introductory tracks, it knows that it is important to keep the song straightforward and character-focused, along us — the viewer and the listener — to understand the broken dynamic between these distant sisters, and one sister's sincere, earnest effort to reconnect with her cold-shouldered sibling.

It's a song both loving and lovely, capturing the vulnerability and inner desires of our young characters with gentle and resonating impact. It's not quite a powerhouse the way "Let It Go" is, but "Do You Want To Build A Snowman?" does have a lot of emotional impact. No matter how many times you hear it, it always packs a punch.

"In Summer"

A jazzy, frothy and appropriate warm upbeat diddy that's given a great deal of character and personality by singer and performer Josh Gad, "In Summer" is a cute and humorous ode to the impending summertime sung by a clueless Olaf. As we all know, Olaf the Scene-Stealing Snowman believes the warm summer season will bring bright and sunny days for him, unaware of what happens to snow when the temperature peaks. As a result, the song finds Olaf singing sweet praises to the hot season that will eventually bring his demise, falsely thinking the future will be more joyful.

Therefore, "In Summer" mirrors the snowman's ironically warm demeanor. It captures the misguided belief of the singing supporting character that sunny days are ahead, in more ways than one, and that it won't be long before a permanent smile will be placed on his carrot-nosed snow-based face. Obviously, everyone else — including the other characters in the scene — know that Olaf is delusional, to say the least. But the rousing and passionate song is great at capturing Olaf's aloof mindset and helping us to understand his misguided belief that the beaming sun will bring peace and happiness.

"Fixer Upper"

With its upbeat tempo, high energy and charming array of characters, it's surprising that "Fixer Upper" isn't a bigger hit. The song, which plays prominently in the middle of the movie, can sort of feel a bit out of place in the scheme of the story. It kinda comes out of nowhere, and it's sung through a variety of characters who were only introduced a brief moment before. Nevertheless, in terms of sheer entertainment, it's hard to beat.

Featuring the voice talents of Maia Wilson, along with the prominent cast and several other talented musicians, "Fixer Upper" is a spontaneous and silly number compared to the rest of the film. With its assortment of bathroom gags and different off-beat comic touches, it can feel a little jarring compared to the tone of the rest of the film. Nevertheless, what's fun is fun. And this song has a great heart and a ton of energy to boot. And much like the title would suggest, it comes into the film just when it could use a pep in its story.

Of course, if you own the Frozen soundtrack, there is a good chance that you have already heard these songs several times before, in a continual loop. While "Let It Go" is still — and will remain — the most famous song on the soundtrack, and the one that will forever continue to get the most plays, the rest of the soundtrack shouldn't be disparaged in the process.

Therefore, the next time you, or your kids, decides to put on the Frozen soundtrack, it might be best to try one of these popular (and less-than-popular) songs instead. And remember, there is a whole new batch of Frozen songs in the future when Frozen 2 storms its way into theaters on November 22nd.

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Shazam!’s Director Wants To Return For A Sequel

Shazam!’s Director Wants To Return For A Sequel

The next DCEU film may not have hit theaters just yet, but it looks like the filmmakers had such a blast working on the movie that they would say yes to making a sequel in a Shazam! Director David F. Sandberg and producer Peter Safran have confirmed their interest in continuing Billy Batson’s story past his upcoming superhero origin story, so stay tuned!

There’s still a couple of weeks before Shazam! hits theaters, but the movie has already received some early positive buzz from critics and will follow the DCEU hype after the recent massive success of Aquaman. So, whispers of sequels may not be completely beating the studio to the punch.

During an interview with ComicBook, Sandberg and Safran were asked if they were ready to take on a second Shazam! The producer jumped in first with an enthusiastic “Absolutely!” before turning to the Shazam! director, who said “Let’s do it!” How the movie is received when it makes its way to theaters does have quite the pull, so if you’re already excited for a sequel go see Shazam! On the big screen!

Early tracking estimates that the superhero flick will makes around $50 million during its opening weekend, as Stephen King remake, Pet Sematary treads closely behind with at around $40 to $45 million. In comparison, Aquaman nabbed $67 million during its first weekend alongside other big new openers Mary Poppins and Bumblebee and went on to become an over $1.1 billion hit. On the other hand, Aquaman wasn’t sandwiched between Captain Marvel and Avengers: Endgame.

Shazam! will also follow the releases of Disney’s live-action Dumbo and Jordan Peele’s second film after his buzzy Get Out debut. How will this change how much attention the next DCEU film gets in the midst of so many exciting releases? Only time will tell.

The movie starring Zachary Levi has been getting a warm reception so far, as early audiences have called it delightful, funny, heartwarming and a sweet call back to classics such as Big, The Goonies and Superman. Shazam! is unique from other superhero films because it is told from the perspective of kids and also looks to feature tons of DCEU jokes with jabs at Batman and Aquaman.

Shazam! follows Billy Batson (Asher Angel) and Freddy Freeman (Jack Dylan Grazer), a pair of foster kids, as Billy obtains the ability to transform into an adult hero with superpowers (Zachary Levi). While the teenagers start off having a fun time playing around with his abilities, Billy must learn to become an actual superhero and take on a formidable foe named Dr. Sivana (Mark Strong).

The DCEU has had a mix of successes and disappointments, but from the looks of it, Shazam! has the makings of starting a hot streak for the franchise that could call for a sequel. Check out Shazam! on April 5 and maybe David F. Sandberg and Peter Safran will get their wish after all.

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Brie Larson Wishes Marvel Would Move Faster With Diversity

Brie Larson Wishes Marvel Would Move Faster With Diversity

Brie Larson became the first woman to lead a Marvel movie solo when she starred in Captain Marvel earlier this year. The actress has been a champion of diversity since long before her role in the major franchise, but with her new platform as a Marvel star, she's become an even louder voice, and while Hollywood has been doing a lot in recent years to better diversify, including Marvel Studios, Larson would love to see this all happen much faster.

In a conversation with Mark Malkin of the Big Ticket podcast, the host relates a conversation he had with Marvel producer Victoria Alonso in which she said it was time to have an LGBTQ superhero. Brie Larson clearly agrees, and actually seems to feel that it's long past time for such things to have happened. According to Larson...

I don’t understand how you could think that a certain type of person isn’t allowed to be a superhero. So to me it’s like, we gotta move faster. But I’m always wanting to move faster with this stuff.

To be fair, Brie Larson clearly thinks that Marvel, overall, is doing a positive job with representation, saying they are at the forefront of changing story structures and norms, such as the fact that Captain Marvel doesn't need a love interest.

The issue isn't that things aren't changing for the better, it's that in Larson's eyes things just aren't changing fast enough, though even she admits she's somewhat impatient in this regard.

If you're the person who is underrepresented on the screen, even knowing that things will get there eventually, it can certainly be hard when you want it all fixed now.

Marvel has made a commitment to increase diversity before, though exactly what form that will take is largely unclear. We do know that Shang-Chi is one of the movies in the slate for the upcoming next phase of the MCU, which will make an Asian superhero the star for the first time in the franchise. The film is also being directed by Destin Daniel Cretton, the director of Short Term 12, which happened to star Brie Larson, which means the film will be helmed by an Asian-American as well.

Also behind the camera, it's been reported that Cate Shorland has been hired to direct the upcoming Black Widow movie.

However, while race and gender diversity are taking some positive steps forward, LGBTQ inclusion is still very much in its infancy at Marvel. The recent Avengers: Endgame was actually the first Marvel film to include a character of any kind who was clearly gay. Hopefully, that's a first step on the way to an LGBTQ superhero. Considering how little we know about the future of the MCU, it's certainly possible there could be plans for such a thing as early as the next phase.

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Avengers: Endgame's Chinese Opening Looks Massive

Avengers: Endgame's Chinese Opening Looks Massive

With pre-sales records broken and theaters planning round-the-clock showings, it looks likely that Avengers: Endgame will have an unprecedented debut at the domestic box office opening weekend. But while domestic audiences still have a day to go until the first preview showings begin, audiences in China, the world’s second-biggest film market, got to experience it a little earlier. Avengers: Endgame has begun its run in The Middle Kingdom and it already looks to be headed towards a massive opening.

Avengers: Endgame opened on Wednesday in China and in its first day in release it smashed the single-day record for the market with a huge $107.2 million. That easily eclipses the previous single-day record holder in the country, the local blockbuster Monster Hunt, which earned $85 million in its opening last year. It is also the best single-day opening for a Hollywood film in the country, racing past The Fate of the Furious’s $69 million.

Avengers: Endgame’s single-day record includes the record $28.2 million the movie earned from midnight preview screenings according to The Hollywood Reporter. The Avengers completely dominated Chinese cinema screens on opening day, with 99% of all movie tickets sold on Wednesday being for the 3-hour MCU epic. To satisfy demand, many of the country’s multiplexes had Endgame playing on every screen and showings were starting every 15 to 30 minutes.

This incredibly fast start portends a ridiculous opening weekend in China for Avengers: Endgame. Prior to its release, the tracking had the Russo Brothers’ film landing at around $270 million for the five-day, Wednesday-Sunday opening. Now some of those prognosticators are amending those predictions with a belief that the film could go as high as $300 million over the five-day opening.

To date, no imported film has ever cracked $500 million in China, but Avengers: Endgame could change that. Hollywood’s biggest box office hit in the country is currently 2017’s The Fate of the Furious, which finished its run with $392.8 million (Avengers: Infinity War made $359.5 million in China). Dom and the family may not hold that record for long though as Chinese online ticketing company Maoyan is projecting a $521 million run for Endgame when it’s all said and done.

We’ve seen in recent years how Hollywood blockbusters and the films of the Marvel Cinematic Universe perform well in China, and how the country’s box office buoys their worldwide totals. So it is not a surprise that Avengers: Endgame is doing well there, but it seems to be outperforming expectations.

Part of that is likely due to the positive reception the film has received. Here in the U.S., Avengers: Endgame is receiving stellar reviews and boasts a fantastic score on Rotten Tomatoes and those in China are echoing that positive reception. The film is enjoying great word of mouth and has a 9.3/10 score on the aforementioned Maoyan’s ticketing app and the more hard to please site Douban, Endgame sits at a 9.2 out of 10.

All these signs point towards Avengers: Endgame doing extremely well, perhaps historically so, over the course of its run. Combined with what is sure to be a huge domestic opening and the Avengers are going out with a serious bang.

Avengers: Endgame opens in domestic theaters this weekend. We’ll keep you updated as previous box office records get snapped to dust and check out our 2019 Release Schedule to see all the movies headed your way as we enter the summer blockbuster season.

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Why Dumbo Actually Needed A Remake

Why Dumbo Actually Needed A Remake

Disney has become fully invested in making live-action remakes of its popular animated films. In the past few years we've seen Maleficent, The Jungle Book and Beauty and the Beast, and we're going to get three remakes this year alone with Dumbo, Aladdin, and The Lion King. Many have questioned why many of these movies are even being remade in the first place, considering the fact that the original films are considered classics in their own right - but if there's one Disney movie that is certainly in worthy of being remade, it's Dumbo. The original is a movie with some serious issues that need to be fixed, and a modern update is a great way to execute those changes.

There are a couple of sequences in Dumbo that simply haven't aged well. The first, you may very well be familiar with, as it has become one of the more notorious sequences in the Disney canon. Near the end of the film, when Dumbo finds himself up a tree with no memory of how he got there (because Dumbo got drunk, you see), he meets a collection of crows. The crows speak jive, and modern audiences have widely labeled them as racist caricatures. The leader of the small gang is even named Jim Crow, which... isn't great. The crows don't represent the worst we've seen from Disney, as Dumbo isn't quite on the level of Song of the South, but they do lean heavily into African-American stereotypes. That sort of thing wasn't uncommon in the 1940s, but looking back on it we can see it's wrong.

However, the crows aren't the only problematic racial element in Dumbo. Earlier in the film, we see Dumbo's circus move to a new town and begin to be constructed. This is all done to a Disney tune called the "Song of the Roustabouts." The roustabouts are singing to, and about, themselves, while putting up the circus tents. We see a change in the animation from the previous scene, which shows Dumbo and the other elephants in perfectly clear detail, to a look where the roustabouts are mostly obscured. None of them have a clear face to distinguish them as independent characters. The only thing that's clear is that they're all not white.

Beyond that, the lyrics of the "Song of the Roustabouts" are also troubling. They sing about how they are all uneducated, and that they can't read or write. They also sing about how once they get paid they'll just throw their money away, implying they wouldn't know how to do anything else. Take a listen.

However, beyond simply making a new version of Dumbo that removes these elements, there are other reasons that the Walt Disney Animated classic is a film that deserves to be remade.

Dumbo was the fourth theatrical feature released by the animation studio back in 1941, however, calling Dumbo a feature is actually being more than a little generous. The film has an official run time of only 64 minutes. It's shorter than some episodes of Game of Thrones.

The length of the film is one symptom of larger issues that Disney was facing at the time. Specifically, there was an intentional move by the studio to make Dumbo on the cheap. Since, in the case of animation, making a longer movie is simply more expensive to produce, one of the ways Dumbo was kept inexpensive was by keeping it short.

In addition to making a shorter movie, the detail work of the animation that was done clearly suffered. If you compare Dumbo to something like Pinocchio, which came before it, or Bambi, which was released after, it's clear that less detail work was done on the backgrounds and the characters, and that they don't look quite as "real" as the other animals or people in the movies Disney created in the era.

The reasons for making Dumbo cheap were simple: Walt Disney Animation Studios was in trouble. In May of 1941, 200 members of the company went on strike in an attempt to get the animators to join the Screen Cartoonists Guild. The strike lasted for nine weeks, during what would have been a prime period of work on Dumbo.

Beyond that, there were other issues. The studio's previous theatrical release, Fantasia, had bombed. This was largely due to the fact that with the start of World War II Disney movies were not seeing wide release overseas. Europe was pretty much entirely closed off, and since countries like England had been a big part of Disney's success with other films, the end of that market hit the company hard.

As such, the Disney studio had begun to make a hard turn toward creating other types of films. Even before Dumbo hit theaters Disney had been commissioned to make short film to promote the sale of Canadian War Bonds and instructional videos on aircraft construction. A large part of what the studio produced in the early 1940s were training films for military use and propaganda shorts. The U.S. would enter the war officially only a couple of months after Dumbo hit theaters and from that point until the end of the war the studio was largely focused on the war effort. The studio itself was commandeered by the U.S. Army and soundstages were used to repair military equipment.

The simple fact is that Disney wasn't able to give Dumbo the attention it deserved during its creation. You can tell that the movie is far too short considering the movie ends at the point where most films would just be getting started. The resolution between "Dumbo learns he can fly" and "Dumbo becomes the star of the circus and everybody lives happily ever after" happens within only a couple of minutes.

And Dumbo is a story worth telling right. When I watched every animated Disney movie a couple years ago in chronological order, Dumbo was the first one to make me want to tear up. The "Baby Mine" sequence is beautiful, but it's one moment a story that otherwise feels like it was put together in much more haphazard fashion. It's clear from the trailers that there's a lot more going on in this new version and that, at least in theory, is a good call.

There's certainly an argument to be made that not every animated Disney movie needs a remake. Just what did the live-action Beauty and the Beast really add to the story? However, if there's a Disney movie that could truly benefit from a remake, it's Dumbo. Now I just hope it's actually good.

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