Could Clint Eastwood's Next Movie Land Over At Disney/Fox?

Could Clint Eastwood's Next Movie Land Over At Disney/Fox?
Clint Eastwood

Disney is still figuring things out when it comes to the new Fox studio that the company now owns. There were many projects in various stages of development, and it's likely that not all of them will continue moving forward. However, one project that looks like it may have a chance at life is The Ballad of Richard Jewell and Clint Eastwood is looking at directing.


The Ballad of Richard Jewell was already a project under consideration under the previous 20th Century Fox administration. It now belongs to the new Disney/Fox and Clint Eastwood has been in talks with the new studio about helming the film.


Not every Fox project is doing as well under the new guard. Wes Ball's Mouse Guard, which was very near going into active production, was just stopped by Disney/Fox. The project may get picked up elsewhere, but the new company is already making the call to close down projects it doesn't want. This project, especially if Clint Eastwood does agree to direct, looks to be one Disney/Fox wants to move forward with.




The Ballad of Richard Jewell is based on a Vanity Fair news article of the same name about Richard Jewell, who was a security guard during the 1996 Atlanta Olympics who recognized a suspicious package, which turned out to be a bomb, and saved many people in the process. However, after the events were over Jewell was looked at as a possible suspect. This information became public and Jewell's life was turned upside down. While he was eventually exonerated, his life, and health, were never the same and he died of heart failure at the age of 44.


The Ballad of Richard Jewell is a project that's been around for a while. The script was written by Billy Ray, who previous wrote Captain Philips. Several years ago, Jonah Hill was attached to star as Richard Jewell and Leonardo DiCaprio was considering coming on board to play Jewell's lawyer and friend. Paul Greengrass had considered taking on directing the project, but it never went anywhere. Deadline reports that Eastwood would be looking to put together his own cast with an eye toward beginning production as early as this summer.


Richard Jewell feels like just the sort of character that would be of interest to Clint Eastwood. Many of his recent directorial projects have been stories based on real people. Sully, 15:17 to Paris, American Sniper, and even Eastwood's most recent film, The Mule, in which he also starred, were all based on real people. Clearly, there's an interest in dramatizing these real events and the story surrounding Richard Jewell is one that certainly lends itself to drama.




If The Ballad of Richard Jewell does go into production this summer we could see it as early as the first half of 2020. Although, on paper, this one could have the potential to be an awards contender, which would likely give it a late 2020 release.


Captain Marvel Directors React To Rumors About Nick Fury Being A Skrull

Captain Marvel Directors React To Rumors About Nick Fury Being A Skrull
Samuel L. Jackson as de-aged Nick Fury talking to Carol Danvers in a diner in Captain Marvel

Marvel fans have always been attentive - just look at all the references the filmmakers packed into Avengers: Endgame to provide us with a rewarding experience after going out to see MCU movies for over a decade. However, there is such a thing as reading too much into a character’s screen time, which is perhaps what fans have done with a bit from Nick Fury’s backstory in Captain Marvel.


In a scene in Carol Danvers’ origin movie, she sits across from a digitally de-aged Samuel L. Jackson as Nick Fury as he attempts to convince her that he’s not a shapeshifted Skrull. As they get to know each other, Carol asks him to “name a detail so bizarre a Skrull could never fabricate it” to which Fury opens up about his inability to eat diagonally-cut toast.


The answer sparked a theory when fans referenced a scene in Avengers: Age of Ultron in which Fury is at Hawkeye’s farmhouse, makes himself a sandwich and then cuts the bread diagonally!! So obviously, fans think present-day Fury is a Skrull in disguise.




In a recent interview with ET, the Captain Marvel directors were asked to address the theory and here’s what they said:



Anna Boden: Well, there are two options here. Either Fury became a Skrull or he got over his weird fear of diagonally cut toast, and we'll never know the truth. [Laughs]


Ryan Fleck: He actually became okay with people calling him Nick. So, you know, either he's a Skrull or he just changed, like we all do.



Does anyone else feel like they’re trying to confuse us more? The pair of directors do bring up a good point; Nick may have just changed his mind about diagonally-cut toast between the ‘90s and Age of Ultron, just as he became a more hardened as the years went on. However, the change in his demeanor is much of the reason why fans believe Fury is really a Skrull.




Another supporting idea for the Fury Skrull theory is that four of them landed on the beach in Captain Marvel and only three were ever seen again. Could it be true? The Skrulls did end up to be the good guys in the Kree-Skrull war, but maybe they wanted to be behind the Avengers Initiative? Wouldn’t that be quite the plot twist! The question would then be what happened to the real Nick Fury we met in Captain Marvel? Maybe it would explain why he never called on Carol for help in the previous Marvel films before Endgame.


Or perhaps this is just a random situation that the MCU forgot to fact check before the release of Captain Marvel. It is a pretty deep cut (pun intended) that most fans would not have noticed or remembered upon Fury bringing it up.


Maybe we'll get some answers when Samuel L. Jackson reprises his role as Nick Fury in Spider-Man: Far From Home, coming to theaters on July 2.




The Russo Brothers Reveal The One Avengers: Endgame Actor Who Got The Full Script

The Russo Brothers Reveal The One Avengers: Endgame Actor Who Got The Full Script
Avengers: Endgame cast coming together

If you were one of the many fans who broke the internet (and records) when Avengers: Endgame pre-sale opening night tickets went online, today it’s time to start the final week countdown. Due to all the secrecy surrounding this MCU installment, you better believe the Avengers cast are feeling the anticipation about the release – partly so they can finally talk about it but also to find out what happens in their own movie.


Much of the Avengers cast were not trusted with the full scripts for the Avengers films, except for one per recent comments by the Russo Brothers. In Joe Russo’s words:



[Robert Downey, Jr.] was probably the only one to actually read the entire script. I think Benedict [Cumberbatch] got the script that included his scenes only. [Chris] Evans might have read the whole script.





Looks like Iron Man may be the only actor entrusted with keeping the entirety of Endgame underwraps ahead of the release. The remainder of the cast were only given parts of the script that included their character’s lines or in Tom Holland’s case only his own lines as Joe Russo recently told IndieWire:



He doesn’t even know who he’s acting opposite of. We use like, very vague terms to describe to him what is happening in the scene because he has a very difficult time keeping his mouth shut.



Wait… was Tom Holland’s Spider-Man dusted in Infinity War just so he wouldn’t be able to do press for Endgame? The press tour has been a stressful undertaking for the surviving Avengers cast, who have had to dance around questions about the little they do know about the movie. So imagine what it’s like for RDJ, who may know just as much as the filmmakers. He does have the talent of being a good actor on his side to cover up the secrets for fans.




It makes sense that Iron Man and potentially Captain America would be on the shortlist of the actors able to read these scripts since their story arcs are at the forefront as Endgame closes out their arcs with this film. Anthony Russo did admit in the Rotten Tomatoes interview that behind-the-scenes this method isn’t always an easy option with these words:



It is a more tedious way to work to be honest with you because we do have to do more discussion on set about context because they don’t have the entirety of the script to work off of. So you do need to work harder this way but we believe it’s worth it because that pay off is that special experience in the movie theater for all the audiences.



The Russo’s explained that they keep the scripts away from the cast to make it easier for the actors to not have conversations about spoilers and because they want to replicate the unique experience they had as a kid going to the movies when the spoiler-ridden internet wasn’t a place they could go.




There is something special about going into a movie and not knowing what you’re going to see and it’s why Avengers: Endgame will be such an exciting experience for fans. The movie arrives on April 26th.


Moana Soundtrack Vs Frozen Soundtrack: Which Disney Movie Has Better Songs And Lyrics

Moana Soundtrack Vs Frozen Soundtrack: Which Disney Movie Has Better Songs And Lyrics
Elsa From Frozen and Moana

While Disney animation has had more than its share of hits over the years, there's been nothing quite like Frozen. It's the highest-grossing animated movie around the world the studio has ever had. While a great deal of that success comes from the film's story, which subverts many of Disney's own tropes, you can't overlook the importance of the music in Frozen either.


The soundtrack to Frozen became the first soundtrack album to accumulate one million downloads. It's incredibly successful, but is it actually the best Disney soundtrack?


A couple of years after Frozen, Disney's next "princess" would debut on the big screen in Moana. While Moana would not set the records that Frozen did, it still became an incredibly popular film, in large part because of its music. Let's take a look at the soundtracks and see which one truly is the best.




Frozen Soundtrack


Let It Go: You can't talk about Frozen without discussing "Let it Go." The song is far and away the biggest hit in either movie from a popularity standpoint. There's a reason for that: it's really, really good. Elsa sings the song after leaving home as she decides that she's going to embrace her magic rather than hide it. It's an anthem and it's an inspiring song as any song of this ilk should be.


Do You Want To Build A Snowman?: One of the earliest songs heard in Frozen, "Do You Want to Build a Snowman" is the song the movie uses to jump us forward in time. After Elsa has been sequestered away, Anna sings it as she tries to reconnect with her sister. It's an interesting song because what starts out as the fun and lighthearted romp from a child transforms over the course of the song into an absolutely melancholy tune sung be a young woman. The question, "do you want to build a snowman?" starts out as a joyous invitation and becomes a tearful plea.


For The First Time In Forever: Every great animated Disney movie, and most musicals in general, have what's called the "I Want" song. The song in which the protagonist sings about their dreams which will drive the plot of the story. In Frozen, that song is "For the First Time in Forever." It's mostly sung by Anna as she revels in the excitement of seeing the castle gates opened for the first time in years. However, it also shows us what Elsa wants, which is for all this to just end, showing how the sisters will conflict later in the story.




Love Is An Open Door: Sung by Anna and her new beau Hans, "Love is Open Door" is one of the more interesting pieces of music in Frozen because it fulfills two roles that we normally see songs have in Disney movies. First, it's the love song, as the pair sing about how they're falling in love with each other. However, it's also the villain song. Disney villains almost always get great songs to sing and if you pay attention to the lyrics, you realize that what Hans is really saying is that Anna's love is an opportunity that he can take advantage of.


In Summer: Whether you like or loath "In Summer" is going to depend entirely on how you feel about Olaf the Snowman as a character. Olaf's childlike innocence might not work for everybody, but for those who would like to give Olaf a warm hug, the song is great. The boundless enthusiasm Olaf has for something he knows nothing about, the heat of summer, is hilarious and the tune has the wittiest lyrics of any song on the Frozen soundtrack.


Fixer Upper: The final song to appear in Frozen is sung by the side characters the trolls. It sort of works like a secondary love song, though it's played exclusively for laughs rather than to build romance in any meaningful way. It's a cute tune with some funny lines, but it's probably not anybody's favorite song.




Frozen Heart: The first song in Frozen is an underrated tune because it's the one that actually sets the tone for the entire movie. "Frozen Heart" opens the entire movie as a group of men sing while they work harvesting ice. The booming male voices off set the female voices that dominate the rest of the film. And the song's repeated title line "beware the frozen heart" hints at the larger conflicts that will come later in the movie.


For The First Time In Forever (Reprise): The reprise of "For the First Time in Forever" is the moment when Anna realizes that her sister truly needs her help. Elsa only wants Anna to go away, continuing to believe that's the only way to keep her safe. It's a brief interlude but an interesting juxtaposition on the previous version of the song.


Reindeer(s) Are Better Than People: It's brief and its silly, but it's also fun. Frozen doesn't have talking animals the way many Disney movies do, so when it comes to Sven, Kristoff speaks for him. Kristoff performs the song as entertainment for himself and his reindeer while they find a place to sleep for the night.




Moana Soundtrack


How Far I'll Go: "How Far I'll Go" is Moana's "I want" song. It's all about the call the young Moana feels pulling toward the ocean. What makes this song a bit more unique in Disney history is that Moana is more torn than the usual Disney heroine. She knows she has responsibilities at home and she wants to live up to those responsibilities. She doesn't want to leave her life behind, she wants both, and she's not sure how to make that happen. She almost wishes she didn't feel the need to voyage, but she just can't help it.


You're Welcome: Who would ever guess that one of the catchiest Disney songs in recent memory would come from The Rock? And yet, Maui's one solo tune in Moana, "You're Welcome" is the biggest ear worm on the Moana soundtrack. It's got a great tune and punchy lyrics, and isn't short on ego, so of course it works for The Rock.


Shiny: Moana doesn't have a traditional villain that our heroes battle and defeat at the end of the story, so the closest thing to a villain song comes from the giant crab Tamatoa voiced by Flight of the Conchord's Jemaine Clement. It's the biggest musical number in the film and Clement owns the performance, going full glam rock with it.




Where You Are: "Where You Are" is the Moana song that gives you all the backstory you need to understand the story. In just a few minutes you have a complete understanding of Moana's life on the island. We learn what is expected of her, and begin to see that she's conflicted about it. It's got a great melody, too. Similar to one of Frozen's songs, it take us through multiple time periods, and emotions, from the beginning to the end.


We Know the Way: Sung by the great Opetaia Foa'i and Lin-Manuel Miranda, who co-wrote much of the Moana soundtrack, the song comes in two parts. One part is a combination of Samoan and Tokelauan, and the other half is written in English. It's a great piece that uses native languages of the South Pacific in order to properly set the story. It's a wide, sweeping, and open song that feels like you're traveling the wide open ocean.


How Far I'll Go (Reprise): While the original rendition of the song is girl conflicted about what the right choice is, the reprise to "How Far I'll Go" is a woman who has made her choice. She's both excited to be setting off on her journey and determined due to its nature. There's no turning back from this moment and you can feel it in the way Moana sings.




I Am Moana (Song of the Ancestors): At her darkest point, Moana is visited by the spirit of her grandmother. Finally, Moana's torn soul -- that wants to help her and also travel the sea -- finds peace by realizing that she can do both. She understands who she is now, and she chooses to continue her journey. It's an incredible song that will stir something inside you every time you hear it.


We Know the Way (Finale): Moana's finale piece is a return to the voice of Lin-Manuel Miranda in a triumphant finale song that seems Moana and her family traveling the oceans looking for new islands to settle. Moana's people have entered a new era in their lives and Moana is the reason.


An Innocent Warrior: "An Innocent Warrior" probably isn't a song you're going to sing in the car unless you're fluent in several polynesian languages, but the fact that you don't know the words doesn't make the song any less beautiful. Played as Moana has her first encounter with the ocean as a living entity, we see the baby Moana having fun playing with the water, but while she is playing the lyrics of the song tell us about the journey that stands in front of the girl and how important it will be.




Logo Te Pate: Another song you can't sing along to unless you speak Tokelauan, "Logo Te Pate" is the montage song that plays over a collection of scenes that shows Maui training Moana to become a wayfinder. It's an upbeat number and the lyrics, even if you don't understand them, give you a feeling of excitement. We know things are looking better for our heroes.


Know Who You Are: All of Moana is about the title character finding out who she is. In the end, success in her quest comes from helping somebody else find themselves. Te Fiti, whose heart Moana needs to restore, is also the monster who has been blocking Moana's path. The young girl finally realizes this and we get a soulful song that's liable to bring a tear to your eye.


Tulou Tagaloa: The first song of Moana is only played over the opening Disney logos, and isn't technically part of the movie, but it is part of the soundtrack, and it's a lovely (albeit brief) tune. Translated from Samoan, the lyrics are about welcoming you so that you may witness and understand how beautiful this world is, make this song the perfect way to start the story of Moana.




Which One Is Better?


This certainly is a tough call. With Frozen you have one of the most iconic songs that Disney has ever produced in "Let it Go" and if we were judging based on which soundtrack at the best single song, that would determine our winner.


However, when taken as a complete soundtrack, the edge has to go to Moana over Frozen. Everything on the Frozen soundtrack feels like something that would belong at home on the Broadway stage, and of course, Frozen is now a successful Broadway show as well as a movie, and while that's not a bad thing by itself, Moana's soundtrack just has more variety.


In addition, the fact that the lyrics to many of Moana's songs include actual Polynesian lyrics, gives the songs a better sense of place. No matter when or how you hear the soundtrack to Moana, you feel like you've been transported back to the movie when you hear somebody sing in Tokelauan.




Both Frozen Moana have soundtracks that will undoubtedly stand the test of time. But in my opinion, Moana's is ever-so-slightly better.


Booksmart’s Olivia Wilde Reveals The Teen Comedies That Inspired Her In This Exclusive Featurette

Booksmart’s Olivia Wilde Reveals The Teen Comedies That Inspired Her In This Exclusive Featurette

In their own way, teen comedies have the capacity to demonstrate the very real power of cinema. Those who grew up with a close relationship to movies can likely rattle off a series of fantastic titles they saw through their high school years, and it’s because of the significant impact of watching characters your own age struggle with similar issues – while also experiencing wacky, hilarious hijinks. Every living generation has their personal examples of this, and now Olivia Wilde has contributed to this wonderful legacy with her directorial debut, Booksmart.


At the same time, though, hearing some wonderful comparisons to legitimate classics has really amazed the filmmaker in the run-up to the release of her movie – which is something she joyously explains in this exclusive new featurette:


As she explains in the video, Olivia Wilde was excited to make Booksmart as her first directorial effort because of her own personal love of teen comedies – and she performs a bit of title rattling herself, with a special focus on the many classics from writer/director John Hughes. Her intention was to evoke the very special feeling of being young and the freedom that comes with it, and it’s apparently been a thrilling experience getting feedback with that reaction from audiences that have already seen the film. Said Wilde,





The reason I wanted to make Booksmart is because I love these high school classics. I love these generational anthems. I think about movies like The Breakfast Club, Sixteen Candles, Ferris Bueller's Day Off, Clueless… I wanted to make something that celebrates the kind of freedom of youth, but to hear people say like, 'Oh, this movie makes me feel how I felt when I watched Clueless' is kind of mind-boggling.



Based on an original screenplay by Susanna Fogel, Emily Halpern, Sarah Haskins, and Katie Silberman, Booksmart tells the story of Amy (Kaitlyn Dever) and Molly (Beanie Feldstein) - two overachieving, anti-social high school seniors who are exceptionally proud of the hard work they’ve done and the high grades they have earned. They are both set for extremely bright futures, but the wind gets totally taken out of their sails when they discover that many of their party-loving classmates are also getting ready to go to some of the best colleges in the country. Feeling like they’ve missed out on a key part of the teenage experience, they vow to make the most of the night before graduation by attending a party being thrown by one of the most popular kids in school.


The movie very much shares a kindred soul with the wonderful titles mentioned earlier, and Olivia Wilde hopes that it it’s a film that connects with audiences of all ages – both the young people who are currently experiencing similar tribulations as the protagonists, and those who are older and can reflect on having those same experiences in their youth:





I wanted to make [teenagers] something that acknowledges how awesome they are, while also making something for the rest of us to just look at and feel super nostalgic.



Booksmart, which co-stars Will Forte, Lisa Kudrow, Jason Sudeikis, Jessica Williams and more, arrives in theaters this Friday, May 24th.


James Gunn's Return To Disney Goes Beyond Guardians Of The Galaxy Vol. 3

James Gunn's Return To Disney Goes Beyond Guardians Of The Galaxy Vol. 3
Rocket in Guardians of the Galaxy - Mission: Breakout

When big news hits, as you might imagine, things at CinemaBlend go a little bonkers. Everybody goes slightly crazy as we all try to make sure we have all our bases covered. Things went crazy like that last summer when the word came down that Disney had dropped James Gunn from Guardians of the Galaxy Vol. 3, and they went that way again just now as the news came out that he's back. While this news is huge for the Marvel Cinematic Universe, the fact is that Gunn's involvement with these characters went beyond two, and now one day, three movies. James Gunn's return is going to be very good news for Disney's theme park business as well, because the Guardians of the Galaxy are a big part of that.


James Gunn was directly involved in the development of Guardians of the Galaxy - Mission: Breakout, the first marvel themed attraction at a Disney theme park. In fact, he directed the video sequences of the ride while he was in production on Guardians of the Galaxy Vol. 2.


Right now, a major new E-ticket attraction is under construction at Epcot at Walt Disney World. It's a Guardians of the Galaxy themed roller coaster. While most of the details of the experience itself have yet to be confirmed, beyond some cool technical stuff, we fully expect the MCU versions of these characters to feature prominently. The initial indication was that James Gunn and the Guardians actors would film whatever sequences were required for the attraction while Guardians of the Galaxy Vol. 3 was in production. When Gunn left the job and the movie was put on indefinite hold, it was far from clear what that meant for the theme park attraction.





The ride has something of a hard deadline. While no official opening date has been given, the ride has been promised to be open in time for Walt Disney World's 50th anniversary, which will be in 2021.


While we have no idea at this point when Guardians of the Galaxy Vol. 3 will be going into production, we do know that it will happen sometime after The Suicide Squad aka Suicide Squad 2 is completed. With that film looking at a summer 2021 release date, Gunn might not even get around to Guardians 3 until the end of 2021 or so.


Still, I would fully expect James Gunn to spearhead whatever production is necessary for the new Epcot attraction. This means that Gunn's first work back with Disney might not actually be Guardians of the Galaxy 3, it could actually be whatever theme park work is required. It likely can't wait until the movie goes into full production and will probably be handled separately.





The Guardians of the Galaxy are an important part of Disney's plans for Marvel, as the team is one of the few parts of the Marvel Cinematic Universe that Disney can use freely due to old agreements Marvel made with Universal theme parks before the company was purchased by Disney. At the same time, no part of the MCU is as closely tied to a single creator as the Guardians are to James Gunn.


One of the nice things about Guardians of the Galaxy - Mission: Breakout is that the structure of the experience allows for new content to be filmed and added to the ride over time. This is now that much more likely happen now that Guardians 3 is back on and Gunn is back involved. This will give the attraction the ability to stay relevant for a longer period of time, and keep guests going back.


What the future holds for the Guardians of the Galaxy at Disney Parks is far from clear, but there is now a brighter future to be sure.





Aladdin’s Will Smith Really Wanted To Pay Homage To Robin Williams

Aladdin’s Will Smith Really Wanted To Pay Homage To Robin Williams
Aladdin trailer 2019 has Will Smith as blue genie

It’s been a while since Will’s Smith musical career was as hot as his acting gigs, so it would be easy to forget the man’s capable of bringing a lot to the table in the way of music. In the case of Disney’s live action Aladdin, Smith has revealed that it was through the movie’s musical components that he was able to channel and pay homage to late actor Robin Williams.


Previously, Will Smith has talked about how he was able to lend a hip-hop influence to songs like “Friend Like Me,” but in a recent interview he took this explanation further, explaining how playing with the BPM range allowed for both his vision and Robin Williams’ original to shine through. He said:



The music was really how I saw my way in to be able to play the Genie. That first day messing around with ‘Friend Like Me,’ I noticed that it was in the BPM range of old-school hip-hop. So when I started playing with it, it was like, ‘Oh man — this really lends itself to a tempo and a flavor that I really understand.’ And that showed me how I could pay homage to Robin and not change the songs so much, so people would have the nostalgic value, but then also be able to come with my own flavor.





Of course Robin Williams’ version has a lot of energy and enthusiasm. It’s a big number and it even won a nod for best song at the 65th Academy Awards, so it's no real surprise Will Smith would tell Variety that he looked at the iconic performance and what it did while he was crafting his own version. But first, here's the Williams version:


Along with the in-movie song, a separate rap version with DJ Khaled is incorporated into the end credits of Aladdin. Will Smith also brings his own energy to the performance, as he has shown to the press in the weeks leading into Aladdin.


The original animated Aladdin was one of Robin Williams’ most notable performances, winning awards and nods when it came out back in 1992. With Disney remaking a lot of its live action properties, it was only a matter of time before Aladdin got the call.




It would have taken a pretty special performer to even try to measure up to the voice work Robin Williams put in. Of the choices, Will Smith is a big, bold personality with his own ideas.


Related: In Defense Of Will Smith’s Big, Blue Genie In Aladdin


Will Smith has also mentioned that he almost said no to taking on the role, specifically because Robin Williams knocked it out of the park when he played the Genie nearly thirty years ago. Ultimately, the hip-hop narrative is what drove the actor to say “yes” and the rest is history.




The kind of history that makes $86 million domestically and $207 million worldwide on opening weekend. It seems like people dig whatever Will Smith and co. are doing.