Yes, Zachary Levi Prefers DC To Marvel, Thank You Very Much

Yes, Zachary Levi Prefers DC To Marvel, Thank You Very Much
Zachary Levi as Shazam! in costume

What started off as the MCU dominating the on-screen superhero sphere and DC playing catch up has switched up n recent years. Warner Bros has made a good case for the potential of its own universe with entries such as Wonder Woman, Aquaman and most recently with the success of Shazam!.


Zachary Levi, who played the titular hero, is one of the few actors who has played comic book characters in both the Marvel and DC film worlds. Naturally, fans are curious how working under the two mantles compare. When Levi took questions at a panel at MegaCon in Orlando, here’s what he said:



I mean I had more fun working for DC. I got to be my own superhero for DC. It was super cool. While I wasn’t able to do the first Thor, I was cast in that by Kenneth Branagh, who I think is an incredible talent… and then getting cast as Fandral the Dashing, this Lothario, swashbuckling, Douglas Fairbanks - I was like ‘this is so dope!’





This isn’t a huge surprise. The actor was given an entire hero to call his own in the DC Extended Universe. For Marvel, he revealed that he was cast to play Fandral in the first Thor movie, but was unavailable. As a result, Josh Dallas took on the role for the 2011 film and Levi took over for Thor: The Dark World and Thor: Ragnarok. Although he seems to have loved his character in the Thor franchise as well, it didn’t live up to its potential. He continued with these words:



We had some fun, but we didn’t really do all that much. I mean anybody who saw the movie, as you know they really didn’t really go that direction with the movie, so I really didn’t have that much to do. So I couldn’t possibly have had as much fun and by going and being my own guy who is a 14-year-old in a superhero adult body. The fun and funny, joy and heart that comes from a premise like that, that’s a fun movie!



Fandral and the Warriors Three may have been a common thread in the Thor trilogy, but they continued to be on the sidelines as the films went on and didn’t get much screen time. Levi previously expressed interest for the Thor sidekicks to get a spinoff of their own, but they were killed off in Ragnarok. After The Dark World struggled to impress Marvel fans, Levi’s Fandral didn’t even get a line in Ragnarok. His last words (or any lines for that matter) were cut from the film.




Zachary Levi even admitted his relief that Fandral didn’t make it out alive for Avengers: Infinity War, because it may not have freed his schedule for Shazam!. He said he likely would have been a sitting duck on set for three months only to be killed off then too.


When you ask Zachary Levi to compare his experiences with the two comic book franchises, his answer isn’t tough to predict or understand. His time with Marvel may have been a bit of a letdown, but it was redeemed in a big way when he took on the role of the adult Billy Batson. His Shazam! role allowed him to really show off his acting chops and play a kid in a superhero’s body. He was far from disappointed by the product since the movie was met with positive responses from critics and fans.


Zachary Levi has also pointed out how proud he is of Shazam’s attention to diversity, as it portrayed a foster home full of different identities, including Billy Batson’s bestie, Freddy, who has a disability. Due to the film’s predominantly young cast, a sequel is already being fast tracked for Shazam! at Warner Bros.




There really is no comparison for the actor given his experiences. That said, he has spoken out to fans in the past to stop pitting the two franchises against one another when Captain Marvel and Shazam! were being placed side by side at the box office and since the two heroes once shared the same title.


Why pick a side anyway? Both the comic book universes are offering something different for fans and can be appreciated in their own lights as they both continue to stack its slates with exciting releases.


When Guardians Of The Galaxy Vol. 3 May Finally Begin Filming

When Guardians Of The Galaxy Vol. 3 May Finally Begin Filming
The Guardians of the Galaxy in Avengers: Infinity War

Although Guardians of the Galaxy Vol. 3 was one of the first movies to be announced for the Marvel Cinematic Universe’s Phase 4 (or whatever the next upcoming slate of movies is being called), the firing and eventual re-hiring of writer and director James Gunn complicated its release schedule. We won’t be seeing Guardians of the Galaxy Vol. 3 as soon as was previously believed, but word’s come in that it could begin filming as soon as next year.


Back in March, it had been rumored that Guardians of the Galaxy Vol. 3 wouldn’t start rolling cameras until early 2021, but THR is saying that production is actually set to begin sometime in 2020. It’s possible that the launch date is for late in 2020, thus being only a few months separated from the previously rumored date, but for Guardians of the Galaxy fans, the prospect of the team’s threequel coming sooner than previously expected is undoubtedly welcome.


When Guardians of the Galaxy Vol. 3 was first unveiled, it was generally believed that it would be ready to go by summer 2020. Marvel never officially confirmed this, but after Disney fired James Gunn last July, any release date plans that might have been penciled in were erased, and the project was put on indefinite hiatus.




In between when James Gunn was fired from Guardians of the Galaxy Vol. 3 and then re-hired in March, he boarded the DC Extended Universe to write and direct The Suicide Squad, and that’s still in play. Production on that sequel/relaunch is set to begin in September, and because it’s not coming out until August 2021, it’s possible Gunn could find himself in a situation where he’s directing Guardians of the Galaxy Vol. 3 and still working on The Suicide Squad on the side.


Sean Gunn Knew In Advance About James Gunn’s Reinstatement As Guardians 3 Director


In any case, assuming that Guardians of the Galaxy Vol. 3 does end up beginning production in 2020, there’s a slim chance it could be ready to go by November 5, 2021, which is one of the dates that Marvel has blocked off. However, given all the VFX work that goes into making these movies, I suspect that Guardians of the Galaxy Vol. 3 won’t arrive until 2022, presumably taking the May 6 date, as Guardians of the Galaxy Vol. 2 also opened in May.




Warning: SPOILERS for Avengers: Endgame are ahead!


While no official plot details have been revealed for Guardians of the Galaxy Vol. 3 have been revealed yet, the currently-playing Avengers: Endgame did hint at what might be coming up by showing Thor accompanying the Guardians back into space and Star-Lord looking for the past version of Gamora, who is now running around the present day MCU. Let’s also not forget that one of Guardians of the Galaxy Vol. 2’s mid-credit scenes set the stage for Adam Warlock to eventually be brought into this universe.


Stay tuned to CinemaBlend for more updates on what’s happening with Guardians of the Galaxy Vol. 3, and you can learn what else is in development for the MCU by looking through our handy guide.




Could Clint Eastwood's Next Movie Land Over At Disney/Fox?

Could Clint Eastwood's Next Movie Land Over At Disney/Fox?
Clint Eastwood

Disney is still figuring things out when it comes to the new Fox studio that the company now owns. There were many projects in various stages of development, and it's likely that not all of them will continue moving forward. However, one project that looks like it may have a chance at life is The Ballad of Richard Jewell and Clint Eastwood is looking at directing.


The Ballad of Richard Jewell was already a project under consideration under the previous 20th Century Fox administration. It now belongs to the new Disney/Fox and Clint Eastwood has been in talks with the new studio about helming the film.


Not every Fox project is doing as well under the new guard. Wes Ball's Mouse Guard, which was very near going into active production, was just stopped by Disney/Fox. The project may get picked up elsewhere, but the new company is already making the call to close down projects it doesn't want. This project, especially if Clint Eastwood does agree to direct, looks to be one Disney/Fox wants to move forward with.




The Ballad of Richard Jewell is based on a Vanity Fair news article of the same name about Richard Jewell, who was a security guard during the 1996 Atlanta Olympics who recognized a suspicious package, which turned out to be a bomb, and saved many people in the process. However, after the events were over Jewell was looked at as a possible suspect. This information became public and Jewell's life was turned upside down. While he was eventually exonerated, his life, and health, were never the same and he died of heart failure at the age of 44.


The Ballad of Richard Jewell is a project that's been around for a while. The script was written by Billy Ray, who previous wrote Captain Philips. Several years ago, Jonah Hill was attached to star as Richard Jewell and Leonardo DiCaprio was considering coming on board to play Jewell's lawyer and friend. Paul Greengrass had considered taking on directing the project, but it never went anywhere. Deadline reports that Eastwood would be looking to put together his own cast with an eye toward beginning production as early as this summer.


Richard Jewell feels like just the sort of character that would be of interest to Clint Eastwood. Many of his recent directorial projects have been stories based on real people. Sully, 15:17 to Paris, American Sniper, and even Eastwood's most recent film, The Mule, in which he also starred, were all based on real people. Clearly, there's an interest in dramatizing these real events and the story surrounding Richard Jewell is one that certainly lends itself to drama.




If The Ballad of Richard Jewell does go into production this summer we could see it as early as the first half of 2020. Although, on paper, this one could have the potential to be an awards contender, which would likely give it a late 2020 release.


Captain Marvel Directors React To Rumors About Nick Fury Being A Skrull

Captain Marvel Directors React To Rumors About Nick Fury Being A Skrull
Samuel L. Jackson as de-aged Nick Fury talking to Carol Danvers in a diner in Captain Marvel

Marvel fans have always been attentive - just look at all the references the filmmakers packed into Avengers: Endgame to provide us with a rewarding experience after going out to see MCU movies for over a decade. However, there is such a thing as reading too much into a character’s screen time, which is perhaps what fans have done with a bit from Nick Fury’s backstory in Captain Marvel.


In a scene in Carol Danvers’ origin movie, she sits across from a digitally de-aged Samuel L. Jackson as Nick Fury as he attempts to convince her that he’s not a shapeshifted Skrull. As they get to know each other, Carol asks him to “name a detail so bizarre a Skrull could never fabricate it” to which Fury opens up about his inability to eat diagonally-cut toast.


The answer sparked a theory when fans referenced a scene in Avengers: Age of Ultron in which Fury is at Hawkeye’s farmhouse, makes himself a sandwich and then cuts the bread diagonally!! So obviously, fans think present-day Fury is a Skrull in disguise.




In a recent interview with ET, the Captain Marvel directors were asked to address the theory and here’s what they said:



Anna Boden: Well, there are two options here. Either Fury became a Skrull or he got over his weird fear of diagonally cut toast, and we'll never know the truth. [Laughs]


Ryan Fleck: He actually became okay with people calling him Nick. So, you know, either he's a Skrull or he just changed, like we all do.



Does anyone else feel like they’re trying to confuse us more? The pair of directors do bring up a good point; Nick may have just changed his mind about diagonally-cut toast between the ‘90s and Age of Ultron, just as he became a more hardened as the years went on. However, the change in his demeanor is much of the reason why fans believe Fury is really a Skrull.




Another supporting idea for the Fury Skrull theory is that four of them landed on the beach in Captain Marvel and only three were ever seen again. Could it be true? The Skrulls did end up to be the good guys in the Kree-Skrull war, but maybe they wanted to be behind the Avengers Initiative? Wouldn’t that be quite the plot twist! The question would then be what happened to the real Nick Fury we met in Captain Marvel? Maybe it would explain why he never called on Carol for help in the previous Marvel films before Endgame.


Or perhaps this is just a random situation that the MCU forgot to fact check before the release of Captain Marvel. It is a pretty deep cut (pun intended) that most fans would not have noticed or remembered upon Fury bringing it up.


Maybe we'll get some answers when Samuel L. Jackson reprises his role as Nick Fury in Spider-Man: Far From Home, coming to theaters on July 2.




The Russo Brothers Reveal The One Avengers: Endgame Actor Who Got The Full Script

The Russo Brothers Reveal The One Avengers: Endgame Actor Who Got The Full Script
Avengers: Endgame cast coming together

If you were one of the many fans who broke the internet (and records) when Avengers: Endgame pre-sale opening night tickets went online, today it’s time to start the final week countdown. Due to all the secrecy surrounding this MCU installment, you better believe the Avengers cast are feeling the anticipation about the release – partly so they can finally talk about it but also to find out what happens in their own movie.


Much of the Avengers cast were not trusted with the full scripts for the Avengers films, except for one per recent comments by the Russo Brothers. In Joe Russo’s words:



[Robert Downey, Jr.] was probably the only one to actually read the entire script. I think Benedict [Cumberbatch] got the script that included his scenes only. [Chris] Evans might have read the whole script.





Looks like Iron Man may be the only actor entrusted with keeping the entirety of Endgame underwraps ahead of the release. The remainder of the cast were only given parts of the script that included their character’s lines or in Tom Holland’s case only his own lines as Joe Russo recently told IndieWire:



He doesn’t even know who he’s acting opposite of. We use like, very vague terms to describe to him what is happening in the scene because he has a very difficult time keeping his mouth shut.



Wait… was Tom Holland’s Spider-Man dusted in Infinity War just so he wouldn’t be able to do press for Endgame? The press tour has been a stressful undertaking for the surviving Avengers cast, who have had to dance around questions about the little they do know about the movie. So imagine what it’s like for RDJ, who may know just as much as the filmmakers. He does have the talent of being a good actor on his side to cover up the secrets for fans.




It makes sense that Iron Man and potentially Captain America would be on the shortlist of the actors able to read these scripts since their story arcs are at the forefront as Endgame closes out their arcs with this film. Anthony Russo did admit in the Rotten Tomatoes interview that behind-the-scenes this method isn’t always an easy option with these words:



It is a more tedious way to work to be honest with you because we do have to do more discussion on set about context because they don’t have the entirety of the script to work off of. So you do need to work harder this way but we believe it’s worth it because that pay off is that special experience in the movie theater for all the audiences.



The Russo’s explained that they keep the scripts away from the cast to make it easier for the actors to not have conversations about spoilers and because they want to replicate the unique experience they had as a kid going to the movies when the spoiler-ridden internet wasn’t a place they could go.




There is something special about going into a movie and not knowing what you’re going to see and it’s why Avengers: Endgame will be such an exciting experience for fans. The movie arrives on April 26th.


Moana Soundtrack Vs Frozen Soundtrack: Which Disney Movie Has Better Songs And Lyrics

Moana Soundtrack Vs Frozen Soundtrack: Which Disney Movie Has Better Songs And Lyrics
Elsa From Frozen and Moana

While Disney animation has had more than its share of hits over the years, there's been nothing quite like Frozen. It's the highest-grossing animated movie around the world the studio has ever had. While a great deal of that success comes from the film's story, which subverts many of Disney's own tropes, you can't overlook the importance of the music in Frozen either.


The soundtrack to Frozen became the first soundtrack album to accumulate one million downloads. It's incredibly successful, but is it actually the best Disney soundtrack?


A couple of years after Frozen, Disney's next "princess" would debut on the big screen in Moana. While Moana would not set the records that Frozen did, it still became an incredibly popular film, in large part because of its music. Let's take a look at the soundtracks and see which one truly is the best.




Frozen Soundtrack


Let It Go: You can't talk about Frozen without discussing "Let it Go." The song is far and away the biggest hit in either movie from a popularity standpoint. There's a reason for that: it's really, really good. Elsa sings the song after leaving home as she decides that she's going to embrace her magic rather than hide it. It's an anthem and it's an inspiring song as any song of this ilk should be.


Do You Want To Build A Snowman?: One of the earliest songs heard in Frozen, "Do You Want to Build a Snowman" is the song the movie uses to jump us forward in time. After Elsa has been sequestered away, Anna sings it as she tries to reconnect with her sister. It's an interesting song because what starts out as the fun and lighthearted romp from a child transforms over the course of the song into an absolutely melancholy tune sung be a young woman. The question, "do you want to build a snowman?" starts out as a joyous invitation and becomes a tearful plea.


For The First Time In Forever: Every great animated Disney movie, and most musicals in general, have what's called the "I Want" song. The song in which the protagonist sings about their dreams which will drive the plot of the story. In Frozen, that song is "For the First Time in Forever." It's mostly sung by Anna as she revels in the excitement of seeing the castle gates opened for the first time in years. However, it also shows us what Elsa wants, which is for all this to just end, showing how the sisters will conflict later in the story.




Love Is An Open Door: Sung by Anna and her new beau Hans, "Love is Open Door" is one of the more interesting pieces of music in Frozen because it fulfills two roles that we normally see songs have in Disney movies. First, it's the love song, as the pair sing about how they're falling in love with each other. However, it's also the villain song. Disney villains almost always get great songs to sing and if you pay attention to the lyrics, you realize that what Hans is really saying is that Anna's love is an opportunity that he can take advantage of.


In Summer: Whether you like or loath "In Summer" is going to depend entirely on how you feel about Olaf the Snowman as a character. Olaf's childlike innocence might not work for everybody, but for those who would like to give Olaf a warm hug, the song is great. The boundless enthusiasm Olaf has for something he knows nothing about, the heat of summer, is hilarious and the tune has the wittiest lyrics of any song on the Frozen soundtrack.


Fixer Upper: The final song to appear in Frozen is sung by the side characters the trolls. It sort of works like a secondary love song, though it's played exclusively for laughs rather than to build romance in any meaningful way. It's a cute tune with some funny lines, but it's probably not anybody's favorite song.




Frozen Heart: The first song in Frozen is an underrated tune because it's the one that actually sets the tone for the entire movie. "Frozen Heart" opens the entire movie as a group of men sing while they work harvesting ice. The booming male voices off set the female voices that dominate the rest of the film. And the song's repeated title line "beware the frozen heart" hints at the larger conflicts that will come later in the movie.


For The First Time In Forever (Reprise): The reprise of "For the First Time in Forever" is the moment when Anna realizes that her sister truly needs her help. Elsa only wants Anna to go away, continuing to believe that's the only way to keep her safe. It's a brief interlude but an interesting juxtaposition on the previous version of the song.


Reindeer(s) Are Better Than People: It's brief and its silly, but it's also fun. Frozen doesn't have talking animals the way many Disney movies do, so when it comes to Sven, Kristoff speaks for him. Kristoff performs the song as entertainment for himself and his reindeer while they find a place to sleep for the night.




Moana Soundtrack


How Far I'll Go: "How Far I'll Go" is Moana's "I want" song. It's all about the call the young Moana feels pulling toward the ocean. What makes this song a bit more unique in Disney history is that Moana is more torn than the usual Disney heroine. She knows she has responsibilities at home and she wants to live up to those responsibilities. She doesn't want to leave her life behind, she wants both, and she's not sure how to make that happen. She almost wishes she didn't feel the need to voyage, but she just can't help it.


You're Welcome: Who would ever guess that one of the catchiest Disney songs in recent memory would come from The Rock? And yet, Maui's one solo tune in Moana, "You're Welcome" is the biggest ear worm on the Moana soundtrack. It's got a great tune and punchy lyrics, and isn't short on ego, so of course it works for The Rock.


Shiny: Moana doesn't have a traditional villain that our heroes battle and defeat at the end of the story, so the closest thing to a villain song comes from the giant crab Tamatoa voiced by Flight of the Conchord's Jemaine Clement. It's the biggest musical number in the film and Clement owns the performance, going full glam rock with it.




Where You Are: "Where You Are" is the Moana song that gives you all the backstory you need to understand the story. In just a few minutes you have a complete understanding of Moana's life on the island. We learn what is expected of her, and begin to see that she's conflicted about it. It's got a great melody, too. Similar to one of Frozen's songs, it take us through multiple time periods, and emotions, from the beginning to the end.


We Know the Way: Sung by the great Opetaia Foa'i and Lin-Manuel Miranda, who co-wrote much of the Moana soundtrack, the song comes in two parts. One part is a combination of Samoan and Tokelauan, and the other half is written in English. It's a great piece that uses native languages of the South Pacific in order to properly set the story. It's a wide, sweeping, and open song that feels like you're traveling the wide open ocean.


How Far I'll Go (Reprise): While the original rendition of the song is girl conflicted about what the right choice is, the reprise to "How Far I'll Go" is a woman who has made her choice. She's both excited to be setting off on her journey and determined due to its nature. There's no turning back from this moment and you can feel it in the way Moana sings.




I Am Moana (Song of the Ancestors): At her darkest point, Moana is visited by the spirit of her grandmother. Finally, Moana's torn soul -- that wants to help her and also travel the sea -- finds peace by realizing that she can do both. She understands who she is now, and she chooses to continue her journey. It's an incredible song that will stir something inside you every time you hear it.


We Know the Way (Finale): Moana's finale piece is a return to the voice of Lin-Manuel Miranda in a triumphant finale song that seems Moana and her family traveling the oceans looking for new islands to settle. Moana's people have entered a new era in their lives and Moana is the reason.


An Innocent Warrior: "An Innocent Warrior" probably isn't a song you're going to sing in the car unless you're fluent in several polynesian languages, but the fact that you don't know the words doesn't make the song any less beautiful. Played as Moana has her first encounter with the ocean as a living entity, we see the baby Moana having fun playing with the water, but while she is playing the lyrics of the song tell us about the journey that stands in front of the girl and how important it will be.




Logo Te Pate: Another song you can't sing along to unless you speak Tokelauan, "Logo Te Pate" is the montage song that plays over a collection of scenes that shows Maui training Moana to become a wayfinder. It's an upbeat number and the lyrics, even if you don't understand them, give you a feeling of excitement. We know things are looking better for our heroes.


Know Who You Are: All of Moana is about the title character finding out who she is. In the end, success in her quest comes from helping somebody else find themselves. Te Fiti, whose heart Moana needs to restore, is also the monster who has been blocking Moana's path. The young girl finally realizes this and we get a soulful song that's liable to bring a tear to your eye.


Tulou Tagaloa: The first song of Moana is only played over the opening Disney logos, and isn't technically part of the movie, but it is part of the soundtrack, and it's a lovely (albeit brief) tune. Translated from Samoan, the lyrics are about welcoming you so that you may witness and understand how beautiful this world is, make this song the perfect way to start the story of Moana.




Which One Is Better?


This certainly is a tough call. With Frozen you have one of the most iconic songs that Disney has ever produced in "Let it Go" and if we were judging based on which soundtrack at the best single song, that would determine our winner.


However, when taken as a complete soundtrack, the edge has to go to Moana over Frozen. Everything on the Frozen soundtrack feels like something that would belong at home on the Broadway stage, and of course, Frozen is now a successful Broadway show as well as a movie, and while that's not a bad thing by itself, Moana's soundtrack just has more variety.


In addition, the fact that the lyrics to many of Moana's songs include actual Polynesian lyrics, gives the songs a better sense of place. No matter when or how you hear the soundtrack to Moana, you feel like you've been transported back to the movie when you hear somebody sing in Tokelauan.




Both Frozen Moana have soundtracks that will undoubtedly stand the test of time. But in my opinion, Moana's is ever-so-slightly better.


Booksmart’s Olivia Wilde Reveals The Teen Comedies That Inspired Her In This Exclusive Featurette

Booksmart’s Olivia Wilde Reveals The Teen Comedies That Inspired Her In This Exclusive Featurette

In their own way, teen comedies have the capacity to demonstrate the very real power of cinema. Those who grew up with a close relationship to movies can likely rattle off a series of fantastic titles they saw through their high school years, and it’s because of the significant impact of watching characters your own age struggle with similar issues – while also experiencing wacky, hilarious hijinks. Every living generation has their personal examples of this, and now Olivia Wilde has contributed to this wonderful legacy with her directorial debut, Booksmart.


At the same time, though, hearing some wonderful comparisons to legitimate classics has really amazed the filmmaker in the run-up to the release of her movie – which is something she joyously explains in this exclusive new featurette:


As she explains in the video, Olivia Wilde was excited to make Booksmart as her first directorial effort because of her own personal love of teen comedies – and she performs a bit of title rattling herself, with a special focus on the many classics from writer/director John Hughes. Her intention was to evoke the very special feeling of being young and the freedom that comes with it, and it’s apparently been a thrilling experience getting feedback with that reaction from audiences that have already seen the film. Said Wilde,





The reason I wanted to make Booksmart is because I love these high school classics. I love these generational anthems. I think about movies like The Breakfast Club, Sixteen Candles, Ferris Bueller's Day Off, Clueless… I wanted to make something that celebrates the kind of freedom of youth, but to hear people say like, 'Oh, this movie makes me feel how I felt when I watched Clueless' is kind of mind-boggling.



Based on an original screenplay by Susanna Fogel, Emily Halpern, Sarah Haskins, and Katie Silberman, Booksmart tells the story of Amy (Kaitlyn Dever) and Molly (Beanie Feldstein) - two overachieving, anti-social high school seniors who are exceptionally proud of the hard work they’ve done and the high grades they have earned. They are both set for extremely bright futures, but the wind gets totally taken out of their sails when they discover that many of their party-loving classmates are also getting ready to go to some of the best colleges in the country. Feeling like they’ve missed out on a key part of the teenage experience, they vow to make the most of the night before graduation by attending a party being thrown by one of the most popular kids in school.


The movie very much shares a kindred soul with the wonderful titles mentioned earlier, and Olivia Wilde hopes that it it’s a film that connects with audiences of all ages – both the young people who are currently experiencing similar tribulations as the protagonists, and those who are older and can reflect on having those same experiences in their youth:





I wanted to make [teenagers] something that acknowledges how awesome they are, while also making something for the rest of us to just look at and feel super nostalgic.



Booksmart, which co-stars Will Forte, Lisa Kudrow, Jason Sudeikis, Jessica Williams and more, arrives in theaters this Friday, May 24th.